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Children of the Volga, a novel by Guzel Yakhina (2018)
German rights are handled by Christina Links:
This email address is being protected from spambots. You need JavaScript enabled to view it. 8th Lu Xun Literature Award (2022, China)
Meilleur livre étranger 2021 (France)
Finalist of the Prix Médicis 2021 (France)
Longlisted for the European Literature Prize 2021 (Netherlands)
Winner of the 2020 Georg Dehio-Buchpreis (Germany)
Winner of THE GRAND PRIZE IVO ANDRIĆ 2019 (Serbia)
Winner of the 2019 Big Book Award (Russia, third prize)
Winner of the 2018 Made In Russia award by SNOB project (Russia)Rights sold: Azerbaijan - QUANUN, Bulgaria - COLIBRI, China - Beijing Publishing Group, Croatia - HENA, Czech Republic - PROSTOR, France - NOIR SUR BLANC, Germany - AUFBAU, Hungary - HELICON, Iran - NILOOFAR, Italy - SALANI, S.Korea - EUNHAENG NAMU PUBLISHING, Lithuania - ALMA LITTERA, Macedonia - ANTOLOG, Netherlands - QUERIDO, Poland - NOIR SUR BLANC, Romania - HUMANITAS, Russia - AST, Serbia - SAMIZDAT, LAGUNA, Spain - ACANTILADO, Turkey - ALFA, Ukraine - BookChef, World Arabic - DAR ALMADA, World English - EUROPA EDITIONS UK/USA
In 18th century, Russian empress Catherine the Great invited Europeans to immigrate and become Russian citizens and farm Russian lands while maintaining their language and culture. The settlers came mainly from Germany. In Russia, they retained their German language and culture. Following the Russian Revolution, the Volga German Soviet Republic was established in 1924, and it lasted until 1941. Shortly after the German invasion, the Republic was officially abolished, and at the end of September 1941 all Volga Germans were deported. The number sent to Siberia and Kazakhstan totaled approximately 500,000.
Schulmeister (schoolmaster) Jacob Bach's existence was to match that of his native colony, Gnadenthal: slow-running, measured, and boring. His quiet and humble life changed in 1916, when the teacher fell in love with lovely Clara. Expelled from Gnadenthal, a loving couple run away and settled in a secluded hamlet hidden deep in woods at the other bank of river Volga. After Clara was raped by a bunch of bandits, and died nine months later in childbirth. As a result of trauma Bach was stricken by a conversion disorder and became mute. He raised his baby daughter Anche alone. A need to get food for the girl forced Bach to start composing fairy tales for a local German newspaper; his writings became widely known and popular; and gradually, the tide of life in all German colonies along Volga began to develop in line with Bach's writings. Nevertheless, Bach kept living a life of hermit with his daughter in the woods, protecting her by loneliness and silence, and his fears continued to haunt him. And not in vain: cruel life destroyed his illusions, and his fairy tales turned into horror stories. His worst fears came true when his daughter left Bach alone.
Jacob Bach's story is tragic, it's full of losses and failures: he could not save those he loved, his tales did not change the world, and he himself died. However, Bach's true trajectory is a path of overcoming one's own self, it's a story of a humble person growing up into a giant with no fear whatsoever, as powerful as the great river Volga. What is more, his tenderness and creativity did not disappear, they sprouted into a Kazakh boy, his stepson Vas'ka. Thus, the circle has been closed: the boy grew up and became a teacher.
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THE DIARY OF A GULAG PRISON GUARD by Ivan Chistyakov (1934-1936, NF)
Rights sold: Czech Republic – EUROMEDIA, Estonia - ARGO, France – DeNoël, Germany - MSB Matthes & Seitz, Italy - Pearson Paravia (Bruno Mondadori), Netherlands - Ambo | Anthos Uitgevers, Poland - BELLONA, Russia - CORPUS, World English - GRANTA, US - PEGASUS
Ivan Chistyakov’s diary is unique historical testimony. He commanded an armed guard unit on a section of BAM, the Baikal-Amur Railway which was built by forced labour.
We have few memoirs written even by people on the outside of the barbed wire. This diary, written inside the Gulag, gives a day by day account of life there over several months in 1935-36 and is probably unique.
The original diary is in the safekeeping of the Memorial human rights centre in Moscow which, since the late 1980s, has been collecting documents, testimony, memoirs, and letters relevant to the history of political repression in the USSR. It was passed to them by people who had come upon it among the papers left by a distant female relative.
The diary consists of two medium-sized exercise books. One describes three days in August 1934 which Chistyakov spent hunting, before being conscripted into the interior troops and sent to BAM. His notes are reminiscent of Ivan Turgenev’s classic A Hunter’s Sketches, illustrated by the author. They suggest nostalgia for the old, pre-revolutionary Russia and are in total contrast to the other notebook, which was written in 1935-36 when Chistyakov was working in the Gulag.
We do not know where Ivan Chistyakov was in 1939 when, along the railway built by the labour of prisoners he had guarded in 1935-36, long echelons of wagons passed bearing new prisoners to BAM. Among them was one of Russia’s greatest twentieth-century poets, Nikolai Zabolotsky.
It is a miracle that Chistyakov’s diary, whose entries break off, probably, with his arrest, somehow survived, that it did not fall into the hands of NKVD officials, that it was not discarded and destroyed, and that somebody managed to send it to Moscow.
Thanks to this miracle, one more voice of a lonely man who lived in a fearful era has come down to us.
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