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Articles
Title
NEW RELEASE: Yakhina´s Train to Samarkand in Romania
MEMORIAL International awarded the 2021 JAN MICHALSKI PRIZE FOR LITERATURE
RIP Marietta Chudakova (1937-2021)
Yakhina's novel named the best translated novel of the 2021 in France
NEW RELEASE: Yakhina's Children of the Volga in Serbia
NEW RELEASE: Buida's STALEN in France
NEW RELEASE: Shevelev's NOT RUSSIAN in France
Daniel Stein, Interpreter finalist of Kulturhuset Stadsteatern prize
NEW RELEASE: Yakhina's TRAIN TO SAMARKAND in Romania and Bosnia
Yakhina's novel is a finalist of the 2021 Prix Médicis
Yakhina's novel longlisted for the Prix Médicis
Guzel Yakhina longlisted for the 2021 European Literature Prize
Natalya Semenova wins the Art Newspaper Russia Prize
NEW RELEASE: My Father's Letters. Correspondence from the Soviet GULAG in English
NEW RELEASES: Ulitskaya's JUST THE PLAGUE in Russia, Hungary, Germany, and France

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Featured titles

  • The Freedom Factory, a novel by Ksenia Buksha

    Winner of the 2014 National Bestseller Award (Russia)
    Winner of the 2014 Città di Penne-Mosca Prize (Italy)

    Rights sold: Russia - OGI, World English - PHONEME MEDIA

    Poet, writer, and journalist Ksenia Buksha was thirty when she published The Freedom Factory, the novel that won Russia's 2014 National Bestseller prize. Buksha, an economist by training, was just eighteen when her writing began earning critical acclaim. She brings both striking innovation and unflinching maturity to her creative work, while her precisely observed narration and dialogue transport readers through the entire spectrum of Soviet and post-Soviet life, from the absurd to the sublime.

    The Freedom Factory  is the history of a real military plant in Saint Petersburg from the 1950s to the present, told in monologues by its workers, managers, engineers. The Freedom Factory  is not exactly a piece of realism: it combines poetry and documentary in unique proportion, conveying to readers the atmosphere of that extremely absurd, harsh yet magnetic place. Sometimes the narrative comes very close to everyday speech, sometimes it falls into lyricism or grotesque humor, but it always remains amazingly sincere. There are life stories and love stories, military secrets and anecdotes, work and leisure. Lots of different voices merge into a chorus; characters are not named, just denoted with Latin letters – but that doesn't prevent us from feeling with them.

     “The Freedom Factory is a thriller, a romance, and a social drama all in one, and—this is especially important—it’s a book by a post-Soviet person about the Soviet experience.” – Dmitriy Bykov, literary critic

    “My first impression was that of a … novel written by a slightly drunk Joyce.” – Maxim Amelin, Ksenia Buksha's Russian publisher

    “[When I read the novel] I thought of Spanish Nobel laureate Camilo José Cela and his novel The Hive… which through the blending of many disparate voices gives an image of the time, the characters, the particular atmosphere. The Freedom Factory has echoes of this same device.” – Gennadiy Kalashnikov, literary critic

    “Ksenia Buksha has successfully done what no one else, it seems, has been able to do: combine utopia and anti-utopia.” – Nadezhda Sergeyeva, literary critic

    Read more...
  • My Father's Letters (NF)

    Letters of 16 Russian scientists to their children from the depths of Stalinist GULAG published by Memorial Human Rights Society, Moscow

    Rights sold Germany - MSB Matthes & Seitz, Portugal - Relógio D’Água, World English - GRANTA BOOKS

    Dr. Alexei Wangenheim, prisoner at the Solovki prison camp who before the arrest was the organizer and head of the Meteorological Service of the Russian Soviet Federative Socialist Republic, in 168 letters sent to his daughter Eleanora from GULAG managed to create an entertaining herbarium of local plants.
    Prof. Gavriil Gordon, prisoner at the Dmitlag prison camp who before the arrest was Academic Secretary of the Institute of Educational Research, sent to his children two notebooks containing his own hand-written account of world history and philosophy.
    Vladimir Levitsky, prisoner at the Siblag prison camp who before his arrest was a President of Philatelic Society of Kursk, composed a series of short ethnographical essays in letters and postcards sent for his son. All his letters were illuminated by a hand-drawn postal stamps.

    All of them – and thousands more – cherished a hope to see their children again. All of them died in GULAG, but their "distance learning courses" wasn't a waste of time and energy in deadly conditions of detention: their children later became scientists, researchers, teachers, philatelists...

    Technical details: approx. 50.000 words including preface, comments, and glossary; approx. 260 color and b/w drawings and photos.

    Read more...

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