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News

Articles
Title
Ludmila Ulitskaya and Irina Sherbakova in Hamburg, May 15
JUST PUBLISHED: Ulitskaya's Imago/Under the Green Tent in Finland
Irina Sherbakova awarded the 2014 Carl-von-Ossietzky-Preis
JUST PUBLISHED: Ulitskaya's Imago/Under the Green Tent in France
JUST PUBLISHED: Ulitskaya's Medea in Latvia
JUST PUBLISHED: Oster´s Mischievous Advices in Japan
Japanese MRS magazine: interview with Ulitskaya
Yuri Buida's Poison and Honey, finalist of the 2014 Ivan Belkin award
Zwinger on bestselling titles lists
JUST PUBLISHED: Yuri Buida's Poison and Honey in Russia
JUST PUBLISHED: Ulitskaya's Under the Green Tent in the Netherlands
Zwinger: the Book of January, 2014
Mikhail Khodorkovsky released
Five of ten: our titles in the Top-10 of 2013
Russia’s Open Book movie premiering on youtube and on PBS

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Featured titles

  • Auntie Mina (Tetia Motia), a novel by Maya Kucherskaya (2012)

    Rights sold:  Italy - ODOYA, Macedonia - ANTOLOG,Turkey - Miralay Yayinlari, Russia - AST

    Shortlisted for the 2013 Yasnaya Polyana Award
    Shortlisted for the 2013 Big Book Award

     

    Great, complex, beautiful novel. - TimeOut Moscow

    Marina, or Auntie Mina as her father used to call her when she was a child, is a 30-years-old woman, a daughter of university professor and a philologist by education herself, works as a proofreader in the newspaper. She's married for eight years, and has a 5-year-old son Artyom, though she's very unhappy with her family life.

    At one point, Marina falls in love with her co-worker Lanin, a famous columnist and TV host. He is some twenty years her older, but their affair is growing fast, and they love each other passionately. The only obstacle is that Lanin is married, and his wife is slowly dying of cancer, so he can't divorce her.

    Read more...
  • Confessions of a Young Novelist, 2011

    Rights sold:  Russia - Corpus, Estonia - Tanapaev,

     

    Umberto Eco published his first novel, The Name of the Rose, in 1980, when he was nearly fifty. In these “confessions,” the author, now in his late seventies, looks back on his long career as a theorist and his more recent work as a novelist, and explores their fruitful conjunction.

    He begins by exploring the boundary between fiction and nonfiction—playfully, seriously, brilliantly roaming across this frontier. Good nonfiction, he believes, is crafted like a whodunnit, and a skilled novelist builds precisely detailed worlds through observation and research. Taking us on a tour of his own creative method, Eco recalls how he designed his fictional realms. He began with specific images, made choices of period, location, and voice, composed stories that would appeal to both sophisticated and popular readers. The blending of the real and the fictive extends to the inhabitants of such invented worlds. Why are we moved to tears by a character’s plight? In what sense do Anna Karenina, Gregor Samsa, and Leopold Bloom “exist”?

    At once a medievalist, philosopher, and scholar of modern literature, Eco astonishes above all when he considers the pleasures of enumeration. He shows that the humble list, the potentially endless series, enables us to glimpse the infinite and approach the ineffable. This “young novelist” is a master who has wise things to impart about the art of fiction and the power of words.

    Read more...

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