Featured titles
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Kukotsky Case, a novel by Ludmila Ulitskaya (2001)
Penne Prize (2006, Italy)
Russian Booker Prize 2001Right sold to: Albania - OMSCA, Bulgaria - COLIBRI, China - LIJIANG PUBLISHING, Beijing October Art & Literature Publishing House, Czech Repuiblic - PASEKA, Denmark - HOVEDLAND OG BOGAN, Estonia - TANAPAEV, France - GALLIMARD, Georgia - AZRI, Germany - VOLK UND WELT (LUCHTENHAND LUEBBE), Japan - GUNZOSHA, Korea - DULNYOUK PUBLISHING, The Netherlands - DE GEUS, Hungary - EUROPE, Italy - FRASSINELLI, Lithuania - JOTEMA, Macedonia - ANTOLOG, Norway - BAZAR, Poland - PHILIP WILSON, Portugal - RELÓGIO D’ÁGUA, Romania - HUMANITAS FICTION, Russia - EKSMO, AST, Serbia - Filip Višnjić, ARHIPELAG, USA - Northwestern University Press
Big part of her life Ulitskaya has been closely connected to biological schience, though a twist of life took her in another direction. Her years devoted to studying genetics and medicine have made a considerable impact on her literary style. This was where she realized the similarities between the doctor and the priest, and this was where the difficult questions emerged: where do the limits of human freedom lie and what are the limits between health and sickness, between life and death?
The novel Kukotsky Case deals with important themes such as motherhood, illness and marriage. The hero, a gynecologist, is ready to do everything possible to protect yet unborn life, but he also feels it his duty to defend every woman’s right to abortion, thus saving thousands of women from death as a result of backstreet abortions. This was a burning issue in the mid-twentieth century and it remains just as relevant today in the new millennium.
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He and She, a novel by Vladimir Makanin (1987)
Rights sold: Spain - Alfaguara, Cirulo de Lectores, Sweden - Bromberg
Main heroes of Makanin's 1987 novel He and She (Odin i odna) are "shestidesiatniki" Gennadii Goloshchekov and Ninel', two idealistic people who were involved in student politics during the 1950s, and who could never bring themselves to kow-tow to the regime, people who realized that ‘the intellect and conformism arc two incompatible things, Salieri’. They are depicted as innately honourable, but the harsh spotlight of Makanin’s prose shows them also to be pathetic and even farcical. Ninel' is always bathetically tormented by a sense of guilt over trifles, usually involving her co-workers. Gennadii is the kind of man who gets out of bed late at night to rescue a stranger whom his own drinking companion, Daev, confessed he had abandoned in a snowdrift. Gennadii the knight-errant then finds himself in the snowdrift — pushed in by an ungrateful rescuee who then co-opts Gennadii’s taxi. In such incidents Makanin’s Gennadii is rather like an intellectual version of some of the characters created by Makanin's contemporary author Evgenii Popov — people whom, despite their fundamental goodness, life treats unkindly according to its own rather black sense of humour.
Obliteration is the fate that lies in wait for these two people. The description of Ninel’s dream, in which she walks naked through a succession of empty rooms with tables laid for meals and looks for the ‘race of her time’ (‘vyvodok svoego vremeni’), suggests that Makanin’s text is about a generation which has disappeared, leaving no trace, like the victims of the purges. Ninel’s dream also suggests the desire that she has to ‘belong’, to be part of a collective, a desire which Makanin had examined in his earlier works. The two are unable to find common ground with the people, or even with other members of the intelligentsia; and, most damningly, they are unable even to recognize each other as members of that lost tribe of the shestidesiatniki. Attempts by Igor' Petrovich and his wife to draw the two together fail utterly, and Makanin suggests that even after death Ninel' and Gennadii would be unable to find a common tie. They will remain, as the text’s title indicates, alone.
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