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Get Lost, Crocodile, a novel by Marina Vishneventskaya (2002)
In Vishnevetskaya’s Came the Moon out of Mist and Get Lost, Crocodile! the search for female identity is formulated as a drama in the genre of lyric parable. The heroines question what it means to “be a woman” in the contradicting societal ideologies of the post-Soviet epoch. The distorted implementation of the laws of capitalist consumption often does not coincide with the patriarchal model of the family, which, in turn, is discredited by cynical views of the Soviet citizen. According to Vishnevetskaya, the heroine can be “freed from the spell,” in other words reveal her essence, or “extinguish”— erase that which is overly incomprehensible. These metaphysical operations either unearth the woman’s essence, or turn her into an automaton. Notably, revealing the trapped female essence or vice versa, repressing it is carried out not so much by the external world, not by the man whom she chose as a lover or who chose her, but by the woman herself.
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Blue and Red, a novel by Vladimir Makanin (1983)
Rights sold: Italy - Edizioni e/o,
Makanin’s view of man’s nature is a pessimistic one, and his depictions of love and harmonious interrelationships lack the power of his descriptions of man’s inhumanity to man (or to beast). He is most at ease describing love linked to violence, as in Blue and Red (Goluhoe i krasnoe) (1983), which describes how two grandmothers battle for the love of their young grandson Kliucharev, who is ‘unused to love’ — a phrase which perhaps could be used to describe many of Makanin’s heroes.The love which Makanin’s heroes advocate is a tough, universal and unselfish love, as typified by the healer Yakushkin with his philosophy of brotherly love in Makanin's previous novel Predlecha (1982). It is love for one’s family and kin, love for one’s people, birthplace, for Russia, love which has a basis in conscience, which interests Makanin, which means that his characters, are seekers after truth, not the comfort of relationships dominated by nostalgia or by habit.
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