Featured titles
-
The Collector. The Story of Sergei Shchukin and His Lost Masterpieces, by Natalya Semenova with André Delocque (NF)
Rights sold: World English - YALE UNIVERSITY PRESS, France - CHTCHOUKINE FUND, Italy - JOHAN & LEVI, Romania - VREMEA, Russia - SLOVO, Taiwan (traditional Chinese) - ART & COLLECTION
Winner of the 2021 The Art Newspaper Russia Prize
A fascinating life of Sergei Shchukin, the great collector who changed the face of Russia’s art world
Sergei Shchukin was a highly successful textiles merchant in the latter half of the nineteenth century, but he also had a great eye for beauty. He was one of the first to appreciate the qualities of the Impressionists and Post-Impressionists and to acquire works by Cézanne, Matisse, and Picasso. A trailblazer in the Russian art world, Shchukin and his collection shocked, provoked, and inspired awe, ridicule, and derision among his contemporaries.
Read more...
This is the first biography of Sergei Shchukin, written by art historian Natalya Semenova and adapted by Shchukin's grandson André Delocque. Featuring personal diary entries, correspondence, interviews, and archival research, it brings to light the life of a man who has hitherto remained in the shadows, and shows how despite his controversial reputation, he opened his collection to the public, inspiring a future generation of artists and changing the face of the Russian art world. -
Two sisters and Kandinsky, a novel by Vladimir Makanin (2011)
Rights sold:
Makanin’s novel Two Sisters and Kandinsky (2011) is a special genre structure based on the sophisticated play of classical and modern hybrid forms. Besides the genre definition as “a novel” stated by the author and specifying it as “a scene of life” oriented to Balzac genre form, the reportage and essays inclusions are significant in the novel as well. Dramatic code is actualized there not only in its classical variant, but also in the form of puppet theatre, contemporary talk-show, and other genres of film and television.
In Makanin's previous novel about the Chechen War, Asan (2008), the concept of "betrayal" had a structure-forming function. His next novel Two Sisters and Kandinsky (2011) placed the concept of "betrayal" into the context of a story of an individual human being and of the Russian society of the 20th century, when a snitch (betrayer) was the most important figure in the state. In Makanin's prose, in contrast to the narrow political interpretation widespread in the society, almost all types and kinds of betrayal are present: starting from betrayal in personal relations between a man and a woman, betrayal of a friend, violation of a social contract, betrayal of a strata or a state, and coming to the most terrible in the opinion of the writer ego-betrayal, i.e. oblivion of one's ideals and principles (the most terrible in the opinion of the writer). We may affirm that the dyad "loyalty betrayal" is the core in Makanin's world view, and "loyalty" is almost of a sacred character, and "recovery" of the society is possible only if it returns to a new "sacrum".
Read more...