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TIERRA ADELANTE! a novel by Andrei Kofman
Rights sold: Russia - SOFIA
Winner of the DREAM BOOK National Literary Award (2006, Russia)
A breathtaking story of Spanish colonization of the Americas. Adventure novel for children and young adults by Andrei Kofman
It was in the first part of XVIth century. A new continent was already discovered, and people began to call Europe THE OLD WORLD as opposed to a NEW one, which to many seemed to be full of mysteries and enchantment, a promised land of unimaginable wonders capable to fulfill any human desire. Precisely in search of these miracles Spanish noble marquise Don Alonso de Santillana and his anecdotic crew composed exclusively of whitebeards and cripples sale towards the New Lands. An aged romantic crackpot, a knight errant and passionate lover of chivalry novels, Don Alonso winds up his rich Sevillian estate, and uses all his dough to fit up a ship and to organize an expedition to a New Continent. He and his crew are consolidated by overwhelming belief in miracles of the New World, while all reasonable-minded inhabitants of Seville make merry over their craze.
Don Alonso de Santillana proved to have more luck than his compatriot Don Quixote. Together with his brave crew he managed to discover a multitude of never before explored islands and countries. More important of all, with their very own eyes they saw all the marvels of the world: the giants, who turned out to be wild but quite peaceful folk, the beautiful female warriors, amazons, whom Don Alonso's personal barber revealed all the secrets of Old World beauty and cosmetic culture. On their journey the travelers run into a race of dog-headed people, saw live headless people, sea sirens, dragons etc. Finally they made it to their destination and bathed in the magical water of the Spring of the Eternal Youth, recovering their young age and beauty. Unfortunately, they were the last ones who had an opportunity to enjoy the miracle: a local Indian who showed them to the Spring destroyed it in order not to share this marvel with cruel conquistadores.
Each of Don Alonso's companions finds the most desired, and each one of them is compensated deservedly. Rejuvenated marquise finds his Dame, and only these two are permitted to pass through the gates of the Earthly Heaven. Captain Sancho, a passionate sea wolf, chooses to stay forever on his ship. And Padre Galindo, a monk, lives a long and fruitful life and writes down a chronicle of their miraculous journey.
TERRA ADELANTE! by Andrei Kofman is an adventure novel following the best traditions of the genre. His book features a richness of detail, while it's tonality and rhythmical pattern are close to a modern young reader. Informational "inserts" into a novel's narrative body (as author himself claims, these might be omitted while reading) represent the most interesting and sometimes unexpected historical facts and explanations. For example, Kofman explains the origins of $ symbol and what connection it bears to a national coat-of-arms of Spanish Kingdom, or describes the evolution of geographical maps and why Middle Age navigators were always finding not what they were looking for. Author gives a detailed account of real conquistador's expeditions in search of magical creatures and their discoveries.
For example, did you know that
- the longest river in the world was named by Spanish conquistadors Amazon River after a mythical ancient nation of all-female warriors?
- the name California was taken by Spanish conquistadors from XVI-century popular chivalric romance ‘Espladián’s Adventures’?
- the Fountain of Youth, a legendary spring that reputedly restores the youth of anyone who drinks of its waters, is said to be located in Florida, and stories of the fountain are dating back to Spanish conquest time?
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Chekhov's Poetics (1971), a book of literary studies by Alexander Chudakov
Rights sold: World English rights - Ardis (reverted)
Originally published in Moscow in 1971, Chekhov's Poetics remains the best single-volume study devoted to Chekhov. In fact, anyone who attempts to stage or study Chekhov seriously must consult Cudakov—and the sooner the better.
Tightly and lucidly written, this relatively slender volume constitutes a gold mine of important facts, judicious commentaries, and sober judgments about Chekhov’s oeuvre—all substantiated by prodigious citations form the writer's work. Although demonstrating an impressive mastery of Russian and Western Chekhov scholarship, and occasionally quoting Chekhov’s letters, Chudakov depends exclusively on the stories and plays themselves to advance his persuasive arguments. We have here a close reading of Chekhov, meticulous in its detail but always cognizant of the larger issues which Chekhov’s complex, often elusive writing raises. The book is divided into two parts of almost equal length and moves from structure to idea in Chekhov. Part One (“Narrative Structure“) deals largely with Chekhov's use of the narrator, challenging the view that the writer's work shows little or no significant evolution. The frequently quantitative approach to Chekhov’s texts makes for some slow reading at first, but the results are highly rewarding—as witnessed by Cudakov’s marvelous extended analyses of “The Grasshopper” and “The Steppe." Part Two (“The Tangible World") concentrates on Chekhov's treatment of external reality, his major devices, and the role of ideas in his work. This section, which (quite uniquely) sees Chekhov “whole," i.e. as both prosaist and dramatist, offers the most compelling explanation available of so-called Chekhovian “disconnectedness," and insightfully demonstrates how Chekhov’s view of the individual differs radically from that offered by the literary tradition of Russia's major realists. Through frequent references to works by Turgenev. Goniarov, Dostoevskij, and Tolstoj, Cudakov builds up to one of his major conclusions about Cexov’s aesthetic system, namely that “(existence) is irrational and chaotic, its meaning and purposes are unknown and not subordinate to a visible idea. The nearer the created world is to that natural existence with all its chaotic, senseless and incidental forms, the more that world approaches absolute adogmatic reality. This is precisely the world of Chekhov.”
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