ELKOST International literary agency - JUST PUBLISHED: Guzel Yakhina's Zuleikha Opens Her Eyes in Ukraine

Guzel Yakhina´s award-winning novel Zuleikha Opens Her Eyes released in Ukarine by BOOK CHEF as Зулейха відкриває очі (translated by Світлана Андрющенко).

У 1930-ті роки червоний терор розкуркулення добряче пройшовся нашою землею. Не оминув він і маленького татарського селища. Працьовита і вродлива жінка Зулейха, яка дотримувалася коранічних приписів і в усьому корилася чоловікові, прислужувала злостивій свекрусі, нині гнана червоним терором на край світу, де змушена починати життя знову і брати на себе відповідальність за власну долю і долю щойнонародженого сина. «Зулейха відкриває очі» — це книга про людську душу, що не скорилася всім зламам, які на неї чатують, і про неймовірну любов, яка розквітає в пекельних муках у забутому Аллахом клаптику тайги десь на Ангарі.

Featured titles

THE OLD GIRL, a novel by Vladimir Sharov

Rights sold: China - WUHAN UNIVERSITY PRESS, France - L’ESPRIT DES PENINSULES, Russia - AST, Serbia - UTOPIA

The novel depicts the tragic life of Vera Radostina, a communist party member who was married a high ranking commissar in Stalin’s government. Her life changes, however, after her husband is labelled an enemy of the people. She then loses everything – her husband is shot, her children pass away, and her house is taken from her. In this period of sorrow she decides to begin to relive her life by reading all of her old diary entries. Critically, the novel was well-received by reviewers who took an interest in the existential questions brought up by the novel, such as: is it possible to turn back time and is there an end to suffering?
Although the questions are well posed and explored in the novel, Sharov does not offer answers.
In Russia,

The Old Girl has sold a total of 15,000 copies in Russia.

TEMPTATION BY REVOLUTION (RUSSIAN SUPREME POWER), collected essays by Vladimir Sharov

Rights sold: Russia - ARSIS BOOKS

The volume shows us the author as a philosopher of Russian geopolitics. Its nine essays develop a uniﬁed rationale for Russia’s fate from the Time of Troubles to the death of Stalin, driven largely by an internal, eschatological dynamic. Exemplary is an essay from 2000, “Capital and Province”, on the capital (the seat of Power) versus the provinces (home of the people) as two conceptual modes. Power identiﬁes with heaven and ravages the earth even while constantly expanding over it, while the provinces align with the soil, hover over it, nurture it—and neither is much interested in the other except instrumentally, each side fearing the other with “areciprocal terror, persecution mania and mutual ﬂight”.

Other entries range from hardcore history to opinion pieces: on Ivan IV’s oprichnina; on Saint George the Dragon-Slayer; a history of absolute power in Russia titled; several pages of political insights under the title “Grandfather’s Jottings”; a savage meditation “On the Past of thePresent and Future” that addresses our self-serving need for a cleansed history; a discussion of the “Conﬂict of Civilizations” (Christian and Islam) and the refugee crisis; and two brilliant essays that peak on Andrei Platonov but cover far more philosophical territory.

The “Temptation” of the book’s title is an attitude toward time. For a people of the End, revolution means the wait is over. Time’s slow, incremental passing can at last be short-circuited, permitting a leap out, or up. Clarity and simplicity reign in moments of revolutionary ardor. But paradoxically, as time speeds up and our surroundings stay the same (or degenerate), human agents slow down or stop altogether, leaving us with the dreamy ineffectual subjects of Chevengur, whose revolutionary slogans lack all real-world referents. Sharov notes in his preface to this collection: “with salviﬁc regularity, whenever my major task [novel-writing] hit adead end, history would suddenly come to my aid”.