Elena Kostioukovitch's Zwinger is Corpus Publishers nr. 1 bestselling title in January, 2014
and 3rd on the list of literary fiction bestsellers of MOSKVA bookshop
Featured titles
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BEFORE AND DURING, a novel by Vladimir Sharov
Rights sold: China - PEKING UNIVERSITY PRESS, France - PHÉBUS, Italy - VOLAND, Serbia - UTOPIA, World English - DEDALUS
Set in a psychiatric clinic in Moscow in the long decades of late-Soviet stagnation, Before and During sweeps the reader away from its dismal surroundings on a series of fantastical excursions into the Russian past. The novel invokes real historical events and people (Tolstoy, Madame de Staël, Saint John of Kronstadt, Alexander Scriabin, and Stalin, among others), swirling them into a phantasmagoric alternative chronology. Stories germinate within other stories, unfolding in astonishing variations.
We meet Leo Tolstoy’s twin brother, eaten by the great writer in his mother’s womb, only to be born as Tolstoy’s ‘son’; the philosopher-hermit Nikolai Fyodorov, who believed that the common task of humanity was the physical resurrection of their ancestors; a self-replicating Madame de Staël who, during her second life, is carried through plague-ridden Russia in a glass palanquin and becomes Fyodorov’s lover; and the composer Alexander Scriabin, who preaches to Lenin on the shores of Lake Geneva.
Out of these intoxicating, darkly comic fantasies – all described in a serious, steady voice – Sharov seeks to retrieve the hidden connections and hidden strivings of the Russian past, its wild, lustful quest for justice, salvation and God.
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Only a Miracle Could Save Us: Life and Survival under Stalin's Terror, by Irina Sherbakova (NF)
Rights sold: Germany - CAMPUS
For many years, we knew next to nothing about the private lives of ordinary Soviet citizens during Stalin’s reign. Until very recently, the social history of the Soviet Union written by Soviet and Western historians alike was limited entirely to the public sphere – politics and ideology, and the collective experience of the ‘Soviet masses’. The individual (insofar as he or she appeared at all) featured mainly as a letter-writer to the Soviet authorities (that is, as a public actor rather than a private person or member of a family).
It was only from the end of the 1980s that the practice of oral history – politically impossible in the earlier Soviet period – began to develop in Russia. Public organizations like Memorial, established in the late 1980s to represent the victims of repression and record their history, took the lead, collecting testimonies from survivors of the Gulag. This was an urgent and important task in the glasnost period because these survivors were disappearing fast and because their memories were practically the only source of reliable information about life inside the camps.
Russian journalist and historian Irina Sherbakova of Memorial in Moscow was one of these who interviewed many Gulag survivors…
For her new book Sherbakova has selected the five life stories, five examples of oral history, each in its own way depicting the inhuman policy of Soviet regime during different stages of Stalin’s reign. Among her protagonists are the biologist who was arrested as a ‘wife of an enemy of the people’ and even in prison remained a convinced follower of the Communist ideology; the young Trotskyist who survived through many Gulag prison camps; the son of a German actress who was pursued solely because of his origin; the Red Army officer to whom a single joke about Stalin cost career and freedom… Sherbakova begins a book with the story of her own family, with recollections of her grandfather, who was a Bolshevik and a member of the Comintern and later fell into disfavor.
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Unlike other East European countries, Russia is not striving for a critical appraisal of its Communist past. A dedicated work of Memorial society members, including Irina Sherbakova, is a rare exception. Sherbakova have definitely chosen the only correct method of presentation, because the terror of Stalinism can not be expressed in abstract numbers. Much more impressive is the presentation of an individual biographies, each reflecting the precarious history of the Soviet Union.