Yuri Buida´s Cool-Blue Blood released in Arabic by Thaqafa Publishing as الدم الأزرق .
Kindle edition is available at amazon: https://www.amazon.com/
Rights are handled on behalf of Editions Gallimard
Rights sold: China - Thinkingdom Media Group, France – Gallimard, Germany - AUFBAU, Italy - ATMOSPHERE LIBRI, Norway – Aschehoug, Russia - EKSMO, Spain – Automatica, Turkey – Dogan, UK/US – Dedalus (as The Zero Train)
Russian Booker prize nominee
The action in this novel takes place in a remote train station in the far reaches of Russia. It relates the life of the inhabitants who watch each night the passing of a train bound for some mysterious destination... A lot of comparisons have been made to try to capture the essence of this short novel – Kafkaesque, Beckett with trains, you get the picture. And whilst these may be true to a degree, it is only a small degree. Buida has his own voice and his own approach. Indeed, like all good writers he has subverted everything without once straying from a path which anyone can follow. Most importantly, he has taken what many term Socialist Realism and used it to cast a blisteringly clear light on Stalinist Russia. That this would call to mind both Kafka and Beckett (and many more beside) is inevitable.
If that is his style, his subject is both simple and infinitely expressive, with a life beyond the episodic tale. A railway line is built along which travels the Zero Train. At intervals along the track there are stations and sidings, workshops, and all the life that is lived by those who maintain all these facilities. We are given glimpses into the long, bleak, and brutal life of one such place. It encapsulates the Stalinist era, but it also lays wide open the human condition. Those who arrive at the beginning, young, with hope, are ground down through the years. Those that survive are little more than that. Survivors. Their lives have been devoted to the Zero Train, the purpose of which is a mystery. When the train goes, they must go as well. The whole book is a surreal tour de force. It sounds grim, and the realism spares no sensibilities, but at the same time it is a poetic work, and a paean to those whose whole lives were lived with the heel of the boot on their faces.
"The Zero Train is an imaginative exploration of Soviet history that stands on its own literary achievements. Oliver Ready's translation conveys with a sure hand the power and grace of Buida's supple prose. His style is at once lyrical and shocking. The norms of Socialist Realism -- prominent in the cultural hinterland that such translations expose to our view -- are manipulated with an angry bravado in this violent elegy for Ivan Ardabyev." - Times Literary Supplement
"The Zero Train by Yuri Buida is the most remarkable book I've read this year." - Helen Dunmore, The Observer (25/11/2001)
Read more...Grinzane Cavour Literary Award Winner 2008 (Italy)
Novel of the Year Prize (2004, Russia)
Rights sold: Bulgaria - FAKEL EKSPRESS, China – POPULAR LITERATURE, Croatia – FRAKTURA, Denmark - GYLDENDAL, Estonia – TANAPAEV, France - GALLIMARD, Germany - HANSER, Hungary – MAGVETO, Italy - FRASSINELLI, Latvia - Zvaigzne ABC, Poland - PHILIP WILSON, Romania – HUMANITAS, Serbia - PAIDEIA, Spain – ANAGRAMA, Spain (catalan language) – QUADERNS CREMA, Taiwan - LOCUS
In Ludmila Ulitskaya’s novel “Sincerely yours, Shurik” the plot is simple: a very good, smart, strong-willed Grandmother Elizaveta Ivanovna and her daughter Vera, a very nice, tender, but quite confused mother raise their boy Shurik in an atmosphere of idyllic family love.
The boy becomes a kind man, very helpful and quite responsive to those in need around him. Shurik has grown into a well educated, mature and attractive young man from a good family and appears to display all the right qualities to become a good person and a trusting, accommodating man, a considerate lover; a good match and an excellent specimen for furthering the species.
In short Shurik has all the makings of an excellent life-partner for any woman and it shouldn’t come as a surprise that the people who are most interested in his help are in fact, red-blooded women.
But while Shurik dedicates himself to “gratuitously helping” women at work, in bed and in their everyday lives, he must offset his sensitivities with humbly serving his defenceless mother Vera and come to terms with his own time, irretrievably passing through his fingers.
At eighteen Shurik falls in love and his love is pure and true, but relationships come to sudden and abrupt end. Later Shurik gets a second fatefully ironic chance at love and even in this instance, life seems to mock him without pity; after many years without seeing his first and only “true” love, the mature independent Lilya, she describes him alternatively as “poor Shurik”, “a bit of a saint” and “a complete moron”.
His undeveloped affair with a cheerful French woman, Joel, is also nipped in the bud because of his imposed (or assumed) obligations. Shurik has neither the strength nor the wherewithal to fight for his right to love and be happy as even his own mother treats him as a personal toolkit to repair the flaws all around her. Shurik is relegated to being a secondary character in the theatre that is Vera’s life as well.
At the end of book Shurik is a thirty-something amalgam of disjointed, mismatched bits and pieces, like several balls of multicoloured thread, odds and ends and found objects that are other person’s lives.
“Sincerely yours, Shurik” is a metaphor for the relationship between the sexes because it puts into question the established concept of how the roles of “victim” and “aggressor” are divided between the contemporary male and female. The book represents an analysis of the changing (or more so, the changed but not yet realized) role of woman in modern society.
The story of Shurik Korn is just one more typical example of how a man can squander away the precious time that is life and effort, leading inevitably to a personality that becomes diluted beyond recognition, while others seem to know what their goals are and seem to strive tirelessly to achieve them, at whatever cost.
The style and expressiveness of this book deserve a special mention. Ulitskaya’s novel is written in her characteristic extremely rich, savoury narrative manner, employing the seamlessly harmonious substance of literary reality that is the domain of her characters.
She creates fascinatingly convincing juxtapositions between meticulous attention to small details and trivia, a light, ironic prose to emphasize the novel’s theme as entirely removed from the holistic and philosophical questions that govern the human mind.
“Sincerely yours, Shurik” by Ludmila Ulitskaya is certainly a masterpiece and among the most fascinating prose written in narrative fiction today. An immensely pleasurable and quirky book to read, it is a wellspring for discussion and contemplation.
The author examines and analyses the most common, “basic” notions and concepts (love, compassion, family, among others) from an uncommon and surprising point of view. These notions and concepts are all present in the novel, as they are in the life of the main character, but something’s gone seriously wrong, there’s a fly in the ointment and that fly is Shurik Korn, a topsy-turvy Don Juan; so nice, and so darling, that one doesn’t know whether to embrace him or to strangle him.
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