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News

Articles
Title
Elena Kostioukovitch in New York - February 3, 2010
Ludmila Ulitskaya presents the Italian edition of Daniel Stein, Translator - Jan.-Feb., 2010
Ilya Mitrofanov's trilogy published in Spain by Lumen - January, 2010
Ludmila Ulitskaya and Mikhail Khodorkovsky share a literary prize - 13/01/2010
Ulitskaya's Daniel Stein, Translator comes to Italy - 08/01/2010
Umberto Eco's Vertigo of Lists in Russian - December 2009
Elena Kostioukovitch presents a Spanish edition of Why Italians... in Bilbao - December 14, 2009
Ludmila Ulitskaya and Jáchym Topol meet in Moscow - December 2009
Presentation of the Russian version of the book “HIV and AIDS: what can we do about that?”, December 1, 2009
Leonid Yuzefovich got the Big Book literary award - November 26, 2009
Ludmila Ulitskaya and other leading artists from around the world met Benedict XVI on November 21, 2009
Ludmila Ulitskaya's public lectures in Japan - November 2009
Maxim Gorky's Reminiscences of Tolstoy, Chekhov, and Andreiev in Yulia Dobrovolskaya's translation are published in Spain in November, 2009
Elena Kostioukovich's Why Italians Love to Talk about Food - NOW in the US, Australia and Spain
Ludmila Ulitskaya is a special guest of Babel and Pordenonelegge literature festivals in Italy - 17/09/2009

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Featured titles

  • Trilogy for children vol.3 by Ludmila Ulitskaya (2005)

    The Story about Antwerpen the Sparrow, Mikheev the Cat, and Aloe, 2005

    Rights sold: France - GALLIMARD, Italy - OLMIS, Hungary - MAGVETO, Russia - EKSMO, AST 

     

     

    Read more...
  • He and She, a novel by Vladimir Makanin (1987)

    Rights sold: Spain - Alfaguara, Cirulo de Lectores, Sweden - Bromberg

    Main heroes of Makanin's 1987 novel He and She (Odin i odna) are "shestidesiatniki" Gennadii Goloshchekov and Ninel', two idealistic people who were involved in student politics during the 1950s, and who could never bring themselves to kow-tow to the regime, people who realized that ‘the intellect and conformism arc two incompatible things, Salieri’. They are depicted as innately honourable, but the harsh spotlight of Makanin’s prose shows them also to be pathetic and even farcical. Ninel' is always bathetically tormented by a sense of guilt over trifles, usually involving her co-workers. Gennadii is the kind of man who gets out of bed late at night to rescue a stranger whom his own drinking companion, Daev, confessed he had abandoned in a snowdrift. Gennadii the knight-errant then finds himself in the snowdrift — pushed in by an ungrateful rescuee who then co-opts Gennadii’s taxi. In such incidents Makanin’s Gennadii is rather like an intellectual version of some of the characters created by Makanin's contemporary author Evgenii Popov — people whom, despite their fundamental goodness, life treats unkindly according to its own rather black sense of humour.

    Obliteration is the fate that lies in wait for these two people. The description of Ninel’s dream, in which she walks naked through a succession of empty rooms with tables laid for meals and looks for the ‘race of her time’ (‘vyvodok svoego vremeni’), suggests that Makanin’s text is about a generation which has disappeared, leaving no trace, like the victims of the purges. Ninel’s dream also suggests the desire that she has to ‘belong’, to be part of a collective, a desire which Makanin had examined in his earlier works. The two are unable to find common ground with the people, or even with other members of the intelligentsia; and, most damningly, they are unable even to recognize each other as members of that lost tribe of the shestidesiatniki. Attempts by Igor' Petrovich and his wife to draw the two together fail utterly, and Makanin suggests that even after death Ninel' and Gennadii would be unable to find a common tie. They will remain, as the text’s title indicates, alone.

    Read more...

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