ELKOST International literary agency - Guzel Yakhina in Switzerland and France, September 2017

Guzel Yakhina is a special guest of the Literary Festival in Morges, Switzerland (see http://www.lelivresurlesquais.ch/auteur/gouzel-iakhina/).

Friday September 1st
14:00 – 16:00 : Signing session under the tent “Littérature” (with Maud Mabillard)
17:00 – 19:00 : Signing session under the tent “Littérature”

Saturday September 2nd
10:30 – 12:30 : Signing session under the tent “Littérature”
15:15 – 16:30 : From the Tartar Plains to Siberia, discussion with Gouzel Iakhina and Maud Mabillard. Hosted by Annick Morard. Venue: Casino, room Belle Époque. Followed with a signing session and an aperitif.
18:30 – 20:00 : Signing session under the tent “Littérature”

Sunday September 3rd
10:00 – 12:00 : Signing session under the tent “Littérature”
13:00 – 15:00 : Signing session under the tent “Littérature”
16:00 – 17:00 : Bilingual reading Zouleikha ouvre les yeux / Zouleikha otkryvaet glaza with Gouzel Iakhina and Maud Mabillard. Hotel Nouvelle Couronne.
17:00 – 19:00 : Signing session under the tent “Littérature”

Guzel Yakhina in Genève, Switzerland

Tuesday September 5th
20:00 : At the University of Geneva, Building Bastions, Rue de Candolle 5, Aile Jura, Auditorium B 111 - Russki Krujok. Hosted by Georges Nivat. Meeting in Russian

Guzel Yakhina in Metz, France

Saturday September 9th
12:00 – 13.00 : Forum France Bleu – Place de la Carrière. Discussion with Vera Michalski, Gouzel Iakhina and Frédéric Pajak. Hosted by Sarah Polacci
14 :00 : Signing session

Featured titles

The Scientific Autobiography of Alexander Luria

A life, a human life, is not a life until it is examined; it is not a life until it is truly remembered and appropriated; and such a remembrance is not something passive, but active, the active and creative construction of one’s life, the finding and telling of the true story of one’s life. Oliver W. Sacks, from the foreword to A.R.Luria's The Man with a shattered world.

Biographies of great people, as a rule, are embellished by myths. This is never more true than in the case of A. R. Luria, one of the most brilliant psychologists of the twentieth century. Luria originated and developed many directions in the psychological sciences, including an historical development of cognitive processes, the role of speech in regulation of voluntary actions, and the cerebral organization of psychological processes. His life story is mingled with myths that often obscure the actual facts of his scientific life and personality.

Among the myths, the pre-eminent question is did Luria originate methods, ideas and theory? In his books, Luria described the history of a problem's development, giving consideration to the sources of his ideas, their analysis, and critical selection. All of the neuropsychologists who worked with Luria were struck by his astonishing creativity. J. Bruner wrote that he was quick to generate new ideas and readily innovated tasks to test these ideas. During the last years of his life, Luria generalized the stages of his life in a book that he designated as "an experience of a scientific biography." This is not a biography of events, but a biography of a life from the perspective of the development of scientific ideas.

This book is one of three Luria's so-called "romantic" books in which he gives a detailed, lively description of a single case from his practice. (One widespread myth is that Luria built his concepts based on investigations of single patients. However, the rest many his books are of "classical" orientation: they are based on enormous amounts of experimental data.) His autobiography is the last in this series, and the subject is not a patient, but the author’s life in science.

This book was translated into English and published by M. Cole and Sh. Cole (The making of mind: a personal account of Soviet psychology. 1979) with a foreword of M.Cole where he describes the circumstances in which Luria lived and worked. It was later published in Russian with a different title, The Stages of the Road Taken; A Scientific Autobiography. This text differed from the English one in several ways.

The peculiarity of Lurian destiny is that he explored psychological arenas that were particularly susceptible to ideological interference. A Western reader can hardly imagine to what extent the ideological situation in the USSR impacted his research and life.

Proposed version of Luria's autobiography has greatly benefited from his daughter's biography of her father, My Father, Alexander Luria. Yelena Luria, a professor of biology, was a gifted writer who published charming children's books. She was very close to her father and after his death wrote his biography from the perspectives of Luria as a father, husband, and individual in a complex time. In her book she described the events of his life in their logical and emotional interdependence. She also created a portrait of his extraordinary wife, Lana Lipchina, who was the center of a warm family life. Included in her book are many of Luria's correspondence to and from friends, including great scientists from around the world. She created a portrait of a versatile, creative, and sensitive man through his relationships with his family, work, and friends.

A book should include biographical notes. In the past Luria's followers have made annotations, but they are incomplete. Additional information has since become available that have allowed us to create a coherent picture of this complex man.

Customer Reviews from amazon.com on Autobiography of Alexander Luria (published by Lawrence Erlbaum Associates, USA, 2005)

"For anyone who is familiar with and admires Alexander Romanovich Luria, this book is a delight. For those who are unfamiliar, or only vaguely familiar with him, it is an astonishing revelation." — PsycCRITIQUES

"Alexander Luria was one of the founders of behavioral neurology – a field that has now been given the fashionable name 'cognitive neuroscience. His autobiography vividly recalls the "golden age" of neurology. It is a welcome antidote to the kind of high tech gadgetry and reductionist, imaging-based neo-phrenology that now dominates the field; a thought-provoking read for any aspiring psychologist or neuroscientist." (VS Ramachandran, MD., Ph.D. Professor and Director, Center for Brain and Cognition UCSD )

"Luria was one of the major neuropsychologists of this century. His work is eerily prescient of developments that have occurred within the past decade. Luria continues to have a lot to say that is directly relevant to recent developments in cognitive science and cognitive neuroscience." (Jeff Elman, Ph.D. Distinguished Professor of Cognitive Science, UCSD )

"Luria is even more relevant today than when he wrote, for it was he who first made us aware of the subtle interaction of subjective and cultural in the shaping of mind and experience." (Jerome Bruner, Ph.D. Research Professor of Psychology, NYU )

"This book is a real treat! It's an opportunity to learn, in his own words, the incredible diversity of Luria's autobiographical account of his contribution in so many areas of scientific psychology." (Elaine R Parent, Ph.D., San Diego, California)

"This is an excellent overview of how several disciplines developed from the collaboration of a few researchers in Russia. Luria worked with Vygotsky to undertake a revision of psychological methods and models, which had been dominated by a mechanistic, Pavlovian approach. They developed theories and performed rigorous lab experiments, but they also opened their methods to clinical techniques as well through interview and observation. Written by Luria, this text eschews much of his personal history and focuses on thought processes as functional systems and the logistics of his experimentation. I would recommend this book to anyone who is interested in how neuropsychology and neurolinguistics developed, or to anyone interested in how the cognitive sciences developed from astounding rationality amid totalitarian conditions." (D. Mather, Los Angeles, CA USA)

Poison and Honey, a novel by Yuri Buida (2014)

Rights sold: Armenia - ORACLE, Russia - EKSMO, Serbia - GEOPOETIKA

Shortlisted for the 2014 Ivan Belkin literary award

Yuri Buida’s Poison and Honey is a modern Russian family saga that focuses on a house and a family, the Osorins, covering lives, ambitions, and deaths, including murder most foul. Buida manages to weave together what sometimes feels like legions of characters and an entire history book of world culture, creating a compact, packed story that’s realistic, mythical, and metaphysical. It’s also strangely enjoyable and even more strangely suspenseful.

Buida’s first-person narrator is Semyon Semyonovich, who’s not, by blood, an Osorin but who becomes part of the extended family when his grandfather, a physician’s assistant, brings him to the Osorins’ house as a little boy. The house, which is set on a hill, is sometimes known as the House of the Twelve Angels. The house is magnificent, and it contains, among other things, statues and paintings of naked women, a set of twelve bronze figures of horsemen, a cat named Sophie Auguste Friederike von Anhalt-Zerbst, and a matriarch known as Tati. Semyon becomes a long-term member of the extended household after Tati invites him back to play with her nephews: when the book ends, decades later, Semyon is working with the family’s archives, making him a sort of inside outsider. Semyon chronicles Osorin family history, too, as the narrator of Poison and Honey, telling of affairs, careers in literature and intelligence, and, of course, numerous enmities.

Everything changes in a very big way at the house on the hill when Ilya (son of one of Tati’s nephews) slides off an icy road, hits a young woman named Olga Shvarts, and then brings her home. Olga’s unhurt, at least initially: she stays at the house until she winds up dead (and naked) a few days later. Olga’s the archetypical outsider in many ways, someone who wants to become part of a house and family like the Osorins’, with its chiming clocks, heraldry, and old glory. After Olga’s death, Tati interviews members of the household, and Semyon duly describes the proceedings… until, that is, his wife gives birth during the night. Buida references Agatha Christie as well as Dostoevsky as he describes the interviews. One alibi is a bank robbery.

When Semyon returns the next morning (It’s a boy!), the whodunit aspect of the story has been resolved, at least on a certain level, though the identity of the killer isn’t revealed. Then follows the breakfast scene: everyone sits down to a usual breakfast—salads, sandwiches with ham and cheese, somewhat stale bread, butter, tea, and coffee—but the family is wearing nice dresses and suits, and the table is set with a white table cloth, crystal, and silver. There’s even Champagne. And then the resolution to the murder is announced.

Poison and Honey is thoroughly lively and oddly lovely, in part because the pace is brisk and Buida works in so many references to history and culture, folding in lots of high society and low doings. Like murder most foul, in its literal and literary senses. One of the central elements of Poison and Honey is clearly homes, homelessness, and uprootedness: toward the end of the novella, Tati tells Semyon that Russians are only truly at home in church and at war, after all, they might lose their homes because of war, arrest, and fire. Tati, however, wants her family to keep living in her house—where the clock will continue to chime and people will continue discussing the Russian idea—for hundreds of years. This, after all, is a house where artists, musicians, writers, and dissidents discussed everything from the Prague Spring to Solzhenitsyn.

For all that talk about the family and the house, though, just about everyone in the Osorin household seems supremely unhappy. That’s probably as it should be since this family—like the circumstances surrounding Olga’s murder—feels so hermetically sealed in at The House of Twelve Angels that the issue of who’s who as an individual feels almost as irrelevant as the issue of who-really-dunit in an atmosphere where guilt feels collective.

The Poison and Honey contains the novella plus a clutch of stories, collectively known as “chronicles,” about the Osorin family.

This text contains excerpts from the review published in Lizok's Bookshelf blog (http://lizoksbooks.blogspot.com)