Featured titles
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God of Rain, a novel by Maya Kucherskaya (2006)
Rights sold: Croatia - Zagrebacka naklada, Russia - AST
Student Booker Prize (2007)
God of Rain is a short novel, dynamically plotted and with none of the excesses we have come to associate with “youth” novels. Quite the opposite, it is the story of Anya, a nice, well-educated young woman, who graduates from college as promising young intellectual. She starts her philological studies in Moscow University, but falls into a deep depression, and converts to active Orthodoxy. Her conversion leaves her firmly determined to go to live in a monastery. But instead she falls in love with her spiritual father and ultimately emigrates to Canada. Throughout all of this, she remains a virgin and a profound spiritual seeker.
In this novel we have a fresh view on the involvement of the young people in the new Orthodox wave that seems to be overflowing in Russia these days; an important internal analysis of the dilemma of the believers and of the priest. In Anya—a nice, “clean thinking” young woman—we have a character long overdue in modern literature; and the plot is tightly woven and psychologically insightful.
The novel is meant to be read in one breath.
...Kucherskaya succeeded in being grateful. She writes about a happiness granted to her protagonist by an outcast, confused, bitter, but so genuine adolescence. (Andrew Nemzer)
Should we say the new novel by Kucherskaya is good? Of course, it is… (Evgeny Berzharsky, Itogi)
Maya Kucherskaya once again demonstrates her expertise in a literary rope walking … (Vladimir Zamirsky, Komsomolskaya Pravda)
I've always thought that a good humanities training is useful for an aspiring writer, and Kucherskaya's novel proves it: Her style is lucid and often gripping. Moreover, the subject matter is quite fresh. (Victor Sonkin, The Moscow Times)
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Russian Marmalade, collected plays by Ludmila Ulitskaya (2005)
Rights sold: France - GALLIMARD, Germany - HENSCHEL, Russia - EKSMO, AST
Collection of plays for theater ("Russian Marmalade", "My Grandson Benjamin", and "The Seven Saints from Bruho Village").
Russian Marmalade is a play clearly created in dialogue with Anton Chekhov’s «Cherry Orchard». The play’s heroes live in the same kind of old house with the same cherry trees growing all around, only the cherries themselves get made into jam to be sold to provide the owners of the home with their sole means of survival. It is the end of the twentieth century and Russia has changed course yet again as the old system crumbles.
None of the doors close and the electricity does not always work, but mobile phones are busy ringing all the time. The sentimental Chekhovian girl in this play, it turns out, works round the clock for an erotic phone line, unsuspected, it seems, by her respectable parents. This time it is not old monarchist Russia that is crumbling, but the Soviet regime as it gives way to the Yeltsin years. The “new Russians” sell and resell their parents’ dacha, and the parents, pushed onto the sidelines of life, don’t know where to turn anymore. These unhappy tales are infused with philosophical dread and deep psychological analysis. Ulitskaya tells her tales as only she knows how – in a comic, almost grotesque tone, turning a melancholy play with a Chekhovian plot into a bright and buoyant comedy.
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