Featured titles
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Post-Soviet Mausoleum of the Past. History in times of Putin. Collected essays by Kirill Kobrin, 2017
Rights sold: Russia – NLO
"I am convinced that the period of history known as “post-Soviet” in Russia is over. This is why the personalities and processes of the previous period are no longer relevant. They are still in the news, and they still act, sometimes dangerously, but discussing them is as relevant as discussing laws passed by pre-revolutionary premier Pyotr Stolypin in 1919. Today’s changes aren’t as quick and catastrophic as they were then, but then history doesn’t repeat itself, not even as farce.
The old post-Soviet project, once relevant back in 1991, is over. It has achieved its aims
What has changed? The public agenda. The hierarchy of what’s important and what’s not for Russian society. What is appropriate and desirable. And, most importantly, the project of the present and the past. The old post-Soviet project, once relevant back in 1991, is over. It has achieved its aims. It’s just that nobody’s rushing to pronounce what has happened as the “natural, logical results” of this process.
Maybe now it’s time to sum up (tentatively, of course,) the results of Russia’s post-Soviet project — this is what this series of essays is devoted to. The post-Soviet project began with a public gesture of rejection of Soviet ideology. It ended when it drowned in the pseudo-ideological swamp of conservatism. Ideology, culture, public life in general, these are the things we must concentrate on to understand what happened in 1991-2016.
In this book, I look at the history of Soviet ideology, which was allegedly spurned by the freedom-loving Soviet peoples in the late 1980s, and which supposedly formed the foundation of the “Soviet empire.” I also discuss what happened to this ideology, discuss the possibility of new ideologies, and draw some conclusions about the state of the public mind in modern Russian society".
See excerpts from Kirill Kobrin´s History in times of Putin in English at openDemocracy project:
https://www.opendemocracy.net/en/odr/death-of-post-soviet-project-in-russia/
https://www.opendemocracy.net/en/odr/welcome-to-post-post-soviet-era/
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Yermo, a novel by Yuri Buida (1997, 2011)
Rights are handled on behalf of Editions Gallimard
Rights sold: France – Gallimard, Russia - Vagrius
With Yermo, Yuri Buida signs a breathtaking novel in which he develops his reflection about literary creation mingling biography, aesthetic essay and thoughts about the novelistic style.
Life of the American writer George Yermo forms an extraordinary romantic material. Georgi Nikolaev-Yermo was born in 1914 in St. Petersburg into a family of the Russian nobles. He was raised in New Salem, MA, under the sign of Melville, Emily Dickinson and Henry James (all three New Englanders) and Puritan values of the US Founding Fathers. After graduating from University, he’s experienced an unhappy love affair, and went to the Spanish Civil War as a reporter. His battlefield articles made him famous.
In the early fifties, an accidental visit to the palace Sanseverino in Venice changes a course of Yermo’s life, as he suddenly recognizes a materialization of the house from his childhood dreams. The palace, its past and its secrets, and its beautiful owner Lisa, will from now on be the center of his life.
Buida’s Yermo is a broad reflection about literary fiction, and a beautiful homage to Vladimir Nabokov. The book is written in rich, abundant language, and contains protagonist’s (and author’s) views of art in general, of painting, theater and film, of philosophy and aesthetics, and of Russian and American literature. But it is the fascinating originality of its main character that makes Buida’s novel a real reading delicatessen.
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