ELKOST International literary agency - JUST PUBLISHED: Ulitskaya's Under the Green Tent in Slovakia

Ludmila Ulitskaya´s UNDER THE GREEN TENT has been released in Slovakia by SLOVART as Zelený stan.

Román Zelený stan predstavuje rozvetvený príbeh o troch priateľoch, ktorí dospievali v čase Stalinovej smrti, zažili politický odmäk v roku 1956, chruščovovské aj brežnevovské prituhnutie. Stali sa z nich spoločenskí vydedenci, do istej miery i disidenti, zachovali si však vysokú mieru vnútornej slobody. Ulická podáva „veľké" dejiny prostredníctvom tzv. malých dejín, cez osudy bežných ľudí – v Zelenom stane nie je nič čiernobiele, autorka všetky ľudské, spoločenské aj politické situácie podrobuje nekompromisnej analýze a poukazuje na paradoxy vtedajšej doby.

Read sample here: http://issuu.com/slovart/docs/zeleny_stan_ukazka/3?e=0

Featured titles

Leaving Arcadia, collected stories by Yuri Buida (2016)

Rights sold: Russia - EKSMO

Londglisted title for the 2017 Big Book Literary Award

Collection of short stories.

By Richter's Side. Dialogues with Sviatoslav Richter by Yuri Borisov (2003, 2011)

Rights sold: France – ACTES SUD, Japan – ONGAKU NO TOMO, Russia – RUTENA, AZBOOKA, Spain – ACANTILADO

Richter shared with his younger friend the stories of his childhood, and recollections of his meetings with other celebrities (Britten, Fischer-Dieskau, Gavrilov, Michelangeli, Picasso, Prokofiev, Serkin, Sofronitski, Vedernikov, Yudina, etc.). He explained his vision of music, comparing it with other arts: painting (Ernst, Renoir, Schiele, Vermeer, etc..), literature (Balzac, Block, Maeterlinck, Mann, Ostrovsky, Proust, Racine, Rostand, etc..), cinema (Alexandrov, Chaplin, Cocteau, Kurosawa, Pasolini, etc..). Notes taken during or after these extremely interesting conversations Borisov has later converted into a book, thanks to which we can look into the inner world of Sviatoslav Richter, one of the most exciting figures on 20th century musical horizon.

ABOUT SVIATOSLAV RICHTER (1915-1997)

- The Italian critic Piero Rattalino has asserted that the only pianists comparable to Richter in the history of piano performance were Franz Liszt and Ferruccio Busoni.

- Glenn Gould called Richter one of "the most powerful musical communicators of our time".

- Van Cliburn attended a Richter recital in 1958 in the Soviet Union. He reportedly cried during the recital and, upon returning to the United States, described Richter's playing as "the most powerful piano playing I have ever heard".

- Arthur Rubinstein described his first exposure to Richter as follows: "It really wasn't anything out of the ordinary. Then at some point I noticed my eyes growing moist: tears began rolling down my cheeks."

- Heinrich Neuhaus described Richter as follows: "His singular ability to grasp the whole and at the same time miss none of the smallest details of a composition suggests a comparison with an eagle who from his great height can see as far as the horizon and yet single out the tiniest detail of the landscape."

- Dmitri Shostakovich wrote of Richter: "Richter is an extraordinary phenomenon. The enormity of his talent staggers and enraptures. All the phenomena of musical art are accessible to him."

- Vladimir Horowitz said: "Of the Russian pianists, I like only one, Richter"

- Pierre Boulez wrote of Richter: "His personality was greater than the possibilities offered to him by the piano, broader than the very concept of complete mastery of the instrument."

- Gramophone critic Bryce Morrison described Richter as follows: "Idiosyncratic, plain-speaking, heroic, reserved, lyrical, virtuosic and perhaps above all, profoundly enigmatic, Sviatoslav Richter remains one of the greatest recreative artists of all time."