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Featured titles
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Zero Issue (Numero Zero) - 2015
Rights sold: Russia - CORPUS BOOKS
Those who follow the various titbits around the Italian writer’s literary output might remember that after finishing The Island of the Day Before, Umberto Eco began writing a novel about a group of journalists who start a daily newspaper. In search of popularity and influence, the editors of the rag concoct false sensations not unlike the bored intellectuals from Foucault’s Pendulum who spawn a monstrous fictional plan of the world domination. After two years of work, Eco abandoned the novel to write Baudolino, which also dealt with lies, mythmaking and forgeries, albeit in the medieval setting.
Prof. Eco did manage to finish Numero Zero, and it was published by Bompiani in January, 2015. Although the main setting of the novel is Milan in 1992, the book also touches upon the mysteries and tragedies of the 1970s: the clandestine NATO operation Gladio, the notorious Masonic lodge Propaganda Due, the failed neo-fascist coup Golpe Borghese, the terror of Red Brigades, and the death of Pope John Paul I. On top of that, Eco’s book tells about "corrupt secret services, massacres and red herrings" as well as "a shocking plan". The novel was presented at the Frankfurt Book Fair with the English title That’s the Press, Baby..., referring to the famous last words of Humphrey Bogart’s character in Deadline.
A mish-mash of journalists who cobble together a daily paper concerned not so much with information, but blackmail, mudslinging, and cheap stories. A paranoid staff writer who, roaming round a hallucinatory Milan (or hallucinating in a normal Milan), reconstructs fifty years of history in the light of a sulphurous plot built around the putrefying corpse of a pseudo Mussolini. In the shadows lurk the secret right-wing organization known as Gladio, the P2 Masonic lodge, the supposed murder of Pope John Paul I, the coup d’état planned by Prince Junio Valerio Borghese, the CIA, red terrorists manoeuvred by the secret services, and twenty years of slaughter and smoke screens. A set of inexplicable events that seem pure fantasy until a BBC programme proves they are true, or at least that the perpetrators have confessed to them by now. A corpse that suddenly shows up in Milan’s narrowest and most disreputable street. A tenuous love story between two born losers, a failed ghost writer and a disturbing girl who in order to help her family has dropped out of university to specialize in gossip about romantic attachments, but who still cries when she listens to Beethoven’s Seventh. A perfect manual of bad journalism in which the reader gradually begins to wonder whether it is all make believe or simply true to life. A story that unfolds in 1992, a year that foreshadowed many mysteries and follies of the successive twenty years, just as the two protagonists think that the nightmare is over. A bitter and grotesque episode that takes place in Europe in the period spanning the end of the war and the present day – and one that will leave the reader feeling every bit as much of a loser as the two protagonists.
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Soviet Education, a novel by Olga Medvedkova
Rights sold: France - Alain Baudry & Cie Editeur, Spain - Acantilado
Prix Révélation de la Société des gens de lettres (2014, France)
Summer 1980: Moscow prepares for the Olympics at great risk, in the midst of the war in Afghanistan. The city is closed to non-residents, who in any case are abandoning it. Liza is one of them. An adolescent in search of her
identity, she has gone with her mother to a village she has never been to, but where her mother is very well known. And for good reason: the village bears her name. The mansion, an imposing but dilapidated Italianate building,
belonged to her ancestors, Russian princes close to the tsar. As for Liza, she bears the name of her father: Klein. A father who lives in America and the mere mention of whom is all but forbidden. Liza understands only that she has
a German name, and that she is the descendant, on her father’s side, of Joseph Klein, the Russian translator of Goethe.Here, suddenly, are too many identities, whose accumulating questions go unanswered. Jewish, aristocratic, Soviet, intellectual – her family is a tissue of contradictions. To crown it all, she is troubled by David, her mother’s friend,
whose house they are living in, and who as she quickly realizes is of Jewish origin, a pillager of memories in the ancestral mansion, an accomplice of the village folk, a disillusioned artist declared a “social parasite” by the
authorities, who collaborates with a film crew that finances its perfectly official films by trafficking in icons...Medvedkova's novel ideally combines a number of themes and elements which are quite typical for any novel where action is set in Russia, but their mixture produces an unexpected effect. Its protagonist a 15-year-old anorexic girl, a wonder-kid passing throughout a difficult stage of growing up and maturing, confronting the outside world and - especially - her authoritarian mother who herself has many skeletons in her closet.
The novel features the "ordinary family of Soviet intellectuals". Its narrative gains momentum gradually, and that subtly reflects the state of the soul and consciousness of the main character, its internal development: from slow and sleepy, to feverishly sharp, dizzy fast. Up to the very end of the book, Lisa (and the reader) doesn't see the full picture.
The novel is beautifully written, very dynamic and elegant. It's a concentrate of all Russian and Soviet just in the form that Western readership is interested to get. Aristocratic roots of Liza's family, dissidents, Soviet cultural elite, intelligentsia, etc. - in fact, the book provides a descriptive account of formation, way of thinking and self-perception of the modern Russian intellectuals, all these people who now got to play an important role in world science, culture,
politics, and economy.The book is originally written in French and has around 220 pages.
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