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News

Articles
Title
NEW RELEASE: Kyiv. A Fortress Over the Abyss by Elena Kostioukovitch
Marina Vishnevetskaya wins the 2024 Vitruvio-Le Muse Award
Lyudmila Ulitskaya awarded the Günter Grass-Preis 2023 for her life's work
Lyudmila Ulitskaya receives the Erich Maria Remarque Peace Prize 2023
MEMORIAL human rights group and Ales Bialiatski got the 2022 Nobel Peace Prize
Ludmila Ulitskaya named a winner of the 2022 Formentor Prize
2022 – The Year of Józef Mackiewicz
NEW RELEASE: Yakhina's Zuleikha Opens Her Eyes in Norway
NEW RELEASE: Ulitskaya's The Big Green Tent in Japan
NEW RELEASE: OST in English
NEW RELEASE: Yakhina´s Train to Samarkand in Romania
MEMORIAL International awarded the 2021 JAN MICHALSKI PRIZE FOR LITERATURE
RIP Marietta Chudakova (1937-2021)
Yakhina's novel named the best translated novel of the 2021 in France
NEW RELEASE: Yakhina's Children of the Volga in Serbia

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Featured titles

  • After the Last Dot, collected essays by Ludmila Ulitskaya (2023, NF)

    Rights sold:  Germany - HANSER, Hungary - MAGVETO, Russia - AST

    Read more...
  • The Portrait and Around, a novel by Vladimir Makanin (1978)

    Rights sold: Czech - Svoboda, Germany - Aufbau

    In his 1978 The Portrait and Around (Portret i vokrug) Makanin pinpoints a major problem for the Russian intelligent; namely, his inability to recognize his guilt. The Portrait and Around revolves around a ‘man of the sixties’, Starokhatov, a man who abuses his position as a well-known scriptwriter and producer to sign his name to scripts written by novice authors. Starokhatov is no monster (he is capable of generous, even noble acts), but his ability to create a false, successful self-image through his plagiarism points not only to his lack of ethics, but to his lack of identity. Identity is a major problem for the main character in this novel, Igor Petrovich, who becomes involved in the Starokhatov case when a friend asks him to help create a ‘portrait’ of the man. Igor uncovers evidence of Starokhatov’s theft of scripts but finds himself unable to take any action against the man. This is not only due to an intelligent's ineffectuality; Starokhatov tells Igor that he ‘sees himself’ in Starokhatov, whose criminality he has exposed. Starokhatov suggests one possible motivation for lgor's inability to act; for Igor, laying charges against this man would be like indicting himself; and he cannot accept his own criminality.

    Read more...

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