ELKOST International literary agency
Toggle Navigation
  • News
  • Authors A-M
    • Yuri Borisov
      • Books
      • Sample translations
    • Yuri Buida
      • Books
      • Media reviews
      • Sample translations
    • Ksenia Buksha
      • Books
    • Ivan Chistyakov
      • Books
      • Media reviews
      • Sample translations
    • Alexander Chudakov
      • Books
      • Sample translations
    • Marietta Chudakova
      • Books
      • Media reviews
    • Oleg Dorman
      • Books
      • Media reviews
    • Umberto Eco
      • Books
      • Media reviews
    • Ilya Ehrenburg
      • Books
      • Media reviews
    • Andrei Gelasimov
      • Books
    • Fazil Iskander
      • Books
      • Media reviews
      • Sample translations
    • Andrei Ivanov
      • Books
      • Media reviews
      • Sample translations
    • Kirill Kobrin
      • Books
    • Andrei Kofman
      • Books
      • Media reviews
    • Nikolai Kononov
      • Books
    • Elena Kostioukovitch
      • Books
      • Media reviews
      • Interviews
    • Maya Kucherskaya
      • Books
      • Media reviews
      • Interviews
    • Yuri Lotman
      • Books
      • Media reviews
    • Alexander Luria
      • Books
      • Media reviews
    • Józef Mackiewicz
      • Books
      • Media reviews
    • Vladimir Makanin
      • Books
      • Media reviews
    • Olga Medvedkova
      • Books
      • Media reviews
    • MEMORIAL
    • Agnes Mironova
      • Books
      • Sample translations
    • Ilya Mitrofanov
      • Books
      • Media reviews
  • Authors N-Z
    • Victor Nekrasov
      • Books
    • Alexander Okun
      • Books
    • Yuri Olesha
      • Books
      • Media reviews
    • Vladislav Otroshenko
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Sergey Parkhomenko
      • Books
      • Sample translations
    • Mariam Petrosyan
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Elena Rzhevskaya
      • Books
      • Media reviews
    • Natalya Semenova
      • Books
      • Media reviews
    • Irina Sherbakova
      • Books
      • Media reviews
    • Mikhail Shevelev
      • Books
      • Media reviews
    • Viktor Shklovsky
    • Grigory Sluzhitel
      • Books
    • Sasha Sokolov
      • Books
      • Media reviews
      • Interviews
      • Sample translations
    • Ludmila Ulitskaya
      • Books
      • Media reviews
      • Interviews
      • Journalism
      • Sample translations
    • Sana Valiulina
      • Books
    • Marina Vishnevetskaya
      • Books
      • Media reviews
    • Igor Vishnevetsky
      • Books
      • Media reviews
      • Sample translations
    • Stanislav Vostokov
      • Books
    • Guzel Yakhina
      • Books
    • Anthologies & series
      • Creative comparison of cultures
  • Our sub-agents
  • Our clients
  • About us
  1. Home/

National Prize in China 2006














 

 
   
  • facebook
  • twitter
  • email
  • instagram
  • Linkedin
  • XING
  • Print
  • Whatsapp
  • Telegram

Featured titles

  • Savely's Days, a novel by Grigory Sluzhitel

    Winner of the 2020 Moscow Art Prize (Russia)
    Winner of the 2019 Big Book Award (Russia)

    Rights sold:  Bulgaria - GNEZDOTO, China (simplified Chinese) - GINKGO, Estonia - TANAPAEV, France - SYRTES, Hungary - TERICUM, Italy - FRANCESCO BRIOSCHI EDITORE, Latvia - JANIS ROZES, Lithuania - ALMA LITTERA, Romania - HUMANITAS, Russia - AST, Serbia - LOGOS

    Grigory Sluzhitel’s Savely’s Days, narrated by a male cat named Savely who was likely named for a brand of a cottage cheese, is so affecting and charming that it makes even experienced reader smile, laugh, and even sob. Savely’s story isn’t just a chronicle of a cat’s life, it’s also a love letter to Moscow, and a bittersweet story of kinship, friendship, and separations.

    As the novel’s title indicates, Savely, a very literate and literary cat, tells his life story, beginning with memories from the womb, birth, and early life in a Chiquita banana box. Savely’s childhood is pretty happy, featuring food from benefactors, regular visits to see his aunt (who lives in a front-loading washing machine), and good relationships with his sisters and mother. His upbringing is solid: his mother tells him that cats don’t really have nine lives so there’s no sense in taking chances by walking in front of motorized transportation. Savely loses touch with his family after a well-meaning human takes him in. He’s not particularly happy in his new life despite nice possessions like a laser mouse, scratchers, and rubber balls, not to mention a Sunday ritual of climbing into a tea pot. He ends up bolting on the way to a vet visit (he’s already been neutered), leaving Vitya, a bookish teenager who’s something of an outcast, catless.

    Savely cycles through quite a few lives in the book, serving as a rat catcher at the Tretyakov Gallery and having to co-habit, albeit briefly, with a parrot named Iggy, a situation not fated to end well. Then he's hosted by a young Kirgiz man who rescues Savely after he’s attacked and left badly injured. After Askar is fired from his job at Gorky Park he finds work as a bicycle deliveryman and brings Savely with him. They even deliver food to a theater backstage in a scene that seems to include Sluzhitel in a cameo appearance.

    Savely wants to see the world (or at least Moscow) and even gives the impression of being something of an existentialist with a phobia for commitment, too. At least, that is, until he meets a beautiful young cat, in some of the book’s nicest passages, and starts a happy cat-family life in a doghouse with his love and a dog

    In his introduction to Savely’s Days, Eugene Vodolazkin says that Sluzhitel draws on his acting skills and becomes a full-fledged cat in the novel. Indeed, Sluzhitel is so good at writing about a cat’s life that at certain point Savely’s descriptions of his own life are more convincing than his passages about his humans’ backstories. The humans’ stories feel like slivers of a portrait of Moscow in the twenty-first century, but they only really come alive when Savely is interacting with his people in some way, by climbing into the teapot, observing Vitya’s grandmother, or making sushi deliveries. Or sitting inside someone’s coat on a park bench during a time of mourning.

    Somehow this doesn’t just feel like a matter of Shklovsky’s defamiliarization, something else Vodolazkin mentions in his introduction. It feels as if Sluzhitel’ isn’t just showing the world from a novel perspective. He’s an actor who’s an author (and an author who’s an actor) and channels his inner catness to thoroughly inhabit a character who’s not even of his own species. In doing so, he manages to find an internal logic for his text that makes the feline perspective feel perfectly natural, as if it’s not just a literary device. Savely may be a cat but he can tell a story – an exceedingly rare quality these days – at least as well as he can chase his tail.

    Read more...
  • THIRST, a novel by Andrei Gelasimov

    Rights sold: France - ACTES SUD, Germany - SUHRSKAMP, Israel - CARMEL, Italy - ATMOSPHERE LIBRI, Spain - TEMPORA (Spanish), CLUB EDITOR (Catalan) , Russia - EKSMO, World English - AMAZON CROSSING

    Thirst tells the story of 20-year-old Chechen War veteran Kostya. Maimed beyond recognition by a tank explosion, he spends weeks on end locked inside his apartment, his sole companions the vodka bottles spilling from the refrigerator. But soon Kostya’s comfortable if dysfunctional cocoon is torn open when he receives a visit from his army buddies who are mobilized to locate a missing comrade. Through this search for his missing friend, Kostya is able to find himself.

    Read more...

MAIN OFFICE: Yulia Dobrovolskaya, c/Londres, 78, 6-1, 08036 Barcelona, Spain, phone 0034 63 9413320, 0034 93 3221232, e-mail rights@elkost.com
OFFICE IN ITALY: Elena Kostioukovitch, via Sismondi 5, Milano 20133, Italy, phone 0039 02 87236557, 0039 346 5064334, fax 0039 700444601, e-mail elkost@elkost.com
General inquiries and manuscript submissions: russianoffice@elkost.com

Aviso legal. Política de privacidad. Política de cookies.

Back to Top

© 2025 ELKOST International literary agency

In order to provide you with the best online experience this website uses cookies.

By using our website, you agree to our use of cookies. Learn more

I agree