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News

Articles
Title
JUST PUBLISHED: Maya Kuchesraya's Auntie Mina in Italy
JUST PUBLISHED: The House That... by Mariam Petrosyan in France
JUST PUBLISHED: Oleg Dorman's The Note in Latvia
JUST PUBLISHED: Why Italians Love to Talk about Food by Elena Kostioukovitch in Bulgaria
JUST PUBLISHED: Ludmila Ulitskaya's The Big Green Tent in Czech Republic
JUST PUBLISHED: Sasha Sokolov's A School For Fools in Turkey
Ludmila Ulitskaya in the USA, Jan.-Feb. 2016
JUST PUBLISHED: Ludmila Ulitskaya's Sincerely Yours, Shurik in Croatia
JUST PUBLISHED: Ludmila Ulitskaya's The Big Green Tent in Italy
JUST PUBLISHED: Józef Mackiewicz's Better Not to Talk Aloud in Lithuania
Guzel Yakhina´s Zuleikha wins the 2015 Big Book Award
JUST PUBLISHED: Sasha Sokolov's A School For Fools in the United States
JUST PUBLISHED: Ludmila Ulitskaya's The Big Green Tent in the United States
Ludmila Ulitskaya in Jerusalem, Israel - November 23-27, 201511, 2015
JUST PUBLISHED: Yuri Buida's Cool Blue Blood in France

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Featured titles

  • Confessions of a Young Novelist, 2011

    Rights sold:  Russia - Corpus, Estonia - Tanapaev,

     

    Umberto Eco published his first novel, The Name of the Rose, in 1980, when he was nearly fifty. In these “confessions,” the author, now in his late seventies, looks back on his long career as a theorist and his more recent work as a novelist, and explores their fruitful conjunction.

    He begins by exploring the boundary between fiction and nonfiction—playfully, seriously, brilliantly roaming across this frontier. Good nonfiction, he believes, is crafted like a whodunnit, and a skilled novelist builds precisely detailed worlds through observation and research. Taking us on a tour of his own creative method, Eco recalls how he designed his fictional realms. He began with specific images, made choices of period, location, and voice, composed stories that would appeal to both sophisticated and popular readers. The blending of the real and the fictive extends to the inhabitants of such invented worlds. Why are we moved to tears by a character’s plight? In what sense do Anna Karenina, Gregor Samsa, and Leopold Bloom “exist”?

    At once a medievalist, philosopher, and scholar of modern literature, Eco astonishes above all when he considers the pleasures of enumeration. He shows that the humble list, the potentially endless series, enables us to glimpse the infinite and approach the ineffable. This “young novelist” is a master who has wise things to impart about the art of fiction and the power of words.

    Read more...
  • Medea and her Children, a novel by Ludmila Ulitskaya (1996)

    Moscow Penne Prize Winner 2000

    Rights sold:  Albania - OMSCA, Bulgaria - COLIBRI, China - KUN LUN, Denmark - GYLDENDAL, Estonia – TANAPAEV, Finland - SILTALA, France - GALLIMARD, Germany - VOLK UND WELT (LUCHTENHAND LUEBBE), Greece - OKEANIDA, Hungary - MAGVETO, Italy - EINAUDI, Israel - KETER BOOKS, Korea - GIMM-YOUNG, Latvia - JANIS ROZE, Lithuania - JOTEMA, The Netherlands - DE GEUS, Norway - BAZAR, Poland - PHILIP WILSON, Portugal - CAVALO DE FERRO, Romania - HUMANITAS, Russia - EKSMO, AST, Serbia - Filip Višnjić, Slovakia - KALLIGRAM, Turkey - AD KITAPCILIK, ITHAKI, USA - SCHOCKEN, World Arabic - DAR ALMADA

    Medea Mendez is an iconic figure in her Crimean village, the last remaining pureblooded Greek in a family that has lived on that coast for centuries. Looking like "a portrait Goya had omitted to paint" in the widow's black she has worn since the death of her husband, the childless Medea is the touchstone of a large family of nieces and nephews who, together with their spouses, children, and friends, gather each spring and summer at her home. Ageless and unflappable, Medea greets each successive wave of visitors with calm warmth and welcome, and observes with interest their romantic entanglements, disappointments, conflicts, and passions. These shifting currents of erotic attraction and competition intertwine with the dramatic saga of a family surviving the upheavals that characterized Soviet life in the twentieth century, as viewed through Medea's memories.

    "The story has a Tolstoyan heft to it, not only in its seriousness but in the dizzying array of characters who wander in and out." (Kirkus Review)

    Read more...

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