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News

Articles
Title
JUST PUBLISHED: Ulitskaya's Daniel Stein in Croatia
JUST PUBLISHED: Ulitskaya's Discarded Relics in Hungary
Elena Kostioukovitch's ZWINGER will be launched at the Non/Fiction book fair in Moscow
JUST PUBLISHED: Yuri Lotman´s Alexander Pushkin in South Korea
Nov. 26: 2013 Big Book award winners announced
JUST PUBLISHED: Sasha Sokolov´s Between Dog and Wolf in Czech Republic
JUST PUBLISHED: Yuri Lotman´s High Society Dinners in United Kingdom
JUST PUBLISHED: Ulitskaya's Daniel Stein, Interpreter in Estonia
International conference on Yuri Lotman in Venice, Italy, November 26-28, 2013
JUST PUBLISHED: Marietta Chudakova's Biography of Mikhail Bulgakov in Italy
Ludmila Ulitskaya and Yuri Buida in Spain, November 2013
JUST PUBLISHED: Yuri Lotman´s Culture and Explosion in Czech Republic
JUST PUBLISHED: Mariam Petrosyan's The House That in Poland
Umberto Eco presents Encyclomedia at UN Headquarters, October 21, 2013
JUST PUBLISHED: Ulitskaya's Under the Green Tent in Slovakia

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Featured titles

  • The Night We Disappeared, a novel by Nikolai Kononov

    Rights sold: Russia - INDIVIDUUM

     

    This is a polyphonic novel ambitious both in terms of its literary quality and the issues it discusses: xenophobia, inequality, post-memory, the "right turn," and anarchy. It is, of course, also a book about a search for identity, both among individuals and within the territories of Eastern Europe, where inhabitants suffered over and over during social upheavals of the 20th and 21st centuries. The novel is centered on a phenomenon of apatrides - people rejected by their homeland who - against their will - became citizens of the world.

    The plot-lines of the three main characters in Kononov’s novel are all set between 1919 and 1951. All three are refugees from the Russian and Soviet empires: they are exiles, stateless persons. Even so, history gave each a chance to play their own role in history before, during, and after World War II. Their  trauma and pain affect their descendants – our contemporaries – in unexpected and unpredictable ways.

    A young woman – a teacher who was raised by a dedicated Marxist mother in the USSR in the 1930s – suddenly converts to Christianity while surviving the Nazi occupation in the city of Pskov during WWII. She later witnesses a lesbian relationship developing between two young schoolgirls in a refugee camp. A White Russian émigré pretends to be a Bolshevik spy, deceives the German military-intelligence service, then falls in love with an anarchist woman and tries to turn the theory of love’s powerlessness into  reality. A German refugee suffers from a dissociative identity disorder because he is unable to cope with the fact that he had betrayed his parents while saving his own life.

    The circumstances of the lives of these three characters are told in letters, diaries, and documents discovered by our contemporaries: one of them is a high school girl who openly expresses an outrage against the war in Ukraine, another is a student working on her dissertation on the history of anarchism in a London apartment, the third is a German who was recently released from prison after serving a sentence for committing murder in the heat of passion.

    The Night We Disappeared  is about an individual’s bewilderment when facing a changing world and its uncontrollable brute forces. It’s about the utter fiasco of existing social structures, and the urgent need for new forms and ways of social interaction.

     

    Read more...
  • GREAT-GRANDAD GRISHA’S YARD, collected stories by Vladislav Otroshenko (2010)

    Rights sold:  China - Waiguo Wenyi (magazine rights), Lithuania – Metai (magazine rights), Hungary - Nagy Vilag (magazine rights), Slovakia - Svetovej Literatury (magazine rights), Serbia – Reč (magazine rights), Russia – Art House Media

    Main theme of this collection of short stories by Vladislav Otroshenko is memories of the author about his childhood years spent in his native region near river Don, where Iranian, Greek, Roman, Turkic, Mongolian and Slavic traditions mixed freely. Otroshenko masterfully mixes reality with self-invented myths, using a number of unconventional techniques in order to introduce nonlinearity into his works.

    Read more...

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