Featured titles
-
RACHEL, a novel by Andrei Gelasimov
Rights sold: France - ACTES SUD, Russia - EKSMO, Spain - CLUB EDITOR (Catalan language), World English - AMAZON CROSSING,
With icons like Chubby Checker and Yuri Gagarin, the Moscow that Svyatoslav Semyonovich inhabits at the onset of the Cold War brims with the flashy visual textures of capitalism. A Jewish teenager on the hunt for black-market tight pants and rock records, Svyatoslav somehow fails to develop his undying love for Lyuba into a happy ending. He finds work in a mental institution, runs off to Kiev with one of the patients, marries a few times, has a son, becomes a professor, and halfheartedly runs interference for the KGB. Always taking great pleasure in the experiences of others, including his patients and lovers, Svyatoslav flounders through his own life but never loses sight of Lyuba, his biblical Rachel, his great love. A professor and close reader of both Russian and American literature, Svyatoslav tries to interpret his eccentric life as if it were a text to be read, only to learn that life happens off the page.
Read more... -
Aquarius over Odessa, a novel by Ilya Mitrofanov (1992)
Rights sold: Germany - Volk und Welt, Spain - Lumen
"Unfortunately, AQUARIUS OVER ODESSA will remain the author's final work; the tragic accident that took his life in 1994 has deprived Russian literature of one of its more promising talents." -- Joseph P. Mozur Jr., World Literature Today
The astrological sign of change, Aquarius, bodes neither peace nor goodwill for Mitrofanov's blue-collar hero Semyon Stavraki, a deep-sea diver working in the rough and bustling port of Odessa. Stavraki, an orphan raised in the ruins of postwar Odessa, claims the city as his mother and proudly credits her with having taught him honesty, respect, and tolerance for others. Nevertheless, Stavraki's story illustrates how bad things can befall good people, and his fortunes take a disastrous turn precisely when the star sign appears over the city.
The first-person narrative opens with Stavraki's homecoming from a prison camp in the north of Russia. He tells his life story to a fellow passenger on die train home, a situation reminiscent of that in Tolstoy's Kreutzer Sonata. As the train draws nearer to the hero's beloved Odessa, the tale picks up intensity, and the idyllic portrayal of Stavraki's love and marriage to a waitress suddenly gives way to a tragic chain of events culminating in his trial and prison sentence for murder.
Stavraki's tale is in many ways an extended metaphor -- life is a plunge into the depths. As the novel progresses, Mitrofanov's hero becomes more and more convincing and real, as do the circumstances in which he lives in the post-Soviet era.
Read more...