Featured titles
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God of Rain, a novel by Maya Kucherskaya (2006)
Rights sold: Croatia - Zagrebacka naklada, Russia - AST
Student Booker Prize (2007)
God of Rain is a short novel, dynamically plotted and with none of the excesses we have come to associate with “youth” novels. Quite the opposite, it is the story of Anya, a nice, well-educated young woman, who graduates from college as promising young intellectual. She starts her philological studies in Moscow University, but falls into a deep depression, and converts to active Orthodoxy. Her conversion leaves her firmly determined to go to live in a monastery. But instead she falls in love with her spiritual father and ultimately emigrates to Canada. Throughout all of this, she remains a virgin and a profound spiritual seeker.
In this novel we have a fresh view on the involvement of the young people in the new Orthodox wave that seems to be overflowing in Russia these days; an important internal analysis of the dilemma of the believers and of the priest. In Anya—a nice, “clean thinking” young woman—we have a character long overdue in modern literature; and the plot is tightly woven and psychologically insightful.
The novel is meant to be read in one breath.
...Kucherskaya succeeded in being grateful. She writes about a happiness granted to her protagonist by an outcast, confused, bitter, but so genuine adolescence. (Andrew Nemzer)
Should we say the new novel by Kucherskaya is good? Of course, it is… (Evgeny Berzharsky, Itogi)
Maya Kucherskaya once again demonstrates her expertise in a literary rope walking … (Vladimir Zamirsky, Komsomolskaya Pravda)
I've always thought that a good humanities training is useful for an aspiring writer, and Kucherskaya's novel proves it: Her style is lucid and often gripping. Moreover, the subject matter is quite fresh. (Victor Sonkin, The Moscow Times)
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The Book of Legendary Lands - 2013
Rights sold: Russia - SLOVO
Places that have never existed except in the human imagination may find an incongruous afterlife in the everyday world. Umberto Eco tells of how an attempt to commemorate the brownstone New York home of Nero Wolfe, Rex Stout’s orchid-loving fictional detective, runs up against the resistance of fact. Wolfe’s house cannot be identified because Stout “always talked of a brownstone at a certain number on West 35th Street, but in the course of his novels he mentioned at least ten different street numbers – and what is more, there are no brownstones on 35th Street”. Using Eco’s typology, a fiction has been transmuted into a legend: “Legendary lands and places are of various kinds and have only one characteristic in common: whether they depend on ancient legends whose origins are lost in the mists of time or whether they are in effect a modern invention, they have created flows of belief.” (from John Gray's review on English-language edition, full text http://www.newstatesman.com/culture/2013/11/no-place-home)
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