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Articles
Title
Ludmila Ulitskaya and Elena Kostioukovitch in Venice at the Incroci di Civiltà festival
Vladislav Otroshenko in Venice at the Incroci di Civiltà festival
Alexei Makushinsky presents his Steamship to Argentina at the Salon du livre de Paris
JUST PUBLISHED: Auntie Mina by Maya Kucherskaya in Macedonia
JUST PUBLISHED: Why Italians Love to Talk about Food by Elena Kostioukovitch reedited in Italy
Presentation of Elena Kostioukovitch´s Sette Notti in Milan, Italy
JUST PUBLISHED: Boris Nossik's Anna and Amedeo in Italy
JUST PUBLISHED: Ulitskaya's Girls in Finland
JUST PUBLISHED: Ulitskaya's Discarded Relics in Germany
Elena Kostioukovitch in Jerusalem
L’écrivaine russe Ludmila Oulitskaïa décorée de la Légion d’honneur
JUST PUBLISHED: Third edition of Why Italians Love to Talk about Food by Elena Kostioukovitch in Russia
JUST PUBLISHED: Ulitskaya's Medea and her Children in Romania
JUST PUBLISHED: Zwinger by Elena Kostioukovitch in Italy
AD: Irina Sherbakova in Vienna. Austria

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Featured titles

  • Baize-Covered Table with Decanter, a novel by Vladimir Makanin (1993)

    Rights sold: China - LITZIAN, France - GALLIMARD, AWorld English - Readers International, 

    Winner of the 1993 Russian Booker Award

    Baize-Covered Table with Decanter describes one man's psychological torture as he faces an impending visit to be interrogated at the Table for a perceived, minor infraction. Makanin describes in some detail each character present at the Table, their purpose, techniques, and psychology. He also descibes in flashbacks the physical torture of suspects in Soviet days past and the mental torture of some as they are forcibly drugged in state mental hospitals. The book contains a few sections with an adult material not appropriate for minors; one scene in particular describes the sexual abuse of a corpse and is really quite disturbing.

    Makanin does a good job describing the moral corruption of Russian/Soviet society. Neighbor is turned against neighbor. Bribes and sexual favors are freely exchanged. Fear rules. It seems no one is immune to this societal degradation.

    Baize-Covered Table leaves the reader with the impression that, although the Soviet torture methods may have diminished in recent years, psychological torture that breaks a person's spirit, mind, and body may persist... there will always be a Table in Russia.

    "...it is all of Solzhenitsyn compressed into 144 pages" -- Kevin Tole, GoodReads

    Read more...
  • TEMPTATION BY REVOLUTION (RUSSIAN SUPREME POWER), collected essays by Vladimir Sharov

    Rights sold: Russia - ARSIS BOOKS

    The volume shows us the author as a philosopher of Russian geopolitics. Its nine essays develop a unified rationale for Russia’s fate from the Time of Troubles to the death of Stalin, driven largely by an internal, eschatological dynamic. Exemplary is an essay from 2000, “Capital and Province”, on the capital (the seat of Power) versus the provinces (home of the people) as two conceptual modes. Power identifies with heaven and ravages the earth even while constantly expanding over it, while the provinces align with the soil, hover over it, nurture it—and neither is much interested in the other except instrumentally, each side fearing the other with “areciprocal terror, persecution mania and mutual flight”.

    Other entries range from hardcore history to opinion pieces: on Ivan IV’s oprichnina; on Saint George the Dragon-Slayer; a history of absolute power in Russia titled; several pages of political insights under the title “Grandfather’s Jottings”; a savage meditation “On the Past of thePresent and Future” that addresses our self-serving need for a cleansed history; a discussion of the “Conflict of Civilizations” (Christian and Islam) and the refugee crisis; and two brilliant essays that peak on Andrei Platonov but cover far more philosophical territory.

    The “Temptation” of the book’s title is an attitude toward time. For a people of the End, revolution means the wait is over. Time’s slow, incremental passing can at last be short-circuited, permitting a leap out, or up. Clarity and simplicity reign in moments of revolutionary ardor. But paradoxically, as time speeds up and our surroundings stay the same (or degenerate), human agents slow down or stop altogether, leaving us with the dreamy ineffectual subjects of Chevengur, whose revolutionary slogans lack all real-world referents. Sharov notes in his preface to this collection: “with salvific regularity, whenever my major task [novel-writing] hit adead end, history would suddenly come to my aid”.

    Read more...

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