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Featured titles
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Yakov's Ladder, a novel by Ludmila Ulitskaya (2015)
2016 Big Book Award (3rd place) and Reader’s Choice Award
German rights are handled by Christina Links:
This email address is being protected from spambots. You need JavaScript enabled to view it. Rights sold: Azerbaijan - TEAS, Brazil - Editora Estação Liberdade, China - People's Literature, Croatia - FRAKTURA, Czech Republic - PASEKA, France - GALLIMARD, Georgia - Palitra L, Italy - LA NAVE DI TESEO, Iran - HOUPAA, Germany - HANSER, Hungary - MAGVETO, Poland - WYDAWNICTWO LITERACKIE, Romania - HUMANITAS FICTION, Russia - AST, Serbia - ARHIPELAG, Slovakia - SLOVART, Sweden - ERSATZ, Ukraine - BookChef, World English - FSG
At first glance, Yacov’s Ladder perfectly embodies the generic definition of a “family saga.” The story of several generations of Osetskys, who were originally from Kiev and then transplanted to Moscow, spans an entire century, from 1911 to 2011. The family saga is, however, no more than a shell, a shapely vessel chosen by the author in her search for answers to the questions posed inexorably and unrelentingly by literature and philosophy since the beginning of human existence: to what degree is the human individual free or unfree? How do circumstances, DNA, or history combine to determine or condition the individual personality?
The novel revolves around two axes, Nora and her grandfather, Yakov Osetsky. Nora and Yakov have seen each other only once, in the mid-1950s, when Nora was just a child, and Yakov’s life was already nearing its end. The encounter was no more than a fleeting episode for both of them. A true meeting of minds and souls occurred only much later, in 2011, when Nora had already emerged from the commotion and tumult of everyday existence and the course of her life was winding down, and she read the diaries of her grandfather, as well as his family correspondence (which covered many decades), and the dossier of Yakov Osetsky from the KGB archives.
From the first page, the reader is thrust headlong into the masterfully depicted world of the main character, Nora Osetsky. Nearly all the people who play an important role in her life appear in the narrative in quick succession: her son Yorik, theater director Tengiz Kuziani, her mother Amalia, her father Henrik, her grandmother Marusya, and an “occasional” husband Victor. The people are enmeshed in themes and objects: theater, the career of a set designer, books, sugar tongs, an old blouse trimmed with an ancient Egyptian motif, and an osier chest holding the family archives.
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My Father's Letters (NF)
Letters of 16 Russian scientists to their children from the depths of Stalinist GULAG published by Memorial Human Rights Society, Moscow
Rights sold Germany - MSB Matthes & Seitz, Portugal - Relógio D’Água, World English - GRANTA BOOKS
Dr. Alexei Wangenheim, prisoner at the Solovki prison camp who before the arrest was the organizer and head of the Meteorological Service of the Russian Soviet Federative Socialist Republic, in 168 letters sent to his daughter Eleanora from GULAG managed to create an entertaining herbarium of local plants.
Prof. Gavriil Gordon, prisoner at the Dmitlag prison camp who before the arrest was Academic Secretary of the Institute of Educational Research, sent to his children two notebooks containing his own hand-written account of world history and philosophy.
Vladimir Levitsky, prisoner at the Siblag prison camp who before his arrest was a President of Philatelic Society of Kursk, composed a series of short ethnographical essays in letters and postcards sent for his son. All his letters were illuminated by a hand-drawn postal stamps.All of them – and thousands more – cherished a hope to see their children again. All of them died in GULAG, but their "distance learning courses" wasn't a waste of time and energy in deadly conditions of detention: their children later became scientists, researchers, teachers, philatelists...
Technical details: approx. 50.000 words including preface, comments, and glossary; approx. 260 color and b/w drawings and photos.
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