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Ludmila Ulitskaya and Elena Kostioukovitch in Venice at the Incroci di Civiltà festival
Vladislav Otroshenko in Venice at the Incroci di Civiltà festival
Alexei Makushinsky presents his Steamship to Argentina at the Salon du livre de Paris
JUST PUBLISHED: Auntie Mina by Maya Kucherskaya in Macedonia
JUST PUBLISHED: Why Italians Love to Talk about Food by Elena Kostioukovitch reedited in Italy
Presentation of Elena Kostioukovitch´s Sette Notti in Milan, Italy
JUST PUBLISHED: Boris Nossik's Anna and Amedeo in Italy
JUST PUBLISHED: Ulitskaya's Girls in Finland
JUST PUBLISHED: Ulitskaya's Discarded Relics in Germany
Elena Kostioukovitch in Jerusalem
L’écrivaine russe Ludmila Oulitskaïa décorée de la Légion d’honneur
JUST PUBLISHED: Third edition of Why Italians Love to Talk about Food by Elena Kostioukovitch in Russia
JUST PUBLISHED: Ulitskaya's Medea and her Children in Romania
JUST PUBLISHED: Zwinger by Elena Kostioukovitch in Italy
AD: Irina Sherbakova in Vienna. Austria

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Featured titles

  • Sergei Prokofiev, a biography, by Igor Vishnevetsky (2009, NF)

    Rights sold: Russia - Molodaya Gvardia, World English - GLAGOSLAV

    “A classical composer is a mad person composing music, which is not clear to his own generation”, the brilliant Russian composer Sergei Prokofiev, whose 120th birth anniversary will be marked on April 23rd, used to say. However, the date itself is Prokofiev’s imagination, as the author of his biography that was published in 2009 in the Life of Remarkable People series, Igor Vishnevetsky, who is a poet, a prose-writer and a culturologist, says.

    "Officially, we celebrate Prokofiev’s birthday, which is the product of his imagination, on April 23rd, while according to the official documents, it should be celebrated on April 27th. Igor Vishnevetsky said in an interview with the Voice of Russia."

    One of the old myths was that Sergei Prokofiev was a person, who was seriously interested in nothing at all in his life, except music and his literary work. Let’s add chess to that list too. Meanwhile, Prokofiev kept well abreast of politics. And, which you might find surprising enough, though he was a representative of the avant-garde trend in music and a composer who was committed  to radical left views regarding the art, as a politician, he was not  a left-winger. Shortly after the 1917 revolution in Russia, Prokofiev left it and settled at first in the USA and then in France. Altogether, he spent 18 years abroad. True, parallel with his performances in America, Japan and Europe, he visited Russia with concerts 3 times.  Saying that avangardism implies left-wing politics, Igor Vishnevetsky presents the following proofs.

    "Prokofiev’s position on the 1917 to 18 events in Russia was clear-cut. He strongly disapproved of what occurred in Russia and regarded the revolutionary events in the country as a catastrophe of cosmic proportions. In an interview with an American newspaper he said that he was strongly positive about the intervention in the Russian Civil War. The knowledge of the above-mentioned destroys the customary image of Prokofiev and at the same time throws light on the circumstances he was guided by when he returned to Russia. Besides, what he said in the interview provides us food to understand why he wrote such music - that very music he wrote after his return to Russia."

    The terms for the return of Sergei Prokofiev to Russia were, firstly, his expressing  official regret for the interview to the foreign press during the Civil War  and of course , his promise not to do anything of the kind in the future. Prokofiev was sure that he would be more in place and more popular at home. And he proved to be right. The great pianist and the brilliant performer of Prokofiev’s works, Svyatoslav Richter, describing Sergei Prokofiev who returned to Russia in 1936 to begin a new life there, says: “Once I saw him walking on the Arbat Street, and there was a challenging force in him.”

    The “new life” of Sergei Prokofiev, the laureate of several Stalin prizes, was not cloudless in Russia. There’re still some blank spots in his biography. Of course, his 8 operas, including “War and Peace”, based on Leo Tolstoy’s novel, are well known. His 8 ballets, including “Romeo and Juliet” that was staged many times are well known as well. All his 7 symphonies and all his 9 instrumental concerts, and also his cantatas and numerous chamber pieces are often performed today. “And still, there’s something in Prokofiev’s biography we know nothing about”, Igor Vishnevetsky says.

    (с) text: VOR

    Table of contents

    Part I. FACING THE EAST. 1891-1927
    1. Childhood in Ukraine: the Scythian Wakes Up (1891-1905)
    2. The 'enfant terrible' in St.Petersburg Conservatory of Music and After It (1905-1917)
    3. Beginning of Odissey, or Road Towards the Sun (1918-1921)
    4. Years of Wanderings. Art as Magic (1922-1927)

    Part II. BETWEEN TWO WORLDS. 1927-1945
    1. Between the Land of Bolsheviks and Eurasia (1927-1930)
    2. Russian Parisian at Home and Abroad (1931-1935)
    3. Experimenting within Limits: Prokofiev and Soviet Music (1936-1940)
    4. The War (1941-1945)

    Part III. IN CAPTIVITY. (1946-1953)
    1. After-War Euphoria (1946-1947)
    2. Catastrophe: 1948
    3. Years of Isolation (1949-1953)
    4. Epilogue: After Prokofiev

    Appendix I. Chronological table of Sergei Prokofiev's life and art.
    Appendix II. Bibliography.

    Read more...
  • RETURN TO EGYPT, a novel by Vladimir Sharov

    Winner of the 2014 Big Book Award
    Winner of the 2014 The Crown award
    Winner of the 2014 Russian Booker and Student Booker awards

    Rights sold:  Macedonia - DRUZHINA, Russia - AST, Serbia - ROSSIKA

    The novel depicts a Soviet agronomist by the name of Nikolai Gogol, who is a descendent of the great Russia writer by the same name. Throughout the novel, Nikolai attempts to write a sequel to the classic novel Dead Souls. The book, however, is not about Gogol; it instead follows the journey of Soviet generations whose lives are inextricably linked to the Bible’s Book of Exodus, hence the novel’s title. The novel has sold over 45,000 copies of books in Russian alone. In 2014, Sharov was awarded the Russian Booker and the Big Book award for the novel. Critically, the novel was a huge success as Sharov was praised for his unique and poetic plot. For example, according to the literary critic Natalia Kurchatova: “the author works at the junction of histography and religious-mystical perception of reality” to create a deeply complex and reflexive novel.

    Read more...

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