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Modern Day Patericon, by Maya Kuzherskaya (2005)
2006 Ivan Bunin Prize
Kucherskaya's honest and humorous account of life within the modern Russian Orthodox community, including short biographies of numerous batyushkas (low ranking priests), sometimes fictitious, but presenting easily recognizable prototypes all the same, have made her popular beyond the bounds of church circles. Kucherskaya is a master at describing them. The images of priests and parishioners that she creates are sometimes far from sainthood. Among her characters, you can find “manager” priests, “superman” priests and even one “cannibal” priest. They teach their parishioners in a way that has a Zen Buddhist element to it. One calls his followers “an academy of idiots” for hanging on his every word. Another induces a parishioner, whose wife has been coming home late, to feign drunkenness to show her how distraught he is with her absence. Surprisingly, the wife takes a renewed interest in her “drinking” husband and begins to come home earlier. She never discovered that, on the priest’s advice, her husband had collected empty vodka bottles and cigarette butts from the street and then strewn them all over the apartment before she came home. “Father Konstantin never laughed as much in his whole life,” Kucherskaya writes at the end of the story.
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Kucherskaya’s book is also full of overzealous female parishioners, whom the author does not treat with much sympathy. “If only one of them had killed someone!” a batyushka says in one of her stories, after listening to a long line of empty confessions from women reporting that they had eaten sardines on a Friday, or some other trifle. “What conclusion can we draw from this story? The girl was insane,” is how she wraps up a story of a Literary Institute graduate who idolized her priest so much that she made him the censor of all her writings, before drowning herself in the Moscow River after becoming disillusioned with writing.
“This is one of my criticisms of church subculture,” Kucherskaya said. “Sometimes, people there confine themselves to a small space and write the word “vanity” on the window to the outside world. The young church girls often call this penance. It has nothing in common with real penance, however.”
When the book was first released by the secular Vremya publisher, readers’ reactions were enthusiastic. But, when the second edition was published by Biblio-Polis, whose books are sold in Orthodox churches, the tone of the reactions shifted with the audience. A church newspaper in St.Petersburg even suggested that Kucherskaya was under the spell of “hostile demons.” “Kucherskaya is an alien, who came to our circle accidentally or, more likely, with an evil purpose,” an article in the religious newspaper Pravoslavnyi St.Peterburg said. “Our joys appear stupid to her, while our troubles are a laughing matter for her. This is just unbearable!”
Fortunately, Kucherskaya wasn’t turned into an Orthodox Russian version of Salman Rushdie. Many monks, nuns and regular churchgoers rushed to her defense. “An honest reader will quickly remember many examples similar to those described in the book,” one of her defenders, who identified herself as a nun by the name of Yekaterina, wrote in a letter to the media. “For this reader, Kucherskaya’s book is just one more reason to think about the illnesses which still plague our church.” -
In Love with a Pencil, essays by Sasha Okun (NF)
Rights sold: Russia - SLOVO
The book was created as a textbook on pencil drawing techniques for beginners and professionals, but it is in fact something much more broad and interesting than just a manual on drawing. It is rather a manual on artistic perception of reality.
"All great masters of the past regardless of their main craft, be it sculpture or painting, were great draftsmen: Rubens, Rembrandt, Matisse, Picasso, Moore, Rodin... Drawing is the foundation, the cornerstone of any visual art. There's an endless amount of books and manuals about the art of drawing. Among them, there are bad, good, and very good ones. The question is, why write yet one more? The fact is that regardless of their quality, all of these books answer the question "how"? Some of them are even entitled "How to draw a portrait (landscape, model, still life, hands, etc.)." However, in my humble opinion, every "how" depends on"what" and "why". These "what" and "why" define the "how" on every stage of creative process, from initial choice of format to the techniques used to achieve the desired result.This book is an attempt to discuss a multitude of drawing-related issues from the point of view of artistic goals set by draftsmen, to take a look at artistic techniques and devices not as of something that exist abstractly and independently, but as of instruments, of means for achieving the goal, and of means that are an integral part of this goal, because in visual art "what" and "how" are inseparable.Still, any book regardless of its genre - be it a textbook, a memoir, a novel, or a tour guide - should fist and foremost make an interesting read. As Alexandre Dumas put it once, "all genres are good, except the boring." This commandment of the great novelist and culinary specialist is more important to me than purity of the genre. So, there a bit of everything in my book: analysis of the works by great masters of the past, practical advice, reflections, memories, anecdotes, and my thoughts about art accumulated over more than forty years I've been teaching people to draw." - writes Okun in a preface to In Love with a Pencil.
Surprisingly, the book conceived as a drawing manual turned out to be a tutorial on the vision of the world in all its diversity. Of course, this book will be extremely valuable and useful to artists, especially for beginners. But at the same time, it will be of use to everyone seeking to expand his general vision of life. Today's literary market is like a food store where dairy, meat, fruits, and booze each belong to its department. Same with books: there are a separate shelves for fiction, educational literature, philosophy, technical books etc. Everything is sorted out by its genre. Okun's book is rare product, a piece that does not fit into one single category, but to many. For publisher, such a non-standard books is a great challenge, but for readers it’s a rare joy. -- Ludmila Ulitskaya
Original languages: Hebrew, Russian. Around 55.000 words, color illustrations.
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