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News

Articles
Title
Elena Kostioukovitch at the Latvian Book Fair, February 28 - March 2, 2013
On February 21st, 2013, Ludmila Ulitskaya has turned 70
JUST PUBLISHED: Ludmila Ulitskaya's Funeral Party in Finland
Elena Kostioukovitch's lecture in Moscow, February 23rd.
Ludmila Ulitskaya and Elena Kostioukovitch at the Jerusalem Book Fair
JUST PUBLISHED: Ludmila Ulitskaya's Kukotsky Case in South Korea
JUST PUBLISHED: Elena Kostioukovitch's Why Italians... in Latvia
Vladislav Otroshenko at the 2013 RUSSENKO literary festival (France)
Ulitskaya's SHURIK staged in Hungary
Ulitskaya's children book staged in Hungary
An evening with Ludmila Ulitskaya in St. Petersburg
Grigory Oster won the Korney Chukovsky Prize
Yuri Buida´s COOL BLUE BLOOD won Russian Student Booker
JUST PUBLISHED: Sasha Sokolov's A SCHOOL FOR FOOLS in Russia
JUST PUBLISHED: Ilya Ehrenburg's Julio Jurenito in Italy

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Featured titles

  • Russian Marmalade, collected plays by Ludmila Ulitskaya (2005)

    Rights sold: France - GALLIMARD, Germany - HENSCHEL, Russia - EKSMO, AST

    Collection of plays for theater ("Russian Marmalade", "My Grandson Benjamin", and "The Seven Saints from Bruho Village").

    Russian Marmalade is a play clearly created in dialogue with Anton Chekhov’s «Cherry Orchard». The play’s heroes live in the same kind of old house with the same cherry trees growing all around, only the cherries themselves get made into jam to be sold to provide the owners of the home with their sole means of survival. It is the end of the twentieth century and Russia has changed course yet again as the old system crumbles.

    None of the doors close and the electricity does not always work, but mobile phones are busy ringing all the time. The sentimental Chekhovian girl in this play, it turns out, works round the clock for an erotic phone line, unsuspected, it seems, by her respectable parents. This time it is not old monarchist Russia that is crumbling, but the Soviet regime as it gives way to the Yeltsin years. The “new Russians” sell and resell their parents’ dacha, and the parents, pushed onto the sidelines of life, don’t know where to turn anymore. These unhappy tales are infused with philosophical dread and deep psychological analysis. Ulitskaya tells her tales as only she knows how – in a comic, almost grotesque tone, turning a melancholy play with a Chekhovian plot into a bright and buoyant comedy.

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  • Gogoliana, collected essays by Vladislav Otroshenko (2013)

    Rights sold: Russia - Olga Morozova publishing house, AST; Slovenia - LUD, World English - Dalkey Archive Press

    These essays came about in response to a question asked of contemporary writers by the magazine Znamia: "Is Gogol's creative experience relevant today (and to you personally) and, if so, how?" The answer, writes Vladislav Otroshenko, that struck him immediately consisted of two sentences: "Gogol died of literature. That is what must be known if we are to know whether Gogol's creative experience is relevant—today, tomorrow—to anyone personally."

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