Featured titles
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Yermo, a novel by Yuri Buida (1997, 2011)
Rights are handled on behalf of Editions Gallimard
Rights sold: France – Gallimard, Russia - Vagrius
With Yermo, Yuri Buida signs a breathtaking novel in which he develops his reflection about literary creation mingling biography, aesthetic essay and thoughts about the novelistic style.
Life of the American writer George Yermo forms an extraordinary romantic material. Georgi Nikolaev-Yermo was born in 1914 in St. Petersburg into a family of the Russian nobles. He was raised in New Salem, MA, under the sign of Melville, Emily Dickinson and Henry James (all three New Englanders) and Puritan values of the US Founding Fathers. After graduating from University, he’s experienced an unhappy love affair, and went to the Spanish Civil War as a reporter. His battlefield articles made him famous.
In the early fifties, an accidental visit to the palace Sanseverino in Venice changes a course of Yermo’s life, as he suddenly recognizes a materialization of the house from his childhood dreams. The palace, its past and its secrets, and its beautiful owner Lisa, will from now on be the center of his life.
Buida’s Yermo is a broad reflection about literary fiction, and a beautiful homage to Vladimir Nabokov. The book is written in rich, abundant language, and contains protagonist’s (and author’s) views of art in general, of painting, theater and film, of philosophy and aesthetics, and of Russian and American literature. But it is the fascinating originality of its main character that makes Buida’s novel a real reading delicatessen.
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By Richter's Side. Dialogues with Sviatoslav Richter by Yuri Borisov (2003, 2011)
Rights sold: France – ACTES SUD, Japan – ONGAKU NO TOMO, Russia – RUTENA, AZBOOKA, Spain – ACANTILADO
Richter shared with his younger friend the stories of his childhood, and recollections of his meetings with other celebrities (Britten, Fischer-Dieskau, Gavrilov, Michelangeli, Picasso, Prokofiev, Serkin, Sofronitski, Vedernikov, Yudina, etc.). He explained his vision of music, comparing it with other arts: painting (Ernst, Renoir, Schiele, Vermeer, etc..), literature (Balzac, Block, Maeterlinck, Mann, Ostrovsky, Proust, Racine, Rostand, etc..), cinema (Alexandrov, Chaplin, Cocteau, Kurosawa, Pasolini, etc..). Notes taken during or after these extremely interesting conversations Borisov has later converted into a book, thanks to which we can look into the inner world of Sviatoslav Richter, one of the most exciting figures on 20th century musical horizon.
ABOUT SVIATOSLAV RICHTER (1915-1997)
- The Italian critic Piero Rattalino has asserted that the only pianists comparable to Richter in the history of piano performance were Franz Liszt and Ferruccio Busoni.
- Glenn Gould called Richter one of "the most powerful musical communicators of our time".
- Van Cliburn attended a Richter recital in 1958 in the Soviet Union. He reportedly cried during the recital and, upon returning to the United States, described Richter's playing as "the most powerful piano playing I have ever heard".
- Arthur Rubinstein described his first exposure to Richter as follows: "It really wasn't anything out of the ordinary. Then at some point I noticed my eyes growing moist: tears began rolling down my cheeks."
- Heinrich Neuhaus described Richter as follows: "His singular ability to grasp the whole and at the same time miss none of the smallest details of a composition suggests a comparison with an eagle who from his great height can see as far as the horizon and yet single out the tiniest detail of the landscape."
- Dmitri Shostakovich wrote of Richter: "Richter is an extraordinary phenomenon. The enormity of his talent staggers and enraptures. All the phenomena of musical art are accessible to him."
- Vladimir Horowitz said: "Of the Russian pianists, I like only one, Richter"
- Pierre Boulez wrote of Richter: "His personality was greater than the possibilities offered to him by the piano, broader than the very concept of complete mastery of the instrument."
- Gramophone critic Bryce Morrison described Richter as follows: "Idiosyncratic, plain-speaking, heroic, reserved, lyrical, virtuosic and perhaps above all, profoundly enigmatic, Sviatoslav Richter remains one of the greatest recreative artists of all time."
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