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Get Lost, Crocodile, a novel by Marina Vishneventskaya (2002)
In Vishnevetskaya’s Came the Moon out of Mist and Get Lost, Crocodile! the search for female identity is formulated as a drama in the genre of lyric parable. The heroines question what it means to “be a woman” in the contradicting societal ideologies of the post-Soviet epoch. The distorted implementation of the laws of capitalist consumption often does not coincide with the patriarchal model of the family, which, in turn, is discredited by cynical views of the Soviet citizen. According to Vishnevetskaya, the heroine can be “freed from the spell,” in other words reveal her essence, or “extinguish”— erase that which is overly incomprehensible. These metaphysical operations either unearth the woman’s essence, or turn her into an automaton. Notably, revealing the trapped female essence or vice versa, repressing it is carried out not so much by the external world, not by the man whom she chose as a lover or who chose her, but by the woman herself.
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Unpredictable Mechanisms of Culture by Yuri Lotman (NF)
Rights sold: Brazil - Hucitec Editora, Estonia – TALLINN UNIVERSITY PRESS (in Russian and in English), Georgia – MTSIGNOBARI, Poland – WYDAWNICTWA AKADEMICKIEGO SEDNO
This book, dictated by the world-known cultural semiotician Yuri Lotman at the end of his life, is in fact the last volume of Lotman’s opus magnum (along with his other fundamental works ‘Universe of the Mind: A Semiotic Theory of Culture’ and ‘Culture and Explosion’).
The author analyses the global rules of history, the meaning of explosion and unpredictability in culture as well as art as a workshop of unpredictability. The book features a vast variety of new culturological ideas explained with plain and simple language distinguishing for all other Lotman´s writings. First and foremost, Lotman´s interest lies in the ways of development of culture. Among processes of cultural evolution Lotman distinguishes the three general types: the cyclical processes, which regularly return to the same start point, the linear processes, and finally, the explosive processes, which only might be attributed as unpredictable and as such represent the most interest to the culturological science.
The legendary semiotician didn't see this work published. It was put together and edited by his disciples, and for a long time remained unknown to the reader.
The book also contains extensive commentaries authored by Yuri Lotman’s long-time friends and colleagues: a prominent Russian philologist and Indo-Europeanist Vyacheslav Ivanov, writer and semiotician Boris Egorov, and Boris Uspensky.
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