ELKOST International literary agency
Toggle Navigation
  • News
  • Authors A-M
    • Yuri Borisov
      • Books
      • Sample translations
    • Yuri Buida
      • Books
      • Media reviews
      • Sample translations
    • Ksenia Buksha
      • Books
    • Ivan Chistyakov
      • Books
      • Media reviews
      • Sample translations
    • Alexander Chudakov
      • Books
      • Sample translations
    • Marietta Chudakova
      • Books
      • Media reviews
    • Oleg Dorman
      • Books
      • Media reviews
    • Umberto Eco
      • Books
      • Media reviews
    • Ilya Ehrenburg
      • Books
      • Media reviews
    • Andrei Gelasimov
      • Books
    • Fazil Iskander
      • Books
      • Media reviews
      • Sample translations
    • Andrei Ivanov
      • Books
      • Media reviews
      • Sample translations
    • Kirill Kobrin
      • Books
    • Andrei Kofman
      • Books
      • Media reviews
    • Nikolai Kononov
      • Books
    • Elena Kostioukovitch
      • Books
      • Media reviews
      • Interviews
    • Maya Kucherskaya
      • Books
      • Media reviews
      • Interviews
    • Yuri Lotman
      • Books
      • Media reviews
    • Alexander Luria
      • Books
      • Media reviews
    • Józef Mackiewicz
      • Books
      • Media reviews
    • Vladimir Makanin
      • Books
      • Media reviews
    • Olga Medvedkova
      • Books
      • Media reviews
    • MEMORIAL
    • Agnes Mironova
      • Books
      • Sample translations
    • Ilya Mitrofanov
      • Books
      • Media reviews
  • Authors N-Z
    • Victor Nekrasov
      • Books
    • Alexander Okun
      • Books
    • Yuri Olesha
      • Books
      • Media reviews
    • Vladislav Otroshenko
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Sergey Parkhomenko
      • Books
      • Sample translations
    • Mariam Petrosyan
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Elena Rzhevskaya
      • Books
      • Media reviews
    • Natalya Semenova
      • Books
      • Media reviews
    • Irina Sherbakova
      • Books
      • Media reviews
    • Mikhail Shevelev
      • Books
      • Media reviews
    • Viktor Shklovsky
    • Grigory Sluzhitel
      • Books
    • Sasha Sokolov
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Ludmila Ulitskaya
      • Books
      • Media reviews
      • Interviews
      • Journalism
      • Sample translations
    • Sana Valiulina
      • Books
    • Marina Vishnevetskaya
      • Books
      • Media reviews
    • Igor Vishnevetsky
      • Books
      • Media reviews
      • Sample translations
    • Stanislav Vostokov
      • Books
    • Guzel Yakhina
      • Books
    • Anthologies & series
      • Creative comparison of cultures
  • Our sub-agents
  • Our clients
  • About us

News

Articles
Title
JUST PUBLISHED: Ulitskaya's Girls and Poor Relatives in Romania
Ulitskaya's Daniel Stein, Interpreter in Czech Republic
Ulitskaya's Daniel Stein, Interpreter in Freiburg theater, Germany
JUST PUBLISHED: Ulitskaya's Under the Green Tent in Poland
Three of our authors are on the short list of Big Book award
Server maintenance works: possible email delivery interruptions
Ulitskaya and Bitov in Akademie der Künste, Berlin - April 18-19, 2013
JUST PUBLISHED: Grigory Oster's Tale with Details in Estonia
JUST PUBLISHED: Yuri Lotman's titles in Italy and Turkey
JUST PUBLISHED: Alexey Nikitin's ISTEMI in the UK
JUST PUBLISHED: Grigory Oster's Tale with Details in Japan
JUST PUBLISHED: Vladislav Otroshenko's Gogoliana in Russia
Fazil Iskander is nominated for the 2013 Nobel Prize in Literature
Ulitskaya at the lit.COLOGNE Festival, Germany, 6-16/03/2013
Russian CULTURE TV channel presents a documentary about Ludmila Ulitskaya

Page 15 of 24

  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • facebook
  • twitter
  • email
  • instagram
  • Linkedin
  • XING
  • Print
  • Whatsapp
  • Telegram

Featured titles

  • Leningrad, a novel by Igor Vishnevetsky (2010)

    Rights sold: World English - Dalkey Archive Press, Italy - Libreria Editrice Cafoscarina (Incroci di Civiltà), Macedonia - BATA PRESS MILLENNIUM, Russia - VREMYA

    2011 NOS literary award
    2010 "Novyi mir" literary magazine award for the best fiction

     

    Vishnevetsky’s Leningrad is a masterful mixture of prosaic and poetical texts, excerpts from private letters and diaries, quotes from newspapers and NKVD internal documents, in which the author fuses rough documentary with philosophical grotesque and depicts the Siege as a moment of truth for Leningrad artists and white-collars. The story is told through the correspondence and diary entries of the protagonists, the Composer, his lover Vera and Vera’s husband, the naval officer intercepting enemy communications for the Russia’s Baltic Fleet positioned in and in front of Leningrad. The love triangle ends tragically when Vera, pregnant from her lover, decides to leave the besieged city but meets a macabre death, while the Composer at the same time mentally collapses and possibly dies of hunger, unaware of his lover’s fate.

    The most inhuman conditions of the Siege, starvation and continuous bombing and shelling make the background to the story. For the first time in modern Russian literature Vishnevetsky brings up the issue of vitality of moral and ethical values cultivated and magnified by Russian intelligentsia, and their ability to confront the cruel reality. In their wild attempts to survive the protagonists hold on to their art, ideas, and sentiments over which neither Bolsheviks, nor Nazis, not even the death itself have power.

    Vishnevetsky’s narrative departs into highly experimental and emotionally charged discussion of “ultimate questions” of one’s existence. In this regard his Leningrad closes the gap between present-day Russian letters and the tradition of Russian philosophical novel which existed uninterrupted until the 1940’s.

     

    Russia's stunningly beautiful second city, formerly and now St Petersburg, but known as Leningrad between 1924 and 1991, has had a unique character since Peter the Great built it as his window on the West at the start of the 18th century. As Petrograd (1914-24) it witnessed the Russian Revolutions of 1917. The Siege of Leningrad during WWII is one of the most moving, stirring, and horrific tales of human ingenuity and endurance in history.

    The destruction of Leningrad was one of Adolf Hitler's strategic objectives in attacking the Soviet Union. Hitler's plan was to subdue Leningrad through blockade, bombardment, and starvation prior to seizing the city. The Siege of Leningrad was a prolonged military operation. It started on September 8, 1941, when the last land connection to the city was severed. Although the Red Army managed to open a narrow land corridor to the city in 1943, the final lifting of the siege took place only in 1944, 872 days after it began.

    The two-and-a-half year siege caused the greatest destruction and the largest loss of life ever known in a modern city. The 872 days of the siege resulted in unparalleled famine in the Leningrad region through disruption of utilities, water, energy and food supplies. This resulted in the deaths of up to 1,500,000 civilians and soldiers and the evacuation of 1,400,000 more inhabitants of the city, mainly women and children, many of whom died during evacuation due to starvation and bombardment.

    Human losses in Leningrad on both sides exceeded those of the Battle of Stalingrad, the Battle of Moscow, or the atomic bombings of Hiroshima and Nagasaki. The siege of Leningrad remains the most lethal siege in world history.

     

    Civilians in the city suffered from extreme starvation, especially in winter of 1941–1942. Between November 1941 and February 1942 the only food available to the citizen was 125 grams of bread, of which 50–60% consisted of sawdust and other inedible admixtures, and distributed with ration cards. In conditions of extreme temperatures (down to -30°C) and city transport being out of service, the distance of a few kilometers to work or the food distributing kiosks were insurmountable obstacles for many citizens. People often died on the streets, and citizens shortly became accustomed to the look of death. Reports of cannibalism appeared in the winter of 1941–1942, after all birds and pets were eaten by survivors.

    Read more...
  • Only a Miracle Could Save Us: Life and Survival under Stalin's Terror, by Irina Sherbakova (NF)

    Rights sold: Germany  - CAMPUS

    For many years, we knew next to nothing about the private lives of ordinary Soviet citizens during Stalin’s reign. Until very recently, the social history of the Soviet Union written by Soviet and Western historians alike was limited entirely to the public sphere – politics and ideology, and the collective experience of the ‘Soviet masses’. The individual (insofar as he or she appeared at all) featured mainly as a letter-writer to the Soviet authorities (that is, as a public actor rather than a private person or member of a family).

    It was only from the end of the 1980s that the practice of oral history – politically impossible in the earlier Soviet period – began to develop in Russia. Public organizations like Memorial, established in the late 1980s to represent the victims of repression and record their history, took the lead, collecting testimonies from survivors of the Gulag. This was an urgent and important task in the glasnost period because these survivors were disappearing fast and because their memories were practically the only source of reliable information about life inside the camps.

    Russian journalist and historian Irina Sherbakova of Memorial in Moscow was one of these who interviewed many Gulag survivors…

    For her new book Sherbakova has selected the five life stories, five examples of oral history, each in its own way depicting the inhuman policy of Soviet regime during different stages of Stalin’s reign. Among her protagonists are the biologist who was arrested as a ‘wife of an enemy of the people’ and even in prison remained a convinced follower of the Communist ideology; the young Trotskyist who survived through many Gulag prison camps; the son of a German actress who was pursued solely because of his origin;  the Red Army officer to whom a single joke about Stalin cost career and freedom… Sherbakova begins a book with the story of her own family, with recollections of her grandfather, who was a Bolshevik and a member of the Comintern and later fell into disfavor.


    Unlike other East European countries, Russia is not striving for a critical appraisal of its Communist past. A dedicated work of Memorial society members, including Irina Sherbakova, is a rare exception. Sherbakova have definitely chosen the only correct method of presentation, because the terror of Stalinism can not be expressed in abstract numbers. Much more impressive is the presentation of an individual biographies, each reflecting the precarious history of the Soviet Union.

    Read more...

MAIN OFFICE: Yulia Dobrovolskaya, c/Londres, 78, 6-1, 08036 Barcelona, Spain, phone 0034 63 9413320, 0034 93 3221232, e-mail rights@elkost.com
OFFICE IN ITALY: Elena Kostioukovitch, via Sismondi 5, Milano 20133, Italy, phone 0039 02 87236557, 0039 346 5064334, fax 0039 700444601, e-mail elkost@elkost.com
General inquiries and manuscript submissions: russianoffice@elkost.com

Aviso legal. Política de privacidad. Política de cookies.

Back to Top

© 2026 ELKOST International literary agency

In order to provide you with the best online experience this website uses cookies.

By using our website, you agree to our use of cookies. Learn more

I agree