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Featured titles

  • Get Lost, Crocodile, a novel by Marina Vishneventskaya (2002)

    In Vishnevetskaya’s Came the Moon out of Mist and Get Lost, Crocodile! the search for female identity is formulated as a drama in the genre of lyric parable. The heroines question what it means to “be a woman” in the contradicting societal ideologies of the post-Soviet epoch. The distorted implementation of the laws of capitalist consumption often does not coincide with the patriarchal model of the family, which, in turn, is discredited by cynical views of the Soviet citizen. According to Vishnevetskaya, the heroine can be “freed from the spell,” in other words reveal her essence, or “extinguish”— erase that which is overly incomprehensible. These metaphysical operations either unearth the woman’s essence, or turn her into an automaton. Notably, revealing the trapped female essence or vice versa, repressing it is carried out not so much by the external world, not by the man whom she chose as a lover or who chose her, but by the woman herself.

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  • INTO THE THICKENING FOG, a novel by Andrei Gelasimov

    Rights sold:  France - ACTES SUD, Russia - EKSMO, World English - AMAZON CROSSING,

    Sometimes a novel describes reality so well it creates a physical sensation. Into the Thickening Fog could make even readers in the tropics pull up a blanket.

    A famous director returns to his hometown, a tiny city in Russia’s Far North, where he foolishly shows up without even a scarf. But Filippov can’t head straight to his friend’s apartment to share the bad news he’s traveled so far to deliver. The city’s centralized heating system has broken down, chaos ensues, and Filippov finds himself walking through the frigid weather. He struggles to see and even to stand up straight as he stumbles forward, detoured at every turn by obstacles both real and imagined. Luckily, he has a flask of Hennessy and a sense of humor.

    At once hilarious and stark, this novel is a great entry point for reading one of Russia’s most celebrated contemporary novelists. Thanks to Andrei Gelasimov’s gift for cinematic scene-setting, you might feel like you’ve just returned from Siberia and are shaking a case of delirium tremens when you finish reading.

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