ELKOST International literary agency
Toggle Navigation
  • News
  • Authors A-M
    • Yuri Borisov
      • Books
      • Sample translations
    • Yuri Buida
      • Books
      • Media reviews
      • Sample translations
    • Ksenia Buksha
      • Books
    • Ivan Chistyakov
      • Books
      • Media reviews
      • Sample translations
    • Alexander Chudakov
      • Books
      • Sample translations
    • Marietta Chudakova
      • Books
      • Media reviews
    • Oleg Dorman
      • Books
      • Media reviews
    • Umberto Eco
      • Books
      • Media reviews
    • Ilya Ehrenburg
      • Books
      • Media reviews
    • Andrei Gelasimov
      • Books
    • Fazil Iskander
      • Books
      • Media reviews
      • Sample translations
    • Andrei Ivanov
      • Books
      • Media reviews
      • Sample translations
    • Kirill Kobrin
      • Books
    • Andrei Kofman
      • Books
      • Media reviews
    • Nikolai Kononov
      • Books
    • Elena Kostioukovitch
      • Books
      • Media reviews
      • Interviews
    • Maya Kucherskaya
      • Books
      • Media reviews
      • Interviews
    • Yuri Lotman
      • Books
      • Media reviews
    • Alexander Luria
      • Books
      • Media reviews
    • Józef Mackiewicz
      • Books
      • Media reviews
    • Vladimir Makanin
      • Books
      • Media reviews
    • Olga Medvedkova
      • Books
      • Media reviews
    • MEMORIAL
    • Agnes Mironova
      • Books
      • Sample translations
    • Ilya Mitrofanov
      • Books
      • Media reviews
  • Authors N-Z
    • Victor Nekrasov
      • Books
    • Alexander Okun
      • Books
    • Yuri Olesha
      • Books
      • Media reviews
    • Vladislav Otroshenko
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Sergey Parkhomenko
      • Books
      • Sample translations
    • Mariam Petrosyan
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Elena Rzhevskaya
      • Books
      • Media reviews
    • Natalya Semenova
      • Books
      • Media reviews
    • Vladimir Sharov
      • Books
    • Irina Sherbakova
      • Books
      • Media reviews
    • Mikhail Shevelev
      • Books
      • Media reviews
    • Viktor Shklovsky
    • Grigory Sluzhitel
      • Books
    • Sasha Sokolov
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Ludmila Ulitskaya
      • Books
      • Media reviews
      • Interviews
      • Journalism
      • Sample translations
    • Sana Valiulina
      • Books
    • Marina Vishnevetskaya
      • Books
      • Media reviews
    • Igor Vishnevetsky
      • Books
      • Media reviews
      • Sample translations
    • Stanislav Vostokov
      • Books
    • Guzel Yakhina
      • Books
    • Anthologies & series
      • Creative comparison of cultures
  • Our sub-agents
  • Our clients
  • About us

News

Articles
Title
AD: Lecture by Elena Kostioukovitch in Tokyo
JUST PUBLISHED: The Old House Under the Cypress Tree by Fazil Iskander in Italy
JUST PUBLISHED: All Our Lord´s Men by Ulitskaya in Korea
JUST PUBLISHED: Non-Memoirs by Lotman in English
Ludmila Ulitskaya in France, September 2014
Master-class by Elena Kostioukovich in Ca' Foscari University
Elena Kostioukovitch at the III International Congress of Literary Translators
Elena Kostioukovitch at the Turin Epicurean Capital
Ludmila Ulitskaya awarded the Austrian State Prize for European Literature 2014
Ulitskaya and Kostioukovitch at the 2014 La Milanesiana
JUST PUBLISHED: Memories of Agnes Mironova in Poland
PEN International conference in Stockholm, June 9, 2014
Maya Kucherskaya at the Warsaw Book Fair in May, 2014
Ludmila Ulitskaya and Irina Sherbakova in Hamburg, May 15
JUST PUBLISHED: Ulitskaya's Imago/Under the Green Tent in Finland

Page 11 of 24

  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • facebook
  • twitter
  • email
  • instagram
  • Linkedin
  • XING
  • Print
  • Whatsapp
  • Telegram

Featured titles

  • In Love with a Pencil, essays by Sasha Okun (NF)

    Rights sold:  Russia - SLOVO

    The book was created as a textbook on pencil drawing techniques for beginners and professionals, but it is in fact something much more broad and interesting than just a manual on drawing. It is rather a manual on artistic perception of reality.

    "All great masters of the past regardless of their main craft, be it sculpture or painting, were great draftsmen: Rubens, Rembrandt, Matisse, Picasso, Moore, Rodin... Drawing is the foundation, the cornerstone of any visual art. There's an endless amount of books and manuals about the art of drawing. Among them, there are bad, good, and very good ones. The question is, why write yet one more? The fact is that regardless of their quality, all of these books answer the question "how"? Some of them are even entitled "How to draw a portrait (landscape, model, still life, hands, etc.)." However, in my humble opinion, every "how" depends on"what" and "why". These "what" and "why" define the "how" on every stage of creative process, from initial choice of format to the techniques used to achieve the desired result.This book is an attempt to discuss a multitude of drawing-related issues from the point of view of artistic goals set by draftsmen, to take a look at artistic techniques and devices not as of something that exist abstractly and independently, but as of instruments, of means for achieving the goal, and of means that are an integral part of this goal, because in visual art "what" and "how" are inseparable.Still, any book regardless of its genre - be it a textbook, a memoir, a novel, or a tour guide - should fist and foremost make an interesting read. As Alexandre Dumas put it once, "all genres are good, except the boring." This commandment of the great novelist and culinary specialist is more important to me than purity of the genre. So, there a bit of everything in my book: analysis of the works by great masters of the past, practical advice, reflections, memories, anecdotes, and my thoughts about art accumulated over more than forty years I've been teaching people to draw." - writes Okun in a preface to In Love with a Pencil.

    Surprisingly, the book conceived as a drawing manual turned out to be a tutorial on the vision of the world in all its diversity. Of course, this book will be extremely valuable and useful to artists, especially for beginners. But at the same time, it will be of use to everyone seeking to expand his general vision of life. Today's literary market is like a food store where dairy, meat, fruits, and booze each belong to its department. Same with books: there are a separate shelves for fiction, educational literature, philosophy, technical books etc. Everything is sorted out by its genre. Okun's book is rare product, a piece that does not fit into one single category, but to many. For publisher, such a non-standard books is a great challenge, but for readers it’s a rare joy. -- Ludmila Ulitskaya

    Original languages: Hebrew, Russian. Around 55.000 words, color illustrations.

    Read more...
  • Children of the Volga, a novel by Guzel Yakhina (2018)

    German  rights are handled by Christina Links: This email address is being protected from spambots. You need JavaScript enabled to view it.

    8th Lu Xun Literature Award (2022, China)
    Meilleur livre étranger 2021 (France)
    Finalist of the Prix Médicis 2021 (France)
    Longlisted for the European Literature Prize 2021 (Netherlands)
    Winner of the 2020 Georg Dehio-Buchpreis (Germany)

    Winner of THE GRAND PRIZE IVO ANDRIĆ 2019 (Serbia)
    Winner of the 2019 Big Book Award (Russia, third prize)
    Winner of the 2018 Made In Russia award by SNOB project (Russia)

    Rights sold: Azerbaijan - QUANUN, Bulgaria - COLIBRI, China - Beijing Publishing Group, Croatia - HENA, Czech Republic - PROSTOR, France - NOIR SUR BLANC, Germany - AUFBAU, Hungary - HELICON, Iran - NILOOFAR, Italy - SALANI, S.Korea - EUNHAENG NAMU PUBLISHING, Lithuania - ALMA LITTERA, Macedonia - ANTOLOG, Netherlands - QUERIDO, Poland - NOIR SUR BLANC, Romania - HUMANITAS, Russia - AST, Serbia - SAMIZDAT, LAGUNA, Spain - ACANTILADO, Turkey - ALFA, Ukraine - BookChef, World Arabic - DAR ALMADA, World English - EUROPA EDITIONS UK/USA

    In 18th century, Russian empress Catherine the Great invited Europeans to immigrate and become Russian citizens and farm Russian lands while maintaining their language and culture. The settlers came mainly from Germany. In Russia, they retained their German language and culture. Following the Russian Revolution, the Volga German Soviet Republic was established in 1924, and it lasted until 1941. Shortly after the German invasion, the Republic was officially abolished, and at the end of September 1941 all Volga Germans were deported. The number sent to Siberia and Kazakhstan totaled approximately 500,000.

    Schulmeister (schoolmaster) Jacob Bach's existence was to match that of his native colony, Gnadenthal: slow-running, measured, and boring. His quiet and humble life changed in 1916, when the teacher fell in love with lovely Clara. Expelled from Gnadenthal, a loving couple run away and settled in a secluded hamlet hidden deep in woods at the other bank of river Volga. After Clara was raped by a bunch of bandits, and died nine months later in childbirth. As a result of trauma Bach was stricken by a conversion disorder and became mute. He raised his baby daughter Anche alone. A need to get food for the girl forced Bach to start composing fairy tales for a local German newspaper; his writings became widely known and popular; and gradually, the tide of life in all German colonies along Volga began to develop in line with Bach's writings. Nevertheless, Bach kept living a life of hermit with his daughter in the woods, protecting her by loneliness and silence, and his fears continued to haunt him. And not in vain: cruel life destroyed his illusions, and his fairy tales turned into horror stories. His worst fears came true when his daughter left Bach alone.

    Jacob Bach's story is tragic, it's full of losses and failures: he could not save those he loved, his tales did not change the world, and he himself died. However, Bach's true trajectory is a path of overcoming one's own self, it's a story of a humble person growing up into a giant with no fear whatsoever, as powerful as the great river Volga. What is more, his tenderness and creativity did not disappear, they sprouted into a Kazakh boy, his stepson Vas'ka. Thus, the circle has been closed: the boy grew up and became a teacher.

     

    Read more...

MAIN OFFICE: Yulia Dobrovolskaya, c/Londres, 78, 6-1, 08036 Barcelona, Spain, phone 0034 63 9413320, 0034 93 3221232, e-mail rights@elkost.com
OFFICE IN ITALY: Elena Kostioukovitch, via Sismondi 5, Milano 20133, Italy, phone 0039 02 87236557, 0039 346 5064334, fax 0039 700444601, e-mail elkost@elkost.com
General inquiries and manuscript submissions: russianoffice@elkost.com

Aviso legal. Política de privacidad. Política de cookies.

Back to Top

© 2025 ELKOST International literary agency

In order to provide you with the best online experience this website uses cookies.

By using our website, you agree to our use of cookies. Learn more

I agree