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TIERRA ADELANTE! a novel by Andrei Kofman
Rights sold: Russia - SOFIA
Winner of the DREAM BOOK National Literary Award (2006, Russia)
A breathtaking story of Spanish colonization of the Americas. Adventure novel for children and young adults by Andrei Kofman
It was in the first part of XVIth century. A new continent was already discovered, and people began to call Europe THE OLD WORLD as opposed to a NEW one, which to many seemed to be full of mysteries and enchantment, a promised land of unimaginable wonders capable to fulfill any human desire. Precisely in search of these miracles Spanish noble marquise Don Alonso de Santillana and his anecdotic crew composed exclusively of whitebeards and cripples sale towards the New Lands. An aged romantic crackpot, a knight errant and passionate lover of chivalry novels, Don Alonso winds up his rich Sevillian estate, and uses all his dough to fit up a ship and to organize an expedition to a New Continent. He and his crew are consolidated by overwhelming belief in miracles of the New World, while all reasonable-minded inhabitants of Seville make merry over their craze.
Don Alonso de Santillana proved to have more luck than his compatriot Don Quixote. Together with his brave crew he managed to discover a multitude of never before explored islands and countries. More important of all, with their very own eyes they saw all the marvels of the world: the giants, who turned out to be wild but quite peaceful folk, the beautiful female warriors, amazons, whom Don Alonso's personal barber revealed all the secrets of Old World beauty and cosmetic culture. On their journey the travelers run into a race of dog-headed people, saw live headless people, sea sirens, dragons etc. Finally they made it to their destination and bathed in the magical water of the Spring of the Eternal Youth, recovering their young age and beauty. Unfortunately, they were the last ones who had an opportunity to enjoy the miracle: a local Indian who showed them to the Spring destroyed it in order not to share this marvel with cruel conquistadores.
Each of Don Alonso's companions finds the most desired, and each one of them is compensated deservedly. Rejuvenated marquise finds his Dame, and only these two are permitted to pass through the gates of the Earthly Heaven. Captain Sancho, a passionate sea wolf, chooses to stay forever on his ship. And Padre Galindo, a monk, lives a long and fruitful life and writes down a chronicle of their miraculous journey.
TERRA ADELANTE! by Andrei Kofman is an adventure novel following the best traditions of the genre. His book features a richness of detail, while it's tonality and rhythmical pattern are close to a modern young reader. Informational "inserts" into a novel's narrative body (as author himself claims, these might be omitted while reading) represent the most interesting and sometimes unexpected historical facts and explanations. For example, Kofman explains the origins of $ symbol and what connection it bears to a national coat-of-arms of Spanish Kingdom, or describes the evolution of geographical maps and why Middle Age navigators were always finding not what they were looking for. Author gives a detailed account of real conquistador's expeditions in search of magical creatures and their discoveries.
For example, did you know that
- the longest river in the world was named by Spanish conquistadors Amazon River after a mythical ancient nation of all-female warriors?
- the name California was taken by Spanish conquistadors from XVI-century popular chivalric romance ‘Espladián’s Adventures’?
- the Fountain of Youth, a legendary spring that reputedly restores the youth of anyone who drinks of its waters, is said to be located in Florida, and stories of the fountain are dating back to Spanish conquest time?
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Celestial Express, a novel by Kirill Kobrin, 2019
Rights sold: Russia - NLO
Shortlisted for the 2019 NOS Literary Award
Loosely modelled on Agatha Christie’s Murder on the Orient Express, the plot of this novel centres around a journey undertaken by a diverse group of figures and two deaths that take place among them within the first couple of days. The setting is the enclosed space of a train car on a solemnly inaugurated direct railroad connection between the Chinese city “X.” and London, but the narrator’s inclination for letting his mind wander freely takes the reader all over the world, jumping between China and Europe, the past and the present, etc. In fact, the story itself doesn’t map more than the first three days of the journey. The chief question of a detective story – who the murderer is – ceases to be important in the light of the musings that play and interweave as the train makes its way across the vast expanse of the continent.
The reader’s guided through most of the novel by the first-person narrative of one of the travellers, a well-read intellectual who enjoys hearing the sound of his inner voice and lets it take him into the farthest corners of his mind (and the world), while remaining slightly skeptical to the ideas it suggests. He presents the scene in a camera-like style, zooming in, describing details meticulously, often letting them distract and inspire him into a digression in which he combines what he knows with sometimes fantastic and far-fetched ideas, constructing a whole system of belief before returning to the narrative. The narrative itself is pushed to the background ever more as it provides merely a scheme for the narrator’s reflections and loosely flowing associations.
The subjects the narrator’s philosophical musings touch upon include: alcohol-drinking traditions around the world; the fact that China represents the future and Europe the past, making the train journey a return from the future into the past; the idea that at some point, apart from “the present”, the distant past will be the only thing that ever truly existed and everything between the distant past and the present will be lost with each new digital system replacing the old one, etc. Halfway through the book the reader is treated to an essay on hell and a thorough analysis of its various forms.
An “opera” performed by the characters appears towards the end, using excerpts from ancient Chinese poetry, which provides another artistic adaptation of the events on the train inserted in the adaptation that is the novel itself.
In the author’s own words, “it is a sort of late modernist (but not so-called ‘postmodernist’!) mixture of Agatha Christie and Alain Robbe-Grillet with a pinch of J. G. Ballard”. A year after its publication, the events of 2020 have imparted unexpected relevance to this novel, not only due to China being the starting point of the journey it describes, but chiefly thanks to its treatment of human isolation and its possible consequences, as well as toying with the grim and funny scenarios of the future of humankind.
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