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National Prize in China 2006














 

 
   
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Featured titles

  • All Our Lord's Men, a novel by Ludmila Ulitskaya (2005)

    Shortlisted for the Big Book National Literary Award (2006, Russia)

    Rights sold: Finland - SILTALA, France - GALLIMARD, Germany - HANSER, Hungary - MAGVETO, Iran - SALESS PUBLICATIONS, Korea - EULYOO, Romania - HUMANITAS, Russia - EKSMO, AST, Serbia - PAIDEIA

     

    Ever since this book appeared in Russia, it was an overwhelming success. Each Ulitskaya's book is a case by itself, a step forward and towards the new territories of prose. Similar to her other title published lately (Daniel Stein), in this work the Author matures towards a kaleidoscopic vision of destinies of different people, a wide tapestry of the modern life composed of the lives of people around her. In her interviews, the Author on several occasions stated that she «never invents anything», and that all her plots, no matter how extraordinary and fantastic they may seem, happened to somebody she knows: she just manages to penetrate the pattern of their lives. This book is exactly the result of such God’s eye vision of modern Russia, being a novel composed of various episodes that constitute an integrated plot, giving a complex picture of Putin’s Russia, both vivid and unique. Musing, erotic, tightly woven and acute – truly it is staple Ulitskaya’s prose at its’ best.

    “The author remains in the middle, exactly midway between the observer and the observed. He ceased to be of interest to himself.  Basically he remains part of the observed, not involved and selfless. What a wonderful game can start when the distance from one’s own becomes so far! …

    The small people of our Lord observe all this looking up. They admire, fight, kill and kiss. Paying no attention whatsoever to the author.”

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  • The Extraordinary Adventures of Julio Jurenito and His Disciples, a novel by Ilya Ehrenburg (1922)

    Publishers: Estonia - VARRAK (2004), Finland - TAJO (1964), France - PLON (1964), Germany - KINDLER (1967), SUHRKAMP (1976, 1990), Italy - EINAUDI (1969),  MERIDIANO ZERO (2012), Spain - SEIX BARRAL (1971), AKAL (1997), CAPITÁN SWING LIBROS, Switzerland - GLOOR (1970),  Turkey - ADAM (1983, 1994),  USA/UK - MACQIBBON & KEE (1958), GREENWOOD PRESS (1976)

    The book deals with the adventures of a Mexican dreamer Julio Jurenito and his wanderings about Europe along with his seven disciples (Ehrenburg himself is the first disciple and the author-narrator).

    The novel includes authentic characters, such as Mayakovski, Picasso, Chaplin, and Tatlin. This is a biting satire of the European postwar civilization. This extraordinarily sneering book is a modernized Candide, covering Soviet Russia and the European West, after the stress of the WWI years.
    Its main character Jurenito (he is supposed to be a portrait of the famous Mexican painter, Diego Rivera) and his Negro servant travel, observe, comment, and make the reader roar with laughter at the idiotic inconsistencies of capitalist civilization. A prolific and smart journalist by nature, Ehrenburg combines a satirical vein with a snappy, terse language, and a flair for topical themes with very unsentimental eroticism.
    Julio Jurenito will probably remain the most vivid illustration, not just in Russian but in the whole of European literature, of the post-WWI sentiments of the harassed western intelligentsia. In this book there is everything: sophistication, cynicism, trenchant satire, sentimental lyricism, and the gay abandon of despair. All this combined makes a brilliant firework of paradoxes, subtle observations of the life of the European bourgeoisie, and sarcastic details. It may be called a confession, a pamphlet, a grotesque, or a poem.

    …A piquant, picaresque satire a la Voltaire of both Western capitalism and the Communist Revolution. - TIME

    A mixture of mockery and prophecy, the book savaged every ideology and religion while foreseeing both the Holocaust and Hiroshima. (Ehrenburg himself predicted the Nazi attack on the Soviet Union to the day -- his intimacy with history always bordered on the telepathic.) - Richard Lourie, The NY Times, August 25, 1996

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