Featured titles
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Churov and Churbanov, a novel by Ksenia Buksha
Rights sold: Russia - AST
Shortlisted for the 2020 Big Book Award
Churov and Churbanov is a classic Petersburg tale in the tradition of Dostoevsky and Gogol, and the city’s atmosphere is palpable in every scene. The book is also a family drama; a riff on the Gothic theme of the double; a laugh-out-loud adventure novel; a sly triumph of speculative fiction; an elegy on growing up (and old); and a portrait of two familiar types: the awkward, hard-working nice guy (Churov, a pediatric cardiologist) and the life-of-the-party woman magnet (Churbanov, a two-bit wheeler-dealer). Their dissimilar lives begin to entwine after they discover their hearts beat in unison. This seemingly pointless synchrony has a side effect: a pair like them can sync other people’s heartbeats to their own, thus saving the lives of patients with serious heart conditions. But there’s a downside: when one of the original pair dies, all those whose heartbeats the pair synchronized die, too. Churov and Churbanov must follow their hearts, so to speak, in deciding what role their arbitrary gift will play for those around them. Buksha proves we depend on each other more than we realize, and we can save (or destroy) lives even if our hearts don’t beat as one.
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Please check Anne O. Fisher's page for a sample translation and media reviews dedicated to Churov and Churbanov in English: https://www.anneofisher.com/ksenia-buksha
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By Richter's Side. Dialogues with Sviatoslav Richter by Yuri Borisov (2003, 2011)
Rights sold: France – ACTES SUD, Japan – ONGAKU NO TOMO, Russia – RUTENA, AZBOOKA, Spain – ACANTILADO
Richter shared with his younger friend the stories of his childhood, and recollections of his meetings with other celebrities (Britten, Fischer-Dieskau, Gavrilov, Michelangeli, Picasso, Prokofiev, Serkin, Sofronitski, Vedernikov, Yudina, etc.). He explained his vision of music, comparing it with other arts: painting (Ernst, Renoir, Schiele, Vermeer, etc..), literature (Balzac, Block, Maeterlinck, Mann, Ostrovsky, Proust, Racine, Rostand, etc..), cinema (Alexandrov, Chaplin, Cocteau, Kurosawa, Pasolini, etc..). Notes taken during or after these extremely interesting conversations Borisov has later converted into a book, thanks to which we can look into the inner world of Sviatoslav Richter, one of the most exciting figures on 20th century musical horizon.
ABOUT SVIATOSLAV RICHTER (1915-1997)
- The Italian critic Piero Rattalino has asserted that the only pianists comparable to Richter in the history of piano performance were Franz Liszt and Ferruccio Busoni.
- Glenn Gould called Richter one of "the most powerful musical communicators of our time".
- Van Cliburn attended a Richter recital in 1958 in the Soviet Union. He reportedly cried during the recital and, upon returning to the United States, described Richter's playing as "the most powerful piano playing I have ever heard".
- Arthur Rubinstein described his first exposure to Richter as follows: "It really wasn't anything out of the ordinary. Then at some point I noticed my eyes growing moist: tears began rolling down my cheeks."
- Heinrich Neuhaus described Richter as follows: "His singular ability to grasp the whole and at the same time miss none of the smallest details of a composition suggests a comparison with an eagle who from his great height can see as far as the horizon and yet single out the tiniest detail of the landscape."
- Dmitri Shostakovich wrote of Richter: "Richter is an extraordinary phenomenon. The enormity of his talent staggers and enraptures. All the phenomena of musical art are accessible to him."
- Vladimir Horowitz said: "Of the Russian pianists, I like only one, Richter"
- Pierre Boulez wrote of Richter: "His personality was greater than the possibilities offered to him by the piano, broader than the very concept of complete mastery of the instrument."
- Gramophone critic Bryce Morrison described Richter as follows: "Idiosyncratic, plain-speaking, heroic, reserved, lyrical, virtuosic and perhaps above all, profoundly enigmatic, Sviatoslav Richter remains one of the greatest recreative artists of all time."
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