Featured titles
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The Three Fat Men, a novel by Yuri Olesha
Rights sold / Published by (rights may be available): Bulgaria - Hermes, China - Youth and Children Publishing Company, Czech Republic - Svět Sovětů, France - Éditions Hier et Aujourd'hui, Greece - Kedros, Hungary - Magvető, Móra, Italy - Einaudi, Japan - Kodansha, Poland - Książka i Wiedza, Romania - Editura Ion Creangă, English - Hesperus Press
The novel was written for both children and adults. It is a story set in an unknown land about an uprising led by the gunsmith Prospero. (The name is an allusion to the magician in William Shakespeare’s The Tempest.) The novel has the didactic and schematic qualities of a fairy tale and is filled with unexpected metaphors and dexterously shifting points of view. In The Three Fat Men Olesha displays the same mastery of style present in Envy and his short stories.
Olesha's The Three Fat Men is of one of the finest, most overlooked works of Soviet-era literature. At once a peculiarly hilarious satire full of magic and whimsy, it is also a beautifully written work of literature, brimming with profound metaphors and brilliant turns of phrase. This is a "fairy tale" ostensibly written for children, but which will be even more appreciated by grown-ups. - Russian Life magazine
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The Book of Legendary Lands - 2013
Rights sold: Russia - SLOVO
Places that have never existed except in the human imagination may find an incongruous afterlife in the everyday world. Umberto Eco tells of how an attempt to commemorate the brownstone New York home of Nero Wolfe, Rex Stout’s orchid-loving fictional detective, runs up against the resistance of fact. Wolfe’s house cannot be identified because Stout “always talked of a brownstone at a certain number on West 35th Street, but in the course of his novels he mentioned at least ten different street numbers – and what is more, there are no brownstones on 35th Street”. Using Eco’s typology, a fiction has been transmuted into a legend: “Legendary lands and places are of various kinds and have only one characteristic in common: whether they depend on ancient legends whose origins are lost in the mists of time or whether they are in effect a modern invention, they have created flows of belief.” (from John Gray's review on English-language edition, full text http://www.newstatesman.com/culture/2013/11/no-place-home)
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