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Articles
Title
JUST PUBLISHED: Yuri Buida´s Cool-Blue Blood in Arabic
JUST PUBLISHED: Ludmila Ulitskaya's Kukotsky Case in Czech Republic
Zuleikha Opens Here Eyes named the best translated novel of the 2018 in Iran
JUST PUBLISHED: Ludmila Ulitskaya's Yakov's Ladder in Romania
JUST PUBLISHED: Natalya Semenova and André Deloque's The Collector in English
JUST PUBLISHED: My Father's Letters in Germany
JUST PUBLISHED: Mariam Petrosyan's The House That in Bulgaria
JUST PUBLISHED: Guzel Yakhina's Children of the Volga in Serbia
JUST PUBLISHED: Guzel Yakhina's Zuleikha Opens Her Eyes in Slovakia
JUST PUBLISHED: Sasha Sokolov's A School for Fools in China
JUST PUBLISHED: Ludmila Ulitskaya's Kukotsky Case in China
JUST PUBLISHED: Ludmila Ulitskaya's Yakov's Ladder in Italy
JUST PUBLISHED: Ludmila Ulitskaya's Funeral Party in Sweden
Ludmila Ulitskaya presents the French edition of Yakov's Ladder at Livre Paris 2018
Our authors at the Livre Paris 2018

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Featured titles

  • Biography of Mikhail Bulgakov, by Marietta Chudakova (1988, NF)

    Rights sold: China - CCTP, Italy - ODOYA, Poland - Wydawnictwo Akademickie SEDNO, Ukraine - FOLIO, World English - GLAGOSLAV

    MariettaChudakova’s Biography of Mikhail Bulgakov (first published in 1988), by now is THE ONLY FULL-LENGTH STUDY OF BULGAKOV’S LIFE. It  remains the most important and reliable source of information about the writer. In her fundamental work Chudakova recreates the milestones of Bulgakov’s personal and artistic life against the historical background of his turbulent époque. The book is written in a vivid journalistic style, and contains abundant quotes from unpublished Bulgakov’s manuscripts and draft redactions of his novels, archive documents, and memoirs of writer’s contemporaries.

    "They must know... They must know," anxious about the fate of his unpublished books, Bulgakov whispered to his wife Yelena on his deathbed. One of the main ideas of his central novel The Master and Margarita is that of justice, which inevitably triumphs in the life of the spirit, although sometimes belatedly and beyond the bourn of the creator's physical death.

    Over the years that have passed since the day of Bulgakov's death, his former loneliness has turned into widespread interest in him from readers both in his native Russia and abroad. The growing popularity of his books, which are very "personal" and seem to talk to the reader directly, has attracted attention to the author himself, his biography, and his fate. The fame of Mikhail Bulgakov has taken root in time everlasting. He is dear to people as a writer and interesting as a man who retained throughout the vicissitudes of fate, the dignity and courage of a truly creative personality.

    Writers with a great destiny know something about themselves that we do not know or dare not say about them until later. At this juncture interest arises in the figure of the creator himself, in his biography, his personality. Why do we know so little about him? Why does he grow more interesting each year? Bulgakov's destiny has its own dramatic pattern. As is always the case from a distance and after the passage of many years, it appears to contain little that is accidental and shows a clear sense of direction.

     

    Chudakova's 2-part lecture on Bulgakov and Russian literature of XXth century broadcasted on Kultura TV channel, Russia, 2011

    Part 2

    Part 2

    Read more...
  • Train to Samarkand, a novel by Guzel Yakhina (2021)

    Rights sold: Armenia - ORACLE, Azerbaijan - QANUN, Bosnia - BUYBOOK, Croatia - HENA, Czech Republic - PROSTOR, France - NOIR SUR BLANC, Germany - AUFBAU, Hungary - HELIKON, Italy - SALANI, Kazakhstan - FOLIANT, Lithuania - ALMA LITTERA, Macedonia - ANTOLOG, Netherlands - QUERIDO, Poland - NOIR SUR BLANC, Romania - HUMANITAS, Russia - AST, Serbia - LAGUNA, Slovakia - SLOVART, Spain - ACANTILADO, Turkey - ALFA, Uzbekistan - BEST-BOOK, World Arabic - AL MADA

    Winner of the Reader’s Choice Award of 2022 Big Book Literary Award
    Shortlisted for the 2022 Big Book Literary Award
    Longlisted for the 2023 Prix Médicis Étranger (France)
    Shortlisted for the 2024 Prix Montluc Résistance et Liberté (France)

    During the last years of the Russian Civil war (1917-1922), the bony hand of famine strangled a heartland of Russia. The territory devastated most completely stretched along the Volga basin all the way from the Tatar Republic down to the river’s mouth, and it extended far north, east, and west. The long period of war had removed hundreds of thousands of peasants from the soil; also, the Bolsheviks’ policy of grain requisitioning (not to mention similar measures taken by their opponents), diminished food reserves. A severe drought blighted the crops of the Volga basin by the summer of 1921, inaugurating a catastrophe destined to claim at least five million lives. For nearly two years, chilling accounts surfaced from the famine region, describing a population driven to ever more wretched extremes by hunger. A variety of emergency measures, none more dramatic than mass evacuations of juveniles by railway transportation from afflicted provinces, were undertaken by the Bolsheviks. Altogether, the government evacuated approximately 150,000 children, a majority of them appear to have been orphans or otherwise homeless.

    Action of Guzel Yakhina's novel Train To Samarkand takes place on one of these trains evacuating 500 hungry children from an orphanage in Kazan to a southern city of Samarkand in October, 1923. Rail convoy's commander Deyev, a young Civil war veteran with a compassionate and tender character, is accompanied and supervised by a children commission representative Belaya, a strong-willed Bolshevik woman. They are two opposite extremes united by a shared purpose of saving children's lives at all costs. Their journey lasts six weeks and four thousand miles.

    Yakhina's Train To Samarkand is an adventure novel set on a backdrop of the most troublesome historical period in Russian history, a modern robinzonade, a travel story of epic drama caliber. A series of scary adventures along the way of Deyev's train—getting food or medical supplies for his young charges, finding a nurse for a newborn baby, wandering in the desert, clashing with gangs—are written as if they were a mythical events, but with extreme realism and vividness.  Deyev, like his legendary predecessors—Odysseus, Hercules, Jason— on his way opposes to the absolute Evil, Death, coming to him in various guises—as Hunger, Disease, or Murder. At the same time, a constant suspense of their journey, a feeling of danger, and expectation of a tragedy, is masterfully seasoned by the author with unexpectedly touching and somewhat comic situations and mise-en-scenes.

     

    Read more...

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