Featured titles
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A PERSON NOT TO BE TRUSTED, a novel by Vladislav Otroshenko (2010)
Rights sold: Italy – Voland, USA – The Literary Review (magazine rights), Russia – Limbus-press, Free Fly, CoLibri
Time and space, illusion and dream, world history and death are the main themes of Otroshenko's A Person Not to Be Trusted, where fantasy intertwines with reality, hoaxes and historical facts look just the same.
Literary critics sometime call Vladislav Otroshenko 'mystical realist' and 'postmodern writer', comparing his works to these of J.L.Borges, Italo Calvino, Gaite Gazdanova, and Milorad Pavić. At the same time, after Otrosheko's Person Not To Be Trusted was published in Italy (Voland, 1997), local journalists have dubbed the story 'philosophical mystery novel'.
Vladislav Otroshenko combined a rich, almost Gogolian prose style with Borgesian fantasy in his long-awaited volume of various genres of prose, entitled Persona vne dostovernosti (A Person Not to Be Trusted). (Thomas Epstein, The Literary Review)
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A TRACE IN THE FOOTPRINT, a novel by Vladimir Sharov
Rights sold: Russia - OLMA, ARSIS BOOKS, World Arabic - DREAMBOOK
A Trace in the Footprint is a family saga set in twentieth century Russia. The plot follows a character named Fyodor who begins to research the genealogy of his adoptive father, Golosov. This leads to the unraveling of a whole century of family history beginning with his great-grandfather. Fyodor soon discovers that his family’s history is inextricably linked to that of the Socialist Revolutionaries, the political party that would eventually split into the Bolsheviks and Mensheviks. The novel depicts the changes in Fyodor’s family after being forced to adapt to the political and social changes that took place after the 1917 Bolshevik Revolution. Critically, the novel was praised for its classical narration reminiscent of Tolstoy’s realism.
Once published in hard copy in 1992, the book sold over 25,000 copies in Russia.
Sharov’s A Trace in the Footprint has been compared by critics to the 1967 novel One Hundred Years of Solitude by Gabriel Marquez. Where Sharov’s story follows a Russian family, Marquez’s novel tells a multigenerational story of the Buendia family from Colombia. Similarly to Sharov, Marquez’s story plunges into the true events that occurred but places a fictional family at the forefront. The result of the novels is the same, although fictional, the novels recreate the emotions felt in times of historical turmoil. Both stories accurately depict a family struggling to keep up with the socio-political changes that happen around them.
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