Rights sold: France – Gallimard, Russia - EKSMO
A short novel that narrates the improbable life of a Russian émigré in France and engages in polemical dialogue with the fiction of Vladimir Nabokov.
There was a time when nearly fifty thousand Russians lived in Paris (on the eve of World War I, they were hardly more than thirty-six thousand in all France). They prayed in Orthodox churches, sent their children to Russian schools, and discussed Dostoevsky in La Rotonde coffee shop.
Fyodor Zavalishin, also known as Theo, was one of those Russians who managed to escape the Bolshevik Revolution and settled in Paris. As many of them, he also visited a screening of Eisenstein's masterpiece, Battleship Potemkin in November 1926. As a soldier, in 1905 he took part in the suppression of the revolt in the Russian fleet. When he watched Eisenstein's impressive reconstruction of the massacre in the port of Odessa on the big screen, he suddenly felt guilt of being involved in this crime... Theo rushes to the nearest police station to make a confession, then tries to cure his remorse and guilt in a psychiatric hospital. There he learns from the newspapers a horrible story of seven women who were found murdered in a mass grave in Deauville. Without hesitation, Theo attributes the massacre to his former comrade in arms, badly disabled Ivan Domani, for whom he had just agreed to make erotic pictures of seven young creatures. Thus began a long Theo’s journey between violence and redemption ...
Buida’s The Third Heart is an amazing book that confirms more than ever that Yuri Bouida, who enjoys a great prestige in the country, occupies a prominent place in the great Russian literary tradition.
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Winner of the 2020 Giuseppe Tomasi di Lampedusa International Literary Award (Italy)
Finalist of the the 2020 EBRD Literature Prize (UK)
Winner of the 2018 Abolhassan Najafi Award for the best translated novel (Iran)
FInalist of the Prix Médicis award (2017, France)
Prix du magazine "Transfuge" (2017, France)
Winner of the 2015 Big Book literary award
Winner of the People's Choice open online voting for the 2015 Big Book literary award
Winner of the 2015 "Ticket to the Stars" prize
Winner of the 2015 Best Prosaic Work of the Year prize
Winner of the 2015 Yasnaya Polyana award
Winner of the People's Choice open online voting for the 2015 Yasnaya Polyana award
Finalist of the 2015 Russian Booker literary award
Finalist of the the 2015 NOS literary award
Guzel Yakhina’s debut novel Zuleikha Opens Her Eyes is an enjoyable and smooth novel, unpretentious mainstream historical fiction that covers a lot of cultural, ethnic, religious, and sociopolitical issues.
The novel begins in 1930 in a Tatar village, from which a kulak woman Zuleikha is quickly sent into exile after her husband is murdered by communists. Zuleikha’s own life — after seeing her husband killed, after a horrendous train trip to a spot on the Angara River where her group of exiles will settle, and after a difficult first winter that kills many — settles into a new routine with characters nothing like her village neighbors. The characters are many but distinct, and they include a rather dotty doctor, an artist who paints on the sly, and urbane city dwellers who remember past European travels, as well as Ignatov, Zuleikha’s husband’s killer. Ignatov is persuaded to remain in the settlement, as its commandant, and he stays because of his own political issues back in Kazan. Most important, there is Zuleikha’s son Yuzuf, born in the settlement, who develops an interest for art and learns to paint.
Yakhina’s writing is simple, albeit sprinkled with Tatar words (there’s a glossary). Yakhina herself has said that the novel is about how Zuleikha wakes up, opens her eyes to the world, and finds happiness, albeit a bitter one. Another is, again, Yakhina’s ability to use a simple structure and language to tell her story, all as she plants details that will have meaning later in the book.
Guzel Yakhina´s novel hits directly in the heart. It’s a powerful praise for love and tenderness in hell.
Ludmila Ulitskaya
There’s something that Guzel Yakhina succeeded to transmit with amazing, sharp exactness: women’s attitude towards love. Not towards the subject of love, but towards the love itself.
Anna Narinskaya, literary critic
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