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Soviet Education, a novel by Olga Medvedkova
Rights sold: France - Alain Baudry & Cie Editeur, Spain - Acantilado
Prix Révélation de la Société des gens de lettres (2014, France)
Summer 1980: Moscow prepares for the Olympics at great risk, in the midst of the war in Afghanistan. The city is closed to non-residents, who in any case are abandoning it. Liza is one of them. An adolescent in search of her
identity, she has gone with her mother to a village she has never been to, but where her mother is very well known. And for good reason: the village bears her name. The mansion, an imposing but dilapidated Italianate building,
belonged to her ancestors, Russian princes close to the tsar. As for Liza, she bears the name of her father: Klein. A father who lives in America and the mere mention of whom is all but forbidden. Liza understands only that she has
a German name, and that she is the descendant, on her father’s side, of Joseph Klein, the Russian translator of Goethe.Here, suddenly, are too many identities, whose accumulating questions go unanswered. Jewish, aristocratic, Soviet, intellectual – her family is a tissue of contradictions. To crown it all, she is troubled by David, her mother’s friend,
whose house they are living in, and who as she quickly realizes is of Jewish origin, a pillager of memories in the ancestral mansion, an accomplice of the village folk, a disillusioned artist declared a “social parasite” by the
authorities, who collaborates with a film crew that finances its perfectly official films by trafficking in icons...Medvedkova's novel ideally combines a number of themes and elements which are quite typical for any novel where action is set in Russia, but their mixture produces an unexpected effect. Its protagonist a 15-year-old anorexic girl, a wonder-kid passing throughout a difficult stage of growing up and maturing, confronting the outside world and - especially - her authoritarian mother who herself has many skeletons in her closet.
The novel features the "ordinary family of Soviet intellectuals". Its narrative gains momentum gradually, and that subtly reflects the state of the soul and consciousness of the main character, its internal development: from slow and sleepy, to feverishly sharp, dizzy fast. Up to the very end of the book, Lisa (and the reader) doesn't see the full picture.
The novel is beautifully written, very dynamic and elegant. It's a concentrate of all Russian and Soviet just in the form that Western readership is interested to get. Aristocratic roots of Liza's family, dissidents, Soviet cultural elite, intelligentsia, etc. - in fact, the book provides a descriptive account of formation, way of thinking and self-perception of the modern Russian intellectuals, all these people who now got to play an important role in world science, culture,
politics, and economy.The book is originally written in French and has around 220 pages.
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Biography of Mikhail Bulgakov, by Marietta Chudakova (1988, NF)
Rights sold: China - CCTP, Italy - ODOYA, Poland - Wydawnictwo Akademickie SEDNO, Ukraine - FOLIO, World English - GLAGOSLAV
MariettaChudakova’s Biography of Mikhail Bulgakov (first published in 1988), by now is THE ONLY FULL-LENGTH STUDY OF BULGAKOV’S LIFE. It remains the most important and reliable source of information about the writer. In her fundamental work Chudakova recreates the milestones of Bulgakov’s personal and artistic life against the historical background of his turbulent époque. The book is written in a vivid journalistic style, and contains abundant quotes from unpublished Bulgakov’s manuscripts and draft redactions of his novels, archive documents, and memoirs of writer’s contemporaries.
"They must know... They must know," anxious about the fate of his unpublished books, Bulgakov whispered to his wife Yelena on his deathbed. One of the main ideas of his central novel The Master and Margarita is that of justice, which inevitably triumphs in the life of the spirit, although sometimes belatedly and beyond the bourn of the creator's physical death.
Over the years that have passed since the day of Bulgakov's death, his former loneliness has turned into widespread interest in him from readers both in his native Russia and abroad. The growing popularity of his books, which are very "personal" and seem to talk to the reader directly, has attracted attention to the author himself, his biography, and his fate. The fame of Mikhail Bulgakov has taken root in time everlasting. He is dear to people as a writer and interesting as a man who retained throughout the vicissitudes of fate, the dignity and courage of a truly creative personality.
Writers with a great destiny know something about themselves that we do not know or dare not say about them until later. At this juncture interest arises in the figure of the creator himself, in his biography, his personality. Why do we know so little about him? Why does he grow more interesting each year? Bulgakov's destiny has its own dramatic pattern. As is always the case from a distance and after the passage of many years, it appears to contain little that is accidental and shows a clear sense of direction.
Chudakova's 2-part lecture on Bulgakov and Russian literature of XXth century broadcasted on Kultura TV channel, Russia, 2011
Part 2
Part 2
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