Featured titles
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Biography of Mikhail Bulgakov, by Marietta Chudakova (1988, NF)
Rights sold: China - CCTP, Italy - ODOYA, Poland - Wydawnictwo Akademickie SEDNO, Ukraine - FOLIO, World English - GLAGOSLAV
MariettaChudakova’s Biography of Mikhail Bulgakov (first published in 1988), by now is THE ONLY FULL-LENGTH STUDY OF BULGAKOV’S LIFE. It remains the most important and reliable source of information about the writer. In her fundamental work Chudakova recreates the milestones of Bulgakov’s personal and artistic life against the historical background of his turbulent époque. The book is written in a vivid journalistic style, and contains abundant quotes from unpublished Bulgakov’s manuscripts and draft redactions of his novels, archive documents, and memoirs of writer’s contemporaries.
"They must know... They must know," anxious about the fate of his unpublished books, Bulgakov whispered to his wife Yelena on his deathbed. One of the main ideas of his central novel The Master and Margarita is that of justice, which inevitably triumphs in the life of the spirit, although sometimes belatedly and beyond the bourn of the creator's physical death.
Over the years that have passed since the day of Bulgakov's death, his former loneliness has turned into widespread interest in him from readers both in his native Russia and abroad. The growing popularity of his books, which are very "personal" and seem to talk to the reader directly, has attracted attention to the author himself, his biography, and his fate. The fame of Mikhail Bulgakov has taken root in time everlasting. He is dear to people as a writer and interesting as a man who retained throughout the vicissitudes of fate, the dignity and courage of a truly creative personality.
Writers with a great destiny know something about themselves that we do not know or dare not say about them until later. At this juncture interest arises in the figure of the creator himself, in his biography, his personality. Why do we know so little about him? Why does he grow more interesting each year? Bulgakov's destiny has its own dramatic pattern. As is always the case from a distance and after the passage of many years, it appears to contain little that is accidental and shows a clear sense of direction.
Chudakova's 2-part lecture on Bulgakov and Russian literature of XXth century broadcasted on Kultura TV channel, Russia, 2011
Part 2
Part 2
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A CONQUISTADOR PORTRAIT GALLERY, history of the Spanish Conquest of America by Andrei Kofman
Rights sold: Russia - KRIGA
It’s doubtful there’s ever been an epoch in human history that can match the significance of the extraordinary age of great geographical discoveries: it was an event with a truly global scale that, in essence, began the process that is now called globalization. The epoch opened with the discovery of the New World in 1492 and its most important event was certainly the Spanish conquest of the Americas, which was given the name Conquista.
It’s no exaggeration to characterize the conquest, over all, as the most venturesome undertaking in human history. The defining characteristic of the conquest is the unique experience of entering an untouched expanse—this was unique because the expanse under discussion was two huge unexplored continents. The conquest blended with pioneering exploration and became intertwined with geographical discovery. Along with new knowledge of Earth came encounters with the unknown, miracles at every turn, mortal dangers, the harshest of ordeals, constant stepping over the boundaries of common sense and the limits of human possibility, unusual adventures, and plots that would be the envy of any chivalric tale.
Kofman reconstructs the history of the conquest through biographies of well-known conquistadors. Masterminds of the Conquest present a fascinating subject for analysis and reflection. There’s no denying that the conquistadors were not particularly appealing people and many of their deeds inspire revulsion. But they were undisputedly out-of-the-ordinary individuals who came into the world when the Middle Ages were ending and the Early Modern Period was beginning. A complex, multidimensional figure is created by combining various points of view of a person and his actions, including how he sees himself. The book is both based in scholarship and intended for the broadest readership, including high school students.
The process of choosing figures for the book was fairly obvious: conquistadors who made the most significant discoveries and conquests stand out in the history of the conquest. Four individual chapters are dedicated to four people who did not make any particular discoveries or conquests but were notable for other things: one for miserliness and brutality, another for betrayal, a third for carelessness, and a fourth for revolt and atrocities. It goes without saying that the book’s chapters turned out to be very uneven: some are voluminous and others are short but their lengths depend on factual material as well as significance, interest, and the abundance of events and peripeteias. The names and deeds of conquistadors of the so-called “second tier” have not been forgotten, either: they have found their places in the book and are included in thematically appropriate chapters. Certain key concepts of the ideologies and practices of the conquest that are linked to various historical moments have found places and explanations in the book, too.
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