Featured titles
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RAISING LAZARUS, a novel by Vladimir Sharov
Rights sold: Russia - VAGRIUS, ARSIS BOOKS, Serbia - UTOPIA
Through a patchwork of letters and second hand memoirs, the novel follows the lives of two brothers in the first half of the twentieth century. One of the brothers, Fyodor, is a bishop-turned-religious-sectarian. The other brother, Nikolai, is obsessed with the idea of reuniting Russian society in the years after the Russian Civil War. As Raising Lazarus progresses, Nikolai becomes interested in esoteric doctrines that promise to transcend ideological conflicts. The reader soon learns through letters written by Nikolai, that he believes that Christ must return to Earth for salvation to be bestowed on Russia and we see a blending of the Christian and Bolshevik expectations for an “end of history.” Nikolai then begins to believe that only truly terrible human conditions can cause the arrival of the Messiah. This time, Sharov’s mixing of religious and communist beliefs was praised by critics because of Sharov’s clever use of symbolism. Raising Lazarus has sold over 10,000 copies in Russian.
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The Collector. The Story of Sergei Shchukin and His Lost Masterpieces, by Natalya Semenova with André Delocque (NF)
Rights sold: World English - YALE UNIVERSITY PRESS, France - CHTCHOUKINE FUND, Italy - JOHAN & LEVI, Romania - VREMEA, Russia - SLOVO, Taiwan (traditional Chinese) - ART & COLLECTION
Winner of the 2021 The Art Newspaper Russia Prize
A fascinating life of Sergei Shchukin, the great collector who changed the face of Russia’s art world
Sergei Shchukin was a highly successful textiles merchant in the latter half of the nineteenth century, but he also had a great eye for beauty. He was one of the first to appreciate the qualities of the Impressionists and Post-Impressionists and to acquire works by Cézanne, Matisse, and Picasso. A trailblazer in the Russian art world, Shchukin and his collection shocked, provoked, and inspired awe, ridicule, and derision among his contemporaries.
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This is the first biography of Sergei Shchukin, written by art historian Natalya Semenova and adapted by Shchukin's grandson André Delocque. Featuring personal diary entries, correspondence, interviews, and archival research, it brings to light the life of a man who has hitherto remained in the shadows, and shows how despite his controversial reputation, he opened his collection to the public, inspiring a future generation of artists and changing the face of the Russian art world.