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Sofichka, a novel by Fazil Iskander (1997)
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The novella is a third-person, realistic narrative describing the life story of the Abkhazian woman named Sofichka. Sofichka falls in love with the young Rouf, who is half Abkhazian and half Turkish. Sofichka's relatives scorn Rouf, but Sofichka marries him despite the family's opposition. She is a good wife and loves her husband dearly, but Rouf is hated by her kin, and her brother Nuri kills him. Sofichka refuses all advances and does not remarry, remaining true to her husband into old age. Moreover, she repudiates her brother Nuri who, time and again, begs her for forgiveness. In the end, she forgives Nuri but cannot forgive herself. She becomes depressed, believing that she has betrayed her husband, and then becomes ill, and dies. Like most of Iskander's early narratives 'Sofichka' is set in the environs of Chegem. The customs and the lore of the people there have changed little, but the humour and banter of Iskander's early prose have disappeared. Instead, sadness, adversity, and unhappiness prevail. The character of Sofichka, who embodies devotion and goodness, goes down in defeat, and it is juxtaposed with other characters who are jealous, greedy, and rapacious.
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RETURN TO EGYPT, a novel by Vladimir Sharov
Winner of the 2014 Big Book Award
Winner of the 2014 The Crown award
Winner of the 2014 Russian Booker and Student Booker awardsRights sold: Macedonia - DRUZHINA, Russia - AST, Serbia - ROSSIKA
The novel depicts a Soviet agronomist by the name of Nikolai Gogol, who is a descendent of the great Russia writer by the same name. Throughout the novel, Nikolai attempts to write a sequel to the classic novel Dead Souls. The book, however, is not about Gogol; it instead follows the journey of Soviet generations whose lives are inextricably linked to the Bible’s Book of Exodus, hence the novel’s title. The novel has sold over 45,000 copies of books in Russian alone. In 2014, Sharov was awarded the Russian Booker and the Big Book award for the novel. Critically, the novel was a huge success as Sharov was praised for his unique and poetic plot. For example, according to the literary critic Natalia Kurchatova: “the author works at the junction of histography and religious-mystical perception of reality” to create a deeply complex and reflexive novel.
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