Featured titles
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GODS OF THE STEPPE, a novel by Andrei Gelasimov
Rights sold: France - ACTES SUD, Bulgaria - ENTHUSIAST, Russia - EKSMO, World English - AMAZON CROSSING
It is the summer of 1945. Germany has been defeated, Hitler has disappeared, and tensions are mounting ever higher along the Russian-Chinese border…where the threat of Japanese invasion haunts.
For Petka, no life could be more thrilling and glorious than marching into battle alongside the Red Army. But he is only twelve, the bastard child of a fractured family, trapped in a village too tiny for his bursting spirit. So he must make his own adventure wherever he can find it. And if that means passing off a wolf cub as a puppy under the nose of his ferocious grandma, stealing bootleg alcohol for the bivouacked troops he worships, smuggling himself in a barrel across the border and into the line of fire, fighting for his life when his own aimless peers turn inexplicably vicious, or befriending an enigmatic Japanese POW who transcends Petka’s provincial world, then so be it.
By turns comical, harrowing, poignant, and exhilarating, Petka reveals the soul of a boy who knows only to take from life all that he can—not merely what his circumstances allow.
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Harbin Moths, a novel by Andrei Ivanov (2013)
Rights sold: Estonia - VARRAK, Russia - AST
Winner of the 2014 NOS Literature Award
Andrei Ivanov’s ‘Harbin Moths’ is a bewitching novel about Russians living in Estonia in the period between the World Wars, and about their resting point, Tallinn, or Revel as it was known Russian-style. The central character, artist and art photographer Boris Rebrov is a refugee who as a seventeen year old retreated with Yudenich’s North-western Army from Russia to Estonia. On the journey – somewhere in Estonia’s border regions – his parents and little sister die from typhus, the memory of which haunts him. As a photographer Rebrov tries to capture places of former happiness which have been forever lost, he projects his lost hometown of St. Petersburg on to Tallinn, and at the same time catches, as if intentionally, moments which weren’t intended to last - dreams not the truth; spaces and light, not people.
The novel deals in general terms with that period of Estonian history, and the community of Russians who fled there as a result of the October Revolution, who lived in a kind of no-man’s land, in a peculiar parallel reality, which nevertheless overflowed with action, ideas and émigrés; Russian businessmen, speculators, smugglers, actors, artists, politicians, writers, journalists. In the context of the Estonian republic’s fragile independence, this was a time of historical limbo, when people wandered in a strange and still unknown country and physical space. Those two spaces – the Estonian republic and the peculiarly alienated parallel reality – rarely coincided.
Rebrov receives letters from Harbin, Manchuria, from a community of stateless Russians who are members of a Russian fascist party, whose ideas are just as absurd and destructive as the ghostly lilac-coloured moths flying out of the book and leaflet boxes. Rebrov’s companions, with whom he has intermittent contact, could also call themselves moths, searching through suffering for fame or oblivion, flapping in a blaze of ideas or in a cocaine haze.
When war breaks out again the artist leaves Estonia for Sweden with a new identity.
Rebrov is both a refugee and an internal exile who asks the question ‘what is really man’s destiny? A spider’s web woven into a many-layered pattern, and the more relatives and friends a person has, the closer he is bound in and the more surely he stands; I have no one at all; sometimes it seems as if I don’t even exist.’ In the novel this same theme of human fate is woven into history’s remorseless twists and turns.
A sense of what is happening in the surrounding world is given through a view of Rebrov’s inner world, and in places through his diary: in the highly powerful combination of the encounters he has, his reflections, the blaze of creativity, the pain of loss, and the letters he receives and poems he reads. Against the historical background the novel contains a strong allusion to the present day and a wide, universal, generalisation on the refugee, whenever or wherever he may be. A thread which runs through the novel is a particular question about injustice.
In this novel the reader is captivated by a disturbed, despairing, oppressive, grotesquely displaced reality, and the language in turn creates a magical world.
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