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News

Articles
Title
On February 21st, 2013, Ludmila Ulitskaya has turned 70
JUST PUBLISHED: Ludmila Ulitskaya's Funeral Party in Finland
Elena Kostioukovitch's lecture in Moscow, February 23rd.
Ludmila Ulitskaya and Elena Kostioukovitch at the Jerusalem Book Fair
JUST PUBLISHED: Ludmila Ulitskaya's Kukotsky Case in South Korea
JUST PUBLISHED: Elena Kostioukovitch's Why Italians... in Latvia
Vladislav Otroshenko at the 2013 RUSSENKO literary festival (France)
Ulitskaya's SHURIK staged in Hungary
Ulitskaya's children book staged in Hungary
An evening with Ludmila Ulitskaya in St. Petersburg
Grigory Oster won the Korney Chukovsky Prize
Yuri Buida´s COOL BLUE BLOOD won Russian Student Booker
JUST PUBLISHED: Sasha Sokolov's A SCHOOL FOR FOOLS in Russia
JUST PUBLISHED: Ilya Ehrenburg's Julio Jurenito in Italy
JUST PUBLISHED: DIARY OF A GULAG PRISON GUARD in Italy, Poland, and Czech Republic

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Featured titles

  • Gogoliana, collected essays by Vladislav Otroshenko (2013)

    Rights sold: Russia - Olga Morozova publishing house, AST; Slovenia - LUD, World English - Dalkey Archive Press

    These essays came about in response to a question asked of contemporary writers by the magazine Znamia: "Is Gogol's creative experience relevant today (and to you personally) and, if so, how?" The answer, writes Vladislav Otroshenko, that struck him immediately consisted of two sentences: "Gogol died of literature. That is what must be known if we are to know whether Gogol's creative experience is relevant—today, tomorrow—to anyone personally."

    Read more...
  • The Night We Disappeared, a novel by Nikolai Kononov

    Rights sold: Russia - INDIVIDUUM

     

    This is a polyphonic novel ambitious both in terms of its literary quality and the issues it discusses: xenophobia, inequality, post-memory, the "right turn," and anarchy. It is, of course, also a book about a search for identity, both among individuals and within the territories of Eastern Europe, where inhabitants suffered over and over during social upheavals of the 20th and 21st centuries. The novel is centered on a phenomenon of apatrides - people rejected by their homeland who - against their will - became citizens of the world.

    The plot-lines of the three main characters in Kononov’s novel are all set between 1919 and 1951. All three are refugees from the Russian and Soviet empires: they are exiles, stateless persons. Even so, history gave each a chance to play their own role in history before, during, and after World War II. Their  trauma and pain affect their descendants – our contemporaries – in unexpected and unpredictable ways.

    A young woman – a teacher who was raised by a dedicated Marxist mother in the USSR in the 1930s – suddenly converts to Christianity while surviving the Nazi occupation in the city of Pskov during WWII. She later witnesses a lesbian relationship developing between two young schoolgirls in a refugee camp. A White Russian émigré pretends to be a Bolshevik spy, deceives the German military-intelligence service, then falls in love with an anarchist woman and tries to turn the theory of love’s powerlessness into  reality. A German refugee suffers from a dissociative identity disorder because he is unable to cope with the fact that he had betrayed his parents while saving his own life.

    The circumstances of the lives of these three characters are told in letters, diaries, and documents discovered by our contemporaries: one of them is a high school girl who openly expresses an outrage against the war in Ukraine, another is a student working on her dissertation on the history of anarchism in a London apartment, the third is a German who was recently released from prison after serving a sentence for committing murder in the heat of passion.

    The Night We Disappeared  is about an individual’s bewilderment when facing a changing world and its uncontrollable brute forces. It’s about the utter fiasco of existing social structures, and the urgent need for new forms and ways of social interaction.

     

    Read more...

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