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Featured titles
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The Portrait and Around, a novel by Vladimir Makanin (1978)
Rights sold: Czech - Svoboda, Germany - Aufbau
In his 1978 The Portrait and Around (Portret i vokrug) Makanin pinpoints a major problem for the Russian intelligent; namely, his inability to recognize his guilt. The Portrait and Around revolves around a ‘man of the sixties’, Starokhatov, a man who abuses his position as a well-known scriptwriter and producer to sign his name to scripts written by novice authors. Starokhatov is no monster (he is capable of generous, even noble acts), but his ability to create a false, successful self-image through his plagiarism points not only to his lack of ethics, but to his lack of identity. Identity is a major problem for the main character in this novel, Igor Petrovich, who becomes involved in the Starokhatov case when a friend asks him to help create a ‘portrait’ of the man. Igor uncovers evidence of Starokhatov’s theft of scripts but finds himself unable to take any action against the man. This is not only due to an intelligent's ineffectuality; Starokhatov tells Igor that he ‘sees himself’ in Starokhatov, whose criminality he has exposed. Starokhatov suggests one possible motivation for lgor's inability to act; for Igor, laying charges against this man would be like indicting himself; and he cannot accept his own criminality.
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He and She, a novel by Vladimir Makanin (1987)
Rights sold: Spain - Alfaguara, Cirulo de Lectores, Sweden - Bromberg
Main heroes of Makanin's 1987 novel He and She (Odin i odna) are "shestidesiatniki" Gennadii Goloshchekov and Ninel', two idealistic people who were involved in student politics during the 1950s, and who could never bring themselves to kow-tow to the regime, people who realized that ‘the intellect and conformism arc two incompatible things, Salieri’. They are depicted as innately honourable, but the harsh spotlight of Makanin’s prose shows them also to be pathetic and even farcical. Ninel' is always bathetically tormented by a sense of guilt over trifles, usually involving her co-workers. Gennadii is the kind of man who gets out of bed late at night to rescue a stranger whom his own drinking companion, Daev, confessed he had abandoned in a snowdrift. Gennadii the knight-errant then finds himself in the snowdrift — pushed in by an ungrateful rescuee who then co-opts Gennadii’s taxi. In such incidents Makanin’s Gennadii is rather like an intellectual version of some of the characters created by Makanin's contemporary author Evgenii Popov — people whom, despite their fundamental goodness, life treats unkindly according to its own rather black sense of humour.
Obliteration is the fate that lies in wait for these two people. The description of Ninel’s dream, in which she walks naked through a succession of empty rooms with tables laid for meals and looks for the ‘race of her time’ (‘vyvodok svoego vremeni’), suggests that Makanin’s text is about a generation which has disappeared, leaving no trace, like the victims of the purges. Ninel’s dream also suggests the desire that she has to ‘belong’, to be part of a collective, a desire which Makanin had examined in his earlier works. The two are unable to find common ground with the people, or even with other members of the intelligentsia; and, most damningly, they are unable even to recognize each other as members of that lost tribe of the shestidesiatniki. Attempts by Igor' Petrovich and his wife to draw the two together fail utterly, and Makanin suggests that even after death Ninel' and Gennadii would be unable to find a common tie. They will remain, as the text’s title indicates, alone.
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