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Title
Ludmila Ulitskaya and Elena Kostioukovitch in Venice at the Incroci di Civiltà festival
Vladislav Otroshenko in Venice at the Incroci di Civiltà festival
Alexei Makushinsky presents his Steamship to Argentina at the Salon du livre de Paris
JUST PUBLISHED: Auntie Mina by Maya Kucherskaya in Macedonia
JUST PUBLISHED: Why Italians Love to Talk about Food by Elena Kostioukovitch reedited in Italy
Presentation of Elena Kostioukovitch´s Sette Notti in Milan, Italy
JUST PUBLISHED: Boris Nossik's Anna and Amedeo in Italy
JUST PUBLISHED: Ulitskaya's Girls in Finland
JUST PUBLISHED: Ulitskaya's Discarded Relics in Germany
Elena Kostioukovitch in Jerusalem
L’écrivaine russe Ludmila Oulitskaïa décorée de la Légion d’honneur
JUST PUBLISHED: Third edition of Why Italians Love to Talk about Food by Elena Kostioukovitch in Russia
JUST PUBLISHED: Ulitskaya's Medea and her Children in Romania
JUST PUBLISHED: Zwinger by Elena Kostioukovitch in Italy
AD: Irina Sherbakova in Vienna. Austria

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Featured titles

  • The Extraordinary Adventures of Julio Jurenito and His Disciples, a novel by Ilya Ehrenburg (1922)

    Publishers: Estonia - VARRAK (2004), Finland - TAJO (1964), France - PLON (1964), Germany - KINDLER (1967), SUHRKAMP (1976, 1990), Italy - EINAUDI (1969),  MERIDIANO ZERO (2012), Spain - SEIX BARRAL (1971), AKAL (1997), CAPITÁN SWING LIBROS, Switzerland - GLOOR (1970),  Turkey - ADAM (1983, 1994),  USA/UK - MACQIBBON & KEE (1958), GREENWOOD PRESS (1976)

    The book deals with the adventures of a Mexican dreamer Julio Jurenito and his wanderings about Europe along with his seven disciples (Ehrenburg himself is the first disciple and the author-narrator).

    The novel includes authentic characters, such as Mayakovski, Picasso, Chaplin, and Tatlin. This is a biting satire of the European postwar civilization. This extraordinarily sneering book is a modernized Candide, covering Soviet Russia and the European West, after the stress of the WWI years.
    Its main character Jurenito (he is supposed to be a portrait of the famous Mexican painter, Diego Rivera) and his Negro servant travel, observe, comment, and make the reader roar with laughter at the idiotic inconsistencies of capitalist civilization. A prolific and smart journalist by nature, Ehrenburg combines a satirical vein with a snappy, terse language, and a flair for topical themes with very unsentimental eroticism.
    Julio Jurenito will probably remain the most vivid illustration, not just in Russian but in the whole of European literature, of the post-WWI sentiments of the harassed western intelligentsia. In this book there is everything: sophistication, cynicism, trenchant satire, sentimental lyricism, and the gay abandon of despair. All this combined makes a brilliant firework of paradoxes, subtle observations of the life of the European bourgeoisie, and sarcastic details. It may be called a confession, a pamphlet, a grotesque, or a poem.

    …A piquant, picaresque satire a la Voltaire of both Western capitalism and the Communist Revolution. - TIME

    A mixture of mockery and prophecy, the book savaged every ideology and religion while foreseeing both the Holocaust and Hiroshima. (Ehrenburg himself predicted the Nazi attack on the Soviet Union to the day -- his intimacy with history always bordered on the telepathic.) - Richard Lourie, The NY Times, August 25, 1996

    Read more...
  • Soviet Education, a novel by Olga Medvedkova

    Rights sold:  France - Alain Baudry & Cie Editeur, Spain - Acantilado

    Prix Révélation de la Société des gens de lettres (2014, France)

    Summer 1980: Moscow prepares for the Olympics at great risk, in the midst of the war in Afghanistan. The city is closed to non-residents, who in any case are abandoning it. Liza is one of them. An adolescent in search of her
    identity, she has gone with her mother to a village she has never been to, but where her mother is very well known. And for good reason: the village bears her name. The mansion, an imposing but dilapidated Italianate building,
    belonged to her ancestors, Russian princes close to the tsar. As for Liza, she bears the name of her father: Klein. A father who lives in America and the mere mention of whom is all but forbidden. Liza understands only that she has
    a German name, and that she is the descendant, on her father’s side, of Joseph Klein, the Russian translator of Goethe.

    Here, suddenly, are too many identities, whose accumulating questions go unanswered. Jewish, aristocratic, Soviet, intellectual – her family is a tissue of contradictions. To crown it all, she is troubled by David, her mother’s friend,
    whose house they are living in, and who as she quickly realizes is of Jewish origin, a pillager of memories in the ancestral mansion, an accomplice of the village folk, a disillusioned artist declared a “social parasite” by the
    authorities, who collaborates with a film crew that finances its perfectly official films by trafficking in icons...

    Medvedkova's novel ideally combines a number of themes and elements which are quite typical for any novel where action is set in Russia, but their mixture produces an unexpected effect. Its protagonist a 15-year-old anorexic girl, a wonder-kid passing throughout a difficult stage of growing up and maturing, confronting the outside world and - especially - her authoritarian mother who herself has many skeletons in her closet.

    The novel features the "ordinary family of Soviet intellectuals". Its narrative gains momentum gradually, and that subtly reflects the state of the soul and consciousness of the main character, its internal development: from slow and sleepy, to feverishly sharp, dizzy fast. Up to the very end of the book, Lisa (and the reader) doesn't see the full picture.

    The novel is beautifully written, very dynamic and elegant. It's a concentrate of all Russian and Soviet just in the form that Western readership is interested to get. Aristocratic roots of Liza's family, dissidents, Soviet cultural elite, intelligentsia, etc. - in fact, the book provides a descriptive account of formation, way of thinking and self-perception of the modern Russian intellectuals, all these people who now got to play an important role in world science, culture,
    politics, and economy.

    The book is originally written in French and has around 220 pages.

    Read more...

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