Zeinab YONESI, the Persian translator of Guzel Yakhina's award-winning novel “Zuleikha Opens Her Eyes,” (released in 2018 by Niloofar publishing house) has received the 2018 Abolhassan Najafi Award for the best translated novel.
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High Society Dinners: Dining in Tsarist Russia by Yuri Lotman and Jelena Pogosjan (NF)
Rights sold: Estonia - TANAPAEV, World English rights – PROSPECT BOOKS
Many writers and researchers around the world now write prodigiously on the topic that engages all of us several times a day: food. And its history. It used to be that those of us interested in the history of food found the pickings pretty slim. Yuri Lotman and Jelena Pogosjan's High Society Dinners: Dining in Tsarist Russia deserves a wide readership among scholars and researchers and writers currently working on food- and culinary-related subjects, as well as curious general readers.
High Society Dinners, originally published posthumously in Russian in 1996 – Yuri Lotman having died in 1993 – technically consists of a number of menus for meals served at the opulent house of Petr Pavlovich Durnovo – Adjutant-General of the Tsar's Imperial Suite – during the period ranging from the spring of 1857 through 1858. Durnovo included diary-like comments with most of these menus, making the material an even richer source. Lotman devotes over 116 pages to a description of Russian cuisine it history, the background to the menus, and social structure and mores. He consistently references Russian literature as a source for culinary comments and digressed on French cuisine – highly important at the time among the Russian noble class. And, in addition, he relies on Ekaterina Avdeeva's 1842 cookbook, The Experienced Russian Housewife's Handbook.
The menus themselves would be useful enough for what they reveal about culinary culture in Russia, but Yuri Lotman's commentary is invaluable, dissecting the dining rituals and social circles of the participants. Durnovo's menus and guest lists, interspersed with extracts from family letters and the leading newspapers and journals of the day, set in context the domestic and gastronomic underpinnings of life in this group at the heart of the Russian empire.
High Society Dinners offers extraordinary insight into the domestic arrangements of the Russian aristocracy. It opens up a window onto a historical period of great interest via detailed primary material not normally associated with food and culinary matters.
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Russian Marmalade, collected plays by Ludmila Ulitskaya (2005)
Rights sold: France - GALLIMARD, Germany - HENSCHEL, Russia - EKSMO, AST
Collection of plays for theater ("Russian Marmalade", "My Grandson Benjamin", and "The Seven Saints from Bruho Village").
Russian Marmalade is a play clearly created in dialogue with Anton Chekhov’s «Cherry Orchard». The play’s heroes live in the same kind of old house with the same cherry trees growing all around, only the cherries themselves get made into jam to be sold to provide the owners of the home with their sole means of survival. It is the end of the twentieth century and Russia has changed course yet again as the old system crumbles.
None of the doors close and the electricity does not always work, but mobile phones are busy ringing all the time. The sentimental Chekhovian girl in this play, it turns out, works round the clock for an erotic phone line, unsuspected, it seems, by her respectable parents. This time it is not old monarchist Russia that is crumbling, but the Soviet regime as it gives way to the Yeltsin years. The “new Russians” sell and resell their parents’ dacha, and the parents, pushed onto the sidelines of life, don’t know where to turn anymore. These unhappy tales are infused with philosophical dread and deep psychological analysis. Ulitskaya tells her tales as only she knows how – in a comic, almost grotesque tone, turning a melancholy play with a Chekhovian plot into a bright and buoyant comedy.
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