Featured titles
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Kukotsky Case, a novel by Ludmila Ulitskaya (2001)
Penne Prize (2006, Italy)
Russian Booker Prize 2001Right sold to: Albania - OMSCA, Bulgaria - COLIBRI, China - LIJIANG PUBLISHING, Beijing October Art & Literature Publishing House, Czech Repuiblic - PASEKA, Denmark - HOVEDLAND OG BOGAN, Estonia - TANAPAEV, France - GALLIMARD, Georgia - AZRI, Germany - VOLK UND WELT (LUCHTENHAND LUEBBE), Japan - GUNZOSHA, Korea - DULNYOUK PUBLISHING, The Netherlands - DE GEUS, Hungary - EUROPE, Italy - FRASSINELLI, Lithuania - JOTEMA, Macedonia - ANTOLOG, Norway - BAZAR, Poland - PHILIP WILSON, Portugal - RELÓGIO D’ÁGUA, Romania - HUMANITAS FICTION, Russia - EKSMO, AST, Serbia - Filip Višnjić, ARHIPELAG, USA - Northwestern University Press
Big part of her life Ulitskaya has been closely connected to biological schience, though a twist of life took her in another direction. Her years devoted to studying genetics and medicine have made a considerable impact on her literary style. This was where she realized the similarities between the doctor and the priest, and this was where the difficult questions emerged: where do the limits of human freedom lie and what are the limits between health and sickness, between life and death?
The novel Kukotsky Case deals with important themes such as motherhood, illness and marriage. The hero, a gynecologist, is ready to do everything possible to protect yet unborn life, but he also feels it his duty to defend every woman’s right to abortion, thus saving thousands of women from death as a result of backstreet abortions. This was a burning issue in the mid-twentieth century and it remains just as relevant today in the new millennium.
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Non-Memoirs by Yuri Lotman
Rights sold: World English - Dalkey Archive Press, Italy – INTERLINEA, Spain – GRANADA UNIVERSITY PRESS, Turkey - ALFA
One afternoon in December 1992, in Tartu, Estonia, Yuri Lotman reluctantly sat down to dictate his memoirs to Elena Pogosian, his assistant, over a pot of tea. Before his wife, Zara Mints, died in 1990, he had promised her that he would write the story of his life, and it was in memory of her that he embarked on a project he found disagreeable. This December afternoon was the first of twelve dictation sessions during which the initial draft of Non-Memoirs was created between them. The sessions were spread out over that winter and into the spring of 1993—the last spring of Lotman’s life. He could no longer write himself, due to a series of debilitating strokes and the weakness brought on by kidney cancer, and so had grown accustomed to the process of dictation and transcription by means of which he produced Non-Memoirs and his final theoretical works, the largest of which is a collection of essays called Culture and Explosion.
In its published form, Non-Memoirs is divided into seven sections of varying length. The five shorter sections concern themselves with a single anecdote or theme (lice on the front, an encounter with a hare, a “totally Bulgakovian” episode, a visit from the KGB, Tartu School politics); the two longer sections provide the narrative backbone of the memoirs, tending to treat the passage of time, rather than a single event (school and frontline life, the end of the war and postwar university life).
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