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Articles
Title
Elena Kostioukovitch in Sofia, December 2025
NEW RELEASE: Kyiv. A Fortress Over the Abyss by Elena Kostioukovitch
Marina Vishnevetskaya wins the 2024 Vitruvio-Le Muse Award
Lyudmila Ulitskaya awarded the Günter Grass-Preis 2023 for her life's work
Lyudmila Ulitskaya receives the Erich Maria Remarque Peace Prize 2023
MEMORIAL human rights group and Ales Bialiatski got the 2022 Nobel Peace Prize
Ludmila Ulitskaya named a winner of the 2022 Formentor Prize
2022 – The Year of Józef Mackiewicz
NEW RELEASE: Yakhina's Zuleikha Opens Her Eyes in Norway
NEW RELEASE: Ulitskaya's The Big Green Tent in Japan
NEW RELEASE: OST in English
NEW RELEASE: Yakhina´s Train to Samarkand in Romania
MEMORIAL International awarded the 2021 JAN MICHALSKI PRIZE FOR LITERATURE
RIP Marietta Chudakova (1937-2021)
Yakhina's novel named the best translated novel of the 2021 in France

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Featured titles

  • Grand Duke Constantine Pavlovich Romanov, a biography by Maya Kucherskaya (2005, NF)

    Rights sold: Russia - Molodaya Gvardiya

    Non-fictional biopic title about Constantine Pavlovich Romanov (1779–1831), a grand duke of Russia and the second son of Emperor Paul I. He was the Tsesarevich of Russia throughout the reign of his elder brother Alexander I, but had secretly renounced his claim to the throne in 1823. For 25 days after the death of Alexander I in 1825, he was known as His Imperial Majesty Constantine I Emperor and Autocrat of All the Russias, although he never reigned and never acceded to the throne. The succession controversy became the immediate cause of the Decembrist revolt. Constantine was known to eschew court etiquette and to take frequent stands against the wishes of his brother Alexander I, for which he is remembered fondly in Russia, but in his capacity as the commander-in-chief and de facto viceroy of Congress Poland he is remembered as a ruthless ruler.

    Read more...
  • The Night We Disappeared, a novel by Nikolai Kononov

    Rights sold: Russia - INDIVIDUUM

     

    This is a polyphonic novel ambitious both in terms of its literary quality and the issues it discusses: xenophobia, inequality, post-memory, the "right turn," and anarchy. It is, of course, also a book about a search for identity, both among individuals and within the territories of Eastern Europe, where inhabitants suffered over and over during social upheavals of the 20th and 21st centuries. The novel is centered on a phenomenon of apatrides - people rejected by their homeland who - against their will - became citizens of the world.

    The plot-lines of the three main characters in Kononov’s novel are all set between 1919 and 1951. All three are refugees from the Russian and Soviet empires: they are exiles, stateless persons. Even so, history gave each a chance to play their own role in history before, during, and after World War II. Their  trauma and pain affect their descendants – our contemporaries – in unexpected and unpredictable ways.

    A young woman – a teacher who was raised by a dedicated Marxist mother in the USSR in the 1930s – suddenly converts to Christianity while surviving the Nazi occupation in the city of Pskov during WWII. She later witnesses a lesbian relationship developing between two young schoolgirls in a refugee camp. A White Russian émigré pretends to be a Bolshevik spy, deceives the German military-intelligence service, then falls in love with an anarchist woman and tries to turn the theory of love’s powerlessness into  reality. A German refugee suffers from a dissociative identity disorder because he is unable to cope with the fact that he had betrayed his parents while saving his own life.

    The circumstances of the lives of these three characters are told in letters, diaries, and documents discovered by our contemporaries: one of them is a high school girl who openly expresses an outrage against the war in Ukraine, another is a student working on her dissertation on the history of anarchism in a London apartment, the third is a German who was recently released from prison after serving a sentence for committing murder in the heat of passion.

    The Night We Disappeared  is about an individual’s bewilderment when facing a changing world and its uncontrollable brute forces. It’s about the utter fiasco of existing social structures, and the urgent need for new forms and ways of social interaction.

     

    Read more...

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